笔墨随时代 丹青绘山河世界级书法大家李增荣精品赏析

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书画蕴含着民族博大精深的文化,在建设社会主义文化强国的大背景下,继承和发展书画艺术尤为重要。在深入生活的艺术创作中,创作者以饱蘸热情的丹青墨笔,以满怀激情的创作状态,把握时代脉搏,聆听时代声音,用一幅幅鲜活生动的作品展现出民族精神,领略书画的艺术真谛与哲学内涵,描绘新时代的精神图谱。 李增荣先生作为当代著名的艺术家,在走进自然、走进文化、走进传统之中定位自己的创作。他的艺术作品在整体的诗意美与清新的韵致中,体现了传统美学、时代精神相融的特殊魅力。因此,在世界级艺术在行动的网络主题展频,从多个方面呈现他在书画传承与发展上孜孜不倦地探索;以鲜明的笔墨境界,铸造着民族的文化品格和精神;以至臻至美的艺术展现他胸有千壑的大境界大视野,抒发出学养胸襟及审美追求。

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李增荣,男,汉族,1961年12月出生,祖籍山西省万荣县。

出身书香门第,父李文升,毕业于兰州空军医科大学,后一生从事军医事业,1988年授胜利功勋荣誉章;祖父字望白,毕业于民国时期的太谷经济学院,并于中华民国时期,在山西河东道荣河县担任要职;曾祖父亦在国内受过良好教育,家族兴旺,为河东道荣河县李、吕两家族之一,是李姓在万荣的重要一支。李增荣自幼随父游学多地,受家族氛围熏陶,文化浸润深厚。曾从事基建管理、文玩古董、商贸金融等各类工作,阅历丰富。出于热爱曾多年习武,练就外家筋骨内家意气,下盘坚实上身身法灵活协调,腕力过人,擒笔如猛虎如鹏雕,笔风煞是威猛,走笔唦唦有声,力道跃然纸上。这使得他的每件作品都汇聚了无穷的意念与正义之力,有着极强的气场。可谓在这个“书法多畸弱”的时代,开门立宗的确立了自己蕴含力量的书法风格,为世所罕见,书坛稀缺。

李增荣修习书法尤注传统,比较支持“书法艺术不能脱离文字本身”的学术观点。集欧体、魏碑、二王、怀素米芾之长,书法功底扎实,颜、柳、赵兼重,并长期研究古今书画名家作品,兼收并蓄、博采众长,集古今书法之大成,自成一派。

其字笔力遒劲势如雷动,踞如斗虎盘若战龙,弓如弹腿直若拳冲,顿如泰山恒稳,刺如宝剑起锋,长短粗细好似神兵所化,浓淡多寡有如圣境心生。一笔一划似武术中的一招一式,有血有肉,有骨有魂,饱满有力,收放自如,明朗而不稀疏,紧实而不凝赘,粗壮而不臃肿,灵妙而不纤弱,疾而不燥,缓而不滞,充满了力量感、运动感与肌肉骨架的解剖美感,拥有着一种勇武阳刚的精气神,且布局精当,平稳合理,有着非同一般的大格局大气魄。对于书法艺术,李增荣认为:中国书法艺术的独特表现,实乃无言之诗、无相之画、无声之乐、无形之舞,在方寸间容万物灵气,博大精深不可言表。另外,文字之起源是一种模仿的本能,用于形象的表现具体事物,虽简洁而又浩瀚,虽光辉而又质朴,有若混沌初开阴阳方始运化,以一笔一划造宇宙时空。同时,还具备了任何艺术都涵盖不了的深邃的美,为人的精神空间注入无限的遐想,让人奋进向上。对于书法艺术,他更愿意在坚守传统书法艺术之美的基础上,不断提升自身的书法艺术造诣与境界。李增荣部分荣誉经历:2007年12月楷书条幅经全国第九届书法篆刻作品展览评审委员会评审为入展作品。

2011年12月行书条幅经全国第十届书法篆刻作品展览评审委员会评审为入展作品。

2013年为中国书法家协会会员

2014年7月,获“纪念邓小平同志诞辰110周年暨第二届'伟人颂中国梦’全国诗文书画大赛”书法二等奖;

2014年11月,获“第四届'炎黄杯’国际诗书画印艺术大赛”书法金奖;

2015年9月,获“第二届'相约北京’全国文学艺术大赛”书法一等奖;

2015年11月,获“2015年全国诗书画家创作年会”书法一等奖2015年11月,被中国诗书画家网艺术家委员会聘为副主席;

2015年12月,个人作品被由中国广播影视出版社出版发行的《中国当代文艺名家名作金榜集》(2016年卷)收录,并被编委会评为特等奖;

2015年,在国家文化部的支持推荐下,个人创作简历及艺术成就被作为重要词条,刊登于由中国文化出版社出版发行的《新中国66周年文艺名家名典》中;

2016年3月,获第三届“相约北京”全国文学艺术大赛一等奖:2016年4月,获第七届“羲之杯”全国诗书画家邀请赛一等奖:

2016年7月,获第四届“伟人颂·中国梦”全国诗文书画大赛一等奖2016年8月,获第六届“炎黄杯”国际诗书画印艺术大赛金奖等;2016年11月获全国诗书画家创作年会二等奖;

2017年3月获第四届,相约北京,全国文学艺术大赛二等奖;2017年4月获第8届,羲之杯,全国诗书画家邀请赛二等奖;

2017年,“喜迎中国共产党第十九次全国代表大会”书法作品被中国邮政发行邮册;

2017年7月1日,被国家民族画院聘为书法家;

2017年7月18日,被中国民族建筑研究会书画艺术专业委员会增补为委员;

2017年7月,在“翰墨融情写军魂-书画名家祝贺建军90周年作品展”中由中企报盟信息科学研究院颁发荣誉证书。2019年10月被中国书画家联谊会新文艺群体工作委员会聘为特聘书画家。

2019年11月被中国书画家联谊会新文艺群体工作委员会特聘为委员。

2020年5月作品被入编“中华优秀人物之书画使者”纪实档案。

2020年5月被中国艺术品展销中心评选“大国工匠”“国礼艺术”等光荣称号予以肯定。

Li Zengrong, male, Han ethnicity, was born in December 1961, with ancestral roots in Wanrong County, Shanxi Province.

Born into a scholarly family, his father Li Wensheng graduated from Lanzhou Air Force Medical University and devoted his entire life to military medicine. In 1988, he was awarded the Victory Medal of Merit; My grandfather, with the courtesy name Wang Bai, graduated from Taigu Economic College during the Republic of China era and held important positions in Ronghe County, Hedong Road, Shanxi Province during the Republic of China era; My great grandfather also received a good education in China, and his family was prosperous. He was one of the Li and Lv families in Ronghe County, Hedong Province, and was an important branch of the Li surname in Wanrong. Li Zengrong has been traveling to many places with his father since childhood, influenced by the family atmosphere and deeply immersed in culture. I have extensive experience in various fields such as infrastructure management, antiques, and commercial finance. Due to his passion for martial arts, he has practiced for many years and has developed a strong external and internal spirit. His lower body is solid, and his upper body is flexible and coordinated. His wrist strength is exceptional, and he captures his pen like a fierce tiger or a carving of a Peng. His brushstrokes are fierce and powerful, and when he walks, his brushstrokes make a resounding sound, and his strength leaps out of the paper. This brings together infinite ideas and the power of justice in every of his works, with a strong aura. It can be said that in this era of "calligraphy with many flaws and weaknesses", the establishment of a powerful calligraphy style by the Open Door Sect is rare in the world, and the calligraphy industry is scarce.

Li Zengrong's study of calligraphy emphasizes tradition and supports the academic viewpoint that "calligraphy art cannot be separated from the text itself.". Combining the strengths of European style, Wei stele, Er Wang, and Huai Su Mi Fu, with a solid foundation in calligraphy, Yan, Liu, and Zhao are highly regarded, and have long studied the works of famous calligraphers and painters from ancient and modern times. They have integrated and drawn on the strengths of others, and have formed their own school of calligraphy.

The strokes of the characters are as powerful as thunder, standing like a tiger fighting against a dragon, bow like a slingshot straight like a fist rushing, steady as Mount Taishan, spike like a sword rising from the edge, the length and thickness of the characters are like magic weapons, and the shades are like a holy place. Each stroke is like a single move in martial arts, with flesh and blood, bones and soul, full and powerful, easy to retract and release, clear but not sparse, firm but not clumsy, thick but not bulky, agile but not weak, sick but not dry, slow but not stagnant, full of a sense of strength, movement, and anatomical beauty of muscle skeleton, possessing a brave and masculine spirit, and well arranged, stable and reasonable, with an extraordinary grand and majestic pattern. Regarding calligraphy art, Li Zengrong believes that the unique expression of Chinese calligraphy art is actually wordless poetry, expressionless paintings, silent music, and intangible dance, which contain the spiritual energy of all things in every inch, and are vast and profound beyond words. In addition, the origin of writing is an instinct of imitation, used to vividly express specific things. Although concise and vast, although brilliant and simple, it is like the beginning of chaos and the transformation of yin and yang, creating the universe and time with each stroke. At the same time, it also possesses a profound beauty that no art can cover, injecting infinite imagination into people's spiritual space and encouraging them to strive for progress. For the art of calligraphy, he is more willing to constantly improve his calligraphy skills and realm while adhering to the beauty of traditional calligraphy art. Part of Li Zengrong's Honorary Experience: In December 2007, the regular script banner was evaluated by the Evaluation Committee of the 9th National Calligraphy and Seal Engraving Works Exhibition as an exhibited work.

In December 2011, the running script banner was evaluated by the Evaluation Committee of the 10th National Calligraphy and Seal Engraving Works Exhibition as an exhibited work.

Member of the Chinese Calligraphers Association in 2013

In July 2014, he won the second prize in calligraphy at the "Commemoration of the 110th Anniversary of Comrade Deng Xiaoping's Birthday and the Second National Poetry, Literature, Calligraphy and Painting Competition for 'Great People Ode to the Chinese Dream'";

In November 2014, won the calligraphy gold award at the 4th Yanhuang Cup International Poetry, Calligraphy, Painting and Printing Art Competition;

In September 2015, won the first prize in calligraphy at the Second 'Meet Beijing' National Literature and Art Competition;

In November 2015, he won the first prize in calligraphy at the 2015 National Poetry and Calligraphy Artist Creation Annual Conference. In November 2015, he was appointed as the vice chairman of the Artists Committee of China Poetry and Calligraphy Artists Network;

In December 2015, my personal work was included in the "Golden List of Contemporary Chinese Literary and Artistic Masters" (2016 volume) published and distributed by China Radio and Television Publishing House, and was awarded a special prize by the editorial board;

In 2015, with the support and recommendation of the Ministry of Culture of China, personal creative resumes and artistic achievements were included as important entries and published in the "Classic of Literary and Artistic Masters for the 66th Anniversary of New China" published and distributed by China Culture Publishing House;

In March 2016, he won the first prize in the third "Meeting Beijing" National Literature and Art Competition. In April 2016, he won the first prize in the seventh "Xizhi Cup" National Poetry, Calligraphy and Painter Invitation Competition

In July 2016, he won the first prize in the 4th National Poetry, Literature, Painting and Painting Competition "Ode to the Great Man · Chinese Dream". In August 2016, he won the gold medal in the 6th "Yan Huang Cup" International Poetry, Calligraphy, Painting and Printing Art Competition; In November 2016, won the second prize at the National Poetry, Calligraphy and Painting Artist Creation Annual Conference;

In March 2017, won the second prize in the fourth National Literature and Art Competition held in Beijing; In April 2017, won the second prize in the 8th Xizhi Cup National Poetry, Calligraphy, and Painting Invitational;

In 2017, the calligraphy works of "Welcoming the 19th National Congress of the CPC" were published by China Post;

On July 1, 2017, he was appointed as a calligrapher by the National Academy of Ethnic Painting;

On July 18, 2017, he was appointed as a member of the Calligraphy and Painting Art Professional Committee of the China Ethnic Architecture Research Association;

In July 2017, the Honorary Certificate was awarded by the Information Science Research Institute of the China Enterprise Newspaper Alliance at the "Hanmo Rongqing Writing Military Soul - Celebrating the 90th Anniversary of the Founding of the Army by Famous Calligraphers and Painters Exhibition". In October 2019, he was appointed as a specially appointed calligrapher and painter by the New Literature and Art Group Working Committee of the Chinese Calligrapher and Painter Association.

In November 2019, he was specially appointed as a member of the New Literature and Art Group Working Committee of the Chinese Calligraphers and Painters Association.

In May 2020, the work was included in the documentary archives of "Chinese Outstanding Figures: Calligraphy and Painting Ambassadors".

In May 2020, it was awarded honors such as "National Craftsman" and "National Ritual Art" by the China Art Exhibition and Sales Center.

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