【每日一星】第314号 陈传席 Chen Chuanxi


世界艺术家排行榜

World artist rankings


《每日一星》

A star of the day


第314号  陈传席

No. 314  Chen Chuanxi


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陈传席,中国著名评论家、美术教育家、画家、当代文人画代表性人物。

Chen Chuanxi is a famous Chinese critic, art educator, painter and representative figure of contemporary literati painting.


现任中国人民大学教授(二级教授) 、博导,兼任中国佛教艺术研究所所长、中国美术家协会理论委员会副主任、特殊贡献专家,享受国务院特殊津贴、中华文化发展促进会理事,中国文艺评论家协会理事。

At present, he is a professor of Renmin University of China (second grade Professor) and doctoral advisor. He is also the director of China Buddhist Art Research Institute, deputy director of theory Committee of China Artists Association, expert of special contribution, and enjoys special allowance from the State Council, director of Chinese Culture Development Promotion Association, and director of China Literary Critics Association.


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1950年9月生于山东,江苏徐州人。毕业于南京师范大学美术学院、文学院,获博士学位。

He was born in September 1950 in Xuzhou, Jiangsu Province. Graduated from school of fine arts and School of Arts of Nanjing Normal University with a doctor's degree.


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1968年于安徽泗县中学高中部毕业,下放农村(知青),1970年被推荐到安徽省淮南煤炭学院学习机电专业,1972年分配到淮北煤矿,从事技术工作和新矿的筹建工作,1979年入淮南煤炭学院学习外语一年,1980年考入南京师大美术系研究生班学习美术史论,

In 1968, he graduated from the senior high school of Sixian middle school in Anhui Province and was transferred to the countryside (educated youth). In 1970, he was recommended to Anhui Huainan coal university to study mechanical and electrical major. In 1972, he was assigned to Huaibei coal mine to engage in technical work and the preparation of new mines. In 1979, he joined Huainan coal university to study foreign language for one year. In 1980, he was admitted to the graduate class of the Art Department of Nanjing Normal University to study art history,


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1982年毕业,分配到安徽省文化厅文学艺术研究所。当年至1984年筹办黄山画派(安徽画派)国际学术研讨会及全国36家博物馆院明清绘画联展。

He graduated in 1982 and was assigned to the literature and Art Research Institute of Anhui Provincial Department of culture. From that year to 1984, he organized the international academic seminar of Huangshan School of painting (Anhui School of painting) and the joint exhibition of Ming and Qing paintings of 36 museums in China.


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1985年调回南京师大美术系,1986年应邀赴美,任堪萨斯大学研究员,1987年9月回国,任南京师大副教授,1993年任教授,1999年3月获中青年有突出贡献专家证书。1998年考入文学院古代文学博士生,2000年任博导,2001年获文学博士学位,2004年任上海大学教授,同年调入北京任中国人民大学教授、讲座教授、博导,2008年任二级教授(目前中国级别最高的教授),2010年获国务院特殊津贴证书。

In 1985, he was transferred back to the Fine Arts Department of Nanjing Normal University. In 1986, he was invited to the United States and served as a researcher at the University of Kansas. In September 1987, he returned to China and served as an associate professor at Nanjing Normal University. In 1993, he was a professor. In March 1999, he was awarded an expert certificate for outstanding contributions by young and middle-aged people. In 1998, he was admitted as a doctoral candidate in ancient literature of the College of liberal arts. In 2000, he served as a doctorate in literature. In 2001, he received a doctorate in literature. In 2004, he was a professor of Shanghai University. In the same year, he was transferred to Beijing as a Professor, lecture professor and doctoral advisor of Renmin University of China. In 2008, he served as a second-class professor (currently the highest level teaching in China). In 2010, he was awarded the special allowance certificate of the State Council.


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2011年至2014年,主持国家重要学术研究项目《古代佛教雕塑调查与数字化保存整理研究》(立项批准号11AZD118)。2014年应邀赴美国南犹他大学、达慕斯大学讲授中国传统文化。同年至法国,获“巴黎荣誉市民”称号。曾任美国堪萨斯大学研究员、马来亚大学、拉曼大学客座教授。

From 2011 to 2014, he presided over the national important academic research project "investigation and digital preservation of ancient Buddhist Sculptures" (project approval No. 11azd118). In 2014, he was invited to teach Chinese traditional culture at the University of Southern Utah and Damus University. In the same year, he went to France and won the title of "honorary citizen of Paris". He was a research fellow at the University of Kansas, visiting professor at the University of Malaya and Raman University.


现兼任中国人民大学佛教艺术研究所所长、中国美术家协会理论委员会副主任、中华文化发展促进会理事。

At present, he is also the director of Institute of Buddhist art of Renmin University of China, deputy director of theory Committee of China Artists Association, and director of Chinese Culture Development Promotion Association.


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陈传席多次被邀请到美国、法国、意大利、韩国、马来西亚等国举办的国际学术研讨会上作主讲及画展评审主席等。

Chen Chuanxi has been invited many times to give lectures at international academic conferences held in the United States, France, Italy, South Korea, Malaysia and other countries, as well as the chairman of the Judging Committee of the exhibition.


陈传席1980至90年代中期从事中国美术史研究,出版《六朝画论研究》(大陆版、台湾版等共21版),被公认为学术性最高的著作,世界各国学者研究六朝者鲜有不引用此书的,中青年教授都说是读此书长大的;《中国山水画史》(83万字),已印刷23版,另有外文版六卷;另外,又出版《中国绘画美学史》、(选入20世纪“中国文库”)《中国绘画理论史》、《中国紫砂艺术》、《弘仁》、《陈洪绶》、《精神的折射》、《悔晚斋臆语》、《中西文化的冲突》、《鹤与鹰—中西文化的大碰撞》等,都已8版9版10版丶21、23版。

Chen Chuanxi was engaged in the study of Chinese art history from 1980 to the mid-1990s, and published the study of Six Dynasties' painting theory (mainland edition, Taiwan edition, a total of 21 Editions), which is recognized as the most academic work. Few scholars in the world who study the Six Dynasties do not cite this book. Young and middle-aged professors say that they grew up reading this book《 The history of Chinese landscape painting (830000 words) has been printed in 23 editions and six volumes in foreign languages; In addition, he has published the history of Chinese painting aesthetics, the history of Chinese painting theory, Chinese purple sand art, Hongren, Chen Hongshou, the refraction of spirit, regret of late Zhai, the conflict between Chinese and Western cultures, crane and eagle the great collision between Chinese and Western cultures, etc., which have been published in 8 editions, 9 editions, 10 editions, 21 editions and 23 editions.


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据美术界权威杂志《美术》统计:陈传席研究强度居全国第一名。

According to the authoritative magazine of fine arts, Chen Chuanxi's research intensity ranks first in China.


基于美术界和当时社会风气,陈传席于1995年后转向美术批评,他第一次提出“正大气象”、“阳刚大气”,以振奋民族精神,反对殖民文化,提倡民族正气(论文《民族正气和题材》等),很多文章被《求是》全文转载、《新华文摘》全文转载。陈传席被美术界公认为全国美术批评第一人。他的评论在当代产生巨大的正能量,改变了一代绘画风气。

Based on the art world and the social atmosphere at that time, Chen Chuanxi turned to art criticism after 1995. For the first time, he put forward "righteous atmosphere" and "masculine atmosphere" to inspire the national spirit, oppose colonial culture, and promote national righteousness (thesis "national righteousness and themes", etc.). Many articles were reprinted by Qiushi and Xinhua digest. Chen Chuanxi is recognized as the first art critic in China. His comments have produced great positive energy in the contemporary era and changed the painting atmosphere of a generation.


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陈传席被外国和很多国内年轻学者称为“现代美术史研究之父”。

Chen Chuanxi is known as "the father of modern art history research" by foreign and many domestic young scholars.


陈传席还从事中国文学史研究,发表有《明反曹、暗反刘——<三国演义>内容倾向新论》、《台阁体研究》、《汉文化的分裂、重心转移及与森林的关系》、《释<易经>“黄帝尧舜垂衣裳而天下治”》等。出版《陈传席文集》九卷。

Chen Chuanxi is also engaged in the study of the history of Chinese literature, and has published a new discussion on the content tendency of Ming Dynasty against Cao and dark against Liu: the romance of the Three Kingdoms, a study on the style of Taige, the division of Han culture, the shift of focus and the relationship with the forest, and an interpretation of the book of changes: "the Yellow Emperor Yao and Shun drooped his clothes and ruled the world.". He published nine volumes of Chen Chuanxi's anthology.


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陈传席还从事散文、诗词创作,《悔晚斋臆语》已由中华书局等出版21次。

Chen Chuanxi is also engaged in the creation of prose and poetry, and "regret night Zhai conjecture" has been published 21 times by Zhonghua Book Company.


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除上述之外,陈传席还出版《画坛点将录》(三联版、港台版等7版)《北窗臆语》、《蛙怒集》、《会心不远》、《陈传席文集》(九卷)、《陈洪绶集》(点校本,中华书局)、《中国艺术如何影响世界》等70余部著作及《陈传席画集》等,还在《文物》、《美术研究》、《美术》、《人民日报》、《光明日报》等发表文章1000多篇,很多论文、著作被译为外文在国外出版发行。

In addition to the above, Chen Chuanxi has also published more than 70 works, such as the record of the generals in the painting world (triplicate edition, Hong Kong and Taiwan edition, etc.), the conjecture of the North window, rannu collection, Huixin not far away, Chen Chuanxi's Anthology (nine volumes), Chen Hongshou collection (school edition, Zhonghua Book Company), how Chinese art affects the world, and Chen Chuanxi's anthology, etc More than 1000 articles have been published in fine arts research, fine arts, people's daily and Guangming Daily. Many papers and works have been translated into foreign languages and published abroad.


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他同时从事书画创作,著名鉴定家谢稚柳曾称“陈传席是当代文人画的一个顶。“我以前只知道他文章写得好,没有人能和他相比,未想到他的画也这么好,文人画当代数他最高。”1989年苏联一家画报称:“中国现代绘画有三派,现代派爬得太高,新文人画派靠得太近,唯陈传席画派立得最远,陈传席的画宁静含蓄有诗意,格调高古、超迈绝俗,是当代最高的文人画。”

At the same time, he was engaged in painting and calligraphy. Xie zhiliu, a famous appraiser, once said that "Chen Chuanxi is the top of contemporary literati painting."“ I used to know that he wrote well, and no one could compare with him. I didn't expect that his paintings were so good, and he had the highest number of contemporary literati paintings. " In 1989, a Soviet pictorial said: "there are three schools of modern Chinese painting. The modernist school is too high, and the new literati school is too close. Only Chen Chuanxi's painting school is the farthest. Chen Chuanxi's paintings are quiet, implicit and poetic, with high style and extraordinary vulgarity. They are the highest contemporary literati paintings."


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陈传席在国外的名气甚至超过国内。作品被天安门、首都博物馆、国家博物馆、安徽省博物馆、无锡苏州深圳等博物馆以及国外收藏机构收藏。

Chen Chuanxi is even more famous abroad than at home. The works are collected by Tiananmen Square, capital museum, National Museum, Anhui Provincial Museum, Wuxi, Suzhou, Shenzhen and other museums as well as foreign collection institutions.


2021年6月18日,陈传席在世界文化艺术家排行榜《每日一星》评选活动中荣获第一名。

On June 18, 2021, Chen Chuanxi won the first prize in the selection of "one star of the day" in the list of world cultural artists.


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