东方早报：打破“圈内圈外” 戏曲属于普通人

Oriental morning post: breaking the "inner circle" opera belongs to ordinary people.

平时在舞台上端庄的昆曲闺门旦，激情四射地劲歌热舞；一贯稳重的京剧老生，一边拉起小提琴一边还能玩上机械舞；史依弘、王佩瑜、黎安、谷好好等戏曲明星则是盛装走上红毯……这是前晚一个名为“第八届京昆跟我学时尚课堂颁奖大典”上的场景。当晚，在兰心大戏院的舞台上，除了有这些“老师们”让人意外的跨界表演，更有很多“零基础”学员煞有介事的戏曲节目。

　　经过四年的运作，上海京昆艺术中心的“京昆跟我学”活动已经累计招收了300多位学员，其中90%是从未接触过戏曲的年轻白领。这个针对青年观众的“京昆戏曲学习班”通过开班教戏等活动，打破了“圈内圈外”、“台上台下”的界限，让很多从来不接触戏曲的年轻人开始走进这一传统艺术。

　　从戏曲白丁变铁杆志愿者

　　当晚颁发的“京昆学员志愿者”和“元老级学员”的奖项特别引人注目。京昆中心事业推广部主任赵春燕介绍说，举办“京昆跟我学”四年来，最让他们感动的，就是这些志愿者们的热情。他们当中有很多人之前从来不看戏，但通过亲身学戏后，对京昆艺术产生了特别的感情，在很多演出和活动中，他们都参与从事推广。其中“元老级”学员陈宜甚至参加了四年8届的全部学习。而几乎所有学员毕业后，都带动了很多身边人对京昆艺术的关注。

　　四年前“京昆跟我学”的首届结业典礼，只有几十名学员，而四年后，这个活动已经扩大到16个班200多位学生，包括京剧旦角、老生、昆曲闺门旦、小生等不同行当。这些学员的年龄集中在25-35岁之间，其中有大学教师、公务员、外企白领、大学生乃至外籍人士，他们有的是出于对传统文化和戏曲的热爱，但大多都是抱着好奇的心理走进这个课堂的。

　　赵春燕说，大部分年轻人对于戏曲艺术都会有些排斥，他们就通过把活动策划得“现代些”来吸引年轻人体验传统艺术。在小班学习形式的“京昆跟我学时尚课堂”后，他们又推出了年轻戏曲偶像授课的“京昆明星公开课”，找来史依弘、王佩瑜这样的年轻演员讲戏聊天。并在高校、创意园区、艺术小剧场、逸夫舞台等场合举办，每场公开课都有600至900名的观众参与。不少年轻人通过喜欢上演员本人，开始走进剧场看戏。

　　普及之后用什么吸引学员

　　早报记者在采访中了解到，很多学员都对这个活动赞赏有加。他们中有人建言，现在包括古琴等的很多艺术都有面向大众的培训学校，除了京昆之外，很多传统戏曲剧种也可以借鉴这一活动，通过相似的方式推广普及，让戏曲和更多普通人的生活发生关系。

　　不过随着规模的扩大，“京昆跟我学”也开始面临一些新的问题。作为沪上唯一的专业院团演员教学的京昆课堂，“京昆跟我学”的老师都是专业演员，要坚持长期教学并非易事。而300多位学员的规模，相对于上海这样的城市人口，依然有些“小众”。有业内人士提出，如何让这个活动在扩大规模的同时，找到有效坚持的方式，是未来需要解决的难题。观众的培养，仅靠“学戏”显然不够，也需要“剧场欣赏”的体验方式。一个值得深思的问题摆在戏曲院团面前，当这些 “白丁”们开始了解了京昆艺术，从业者们又该用怎样的艺术和作品，让学员们真正热爱这一艺术？

Oriental morning post: breaking the "inner circle" opera belongs to ordinary people.

In peacetime on the stage of dignified kunqu opera, passionate and vigorous dance; A steady and steady Peking Opera, while playing the violin and playing a mechanical dance; Shi yihong, wang peiyu, li 'an, gu hao and other opera stars are dressed up on the red carpet... It was a scene from the previous night, "the 8th Beijing kungfu fashion class award ceremony". In the evening, on the stage of the grand theater, there were many "zero-base" students who were on the stage, except for the unexpected cross-boundary performances of these "teachers".

After four years of operation, the beijing-kunming art center has enrolled more than 300 students, 90% of whom are young white-collar workers who have never been exposed to Chinese opera. The youth for the audience's "jing kun opera classes through class teaching drama" and other activities, breaking the "outer circle" and "off stage", make a lot of young people never contact drama entered this traditional art.

From the opera baiding to the hardcore volunteers.

The award of the "jingkun student volunteers" and "the elder students" that night was particularly striking. Zhao chunyan, director of the promotion department of the Beijing kunming center, said that the most touching thing for them was the enthusiasm of the volunteers. Many of them had never seen the play before, but after learning the play, they had a special feeling for the art of Beijing kungfu. In many performances and activities, they participated in the promotion. Among them, Chen yi, a member of the "senatorial class", even participated in the whole study of the eight years. After graduation, almost all the students have brought a lot of attention to the art of jingkun.

"Of follow me" four years ago the first graduation ceremony, only dozens of students, and four years later, this activity has expanded to 16 class of more than 200 students, including Peking Opera, old woman, kunqu GuiMenDan, niche, such as different business. These students' age between 25 to 35 years old, there are university teachers, civil servants, foreign white-collar workers, college students and foreigners, they have a plenty of for the love of traditional culture and traditional opera, but most of all is holding the curious psychology into the classroom.

Zhao said that most young people would be somewhat excluded from the art of drama, and they would attract young people to experience traditional art by planning their activities "more modern". In a small study in the form of "jing he follow me fashion classrooms", after they have introduced a young idol drama teaching "public class" of stars, to history in hong, Wang Peiyu such young actors play chat. It is also held in universities, creative parks, art small theatre and shaw stage, with 600 to 900 audience members participating in every open class. Many young people began to go to the theatre by liking the actors themselves.

What attract students after popularization?

The newspaper reporter learned in the interview that many students praised the activity. Some of their recommendations, including many of the guqin art now has a public training schools, in addition to of, is also a lot of traditional Chinese operas flourishing can draw lessons from this event, popularization, by means of similar to opera and more ordinary people's life.

However, with the expansion of scale, "jingkun and I learn" also began to face some new problems. As the only professional college student in Shanghai, the teacher of "jingkun and me" is a professional actor. It is not easy to insist on long-term teaching. The size of more than 300 students is still small compared with the urban population of Shanghai. There are people in the industry who have suggested how to make this activity expand and find effective ways to persist, which is a difficult problem to be solved in the future. The training of the audience is obviously not enough to learn the drama, and the experience of "theater appreciation" is also needed. A problem worthy of thinking deeply before opera troupes, while the "white" are beginning to understand the of art, practitioners and use the works of art, and how, let students really love this art?