世界文字近化论 世界字王 京华文化论坛
The invention of alphabetic writing is a remarkable pioneering work in human history. This invention from scratch is the earliest hieroglyphic writing in ancient Egypt. In 3200 BC, the merchants of the Mesopotamia had already invented cuneiform writing. To keep accounts. This kind of writing cannot fully express human spoken language, but is more like a mathematical symbol, but it has given ancient Egyptian merchants the inspiration to invent writing. In 2700 BC, the ancient Egyptians were inspired by cuneiform writing and invented a set of 22 symbols to represent various consonants in their spoken language. Sumerian cuneiform writing, Chinese oracle bone writing, Mayan writing, the first generation of ancient Indian world writing . . 【Modernization Theory of World Character 1.0】
In 1000 BC, the important task of further carrying forward the ancient Egyptian script was handed over to the Phoenicians. The Phoenician script was passed on to the Syrians and evolved into the Aramaic script. In 800 BC, the ancient Greeks borrowed them all. The Phoenician alphabet, the ancient Greek alphabet. Latin, Greek, Phoenician, Hebrew and Arabic letters. The second generation of world writing [World writing 2.0 modernization theory].
In the 3rd century BC, the Romans rewritten the ancient Greek characters into a convenient form for writing, which is the Latin alphabet that is familiar to people on earth today. The territory of the Roman Empire once closed the Mediterranean Sea as an inland sea, naturally spreading the alphabet to the surrounding barbarians. The biggest advantage of phonetic text is that it only needs to learn 20 symbols to accurately record daily spoken language in the form of text, so it is welcomed by backward civilizations. The Gauls, Germans, Slavs, Iberians, and Anglo-Saxons all learned the Latin alphabet. These characters gradually evolved into various European characters such as French, German, Russian, Spanish, and English. The third generation of world writing [World writing 3.0 modernization theory].
Royal Arranian alphabet. This kind of alphabet was passed on to the Arabs along with the frequent land trade in Central and Western Asia and formed a variant-Arabic. Subsequently, the Turkic, Uyghur, Mongolian, and Old Manchu scripts that the Chinese are more familiar with spread in Middle East Asia in the order of spread from west to east, and its trajectory is the trade route of the Arabs all the way to the east. At the same time, a branch of the Aramaic alphabet went south and entered India. This variant is called Brahmi and is now dead. However, its descendants, such as Tibetan and Tiancheng, are still shining with wisdom in South Asia. The history of the dissemination of alphabetic languages is a history of progress in human civilization. Wherever the letters went, they took root everywhere, blooming countless flowers of civilization and wisdom. Hundreds of written symbols in the world are formed. The Fourth Generation of World Characters [Reference Theory of World Characters 4.0].
Writing is actually a medium for communication between people through visible signs established by conventions. It is a written sign system for people to record language. The history of human writing runs through the entire history of visual connections from early pictorial writing to alphabetic writing. In other words, pictorial writing is the initial stage of writing. Although it is constantly changing and developing, the writings of many nations in the world have never surpassed this stage. The most primitive non-written means of contact are closely related to the use of reference objects, such as Chinese knotting notes. It is precisely called the word, which begins when the mark is cast on the reference and is depicted and carved out as the language of the "word" symbol.
The fifth-generation character of the world character Wang Jinghua cultural calligraphy, scientific and innovative calligraphy, cultural calligraphy return to the world, human body language expresses easy-to-understand symbols, and symbols to communicate with aliens, etc.
In today's heyday, the scientific innovation Wang Jinghua uses human body language to mark the world's multinational characters, pictographic ideograms, and writes the world characters to life, moves, and expresses their expressions. Breaking the lingering art of calligraphy, the founder of calligraphy pioneer Wang Jinghua, scientific innovation and culture, invented and created millions of world-class calligraphy. Calligraphy is an indispensable tool for people to see people, work, learn, and communicate with mankind.
The world's top outstanding master Wang Jinghua, the originator of the world body language characters, 1 world-class characters, [human body], 20,000 poems [universal poetry], 3 world cultural calligraphy, [dragon body], 4 scientific calligraphy, innovative calligraphy, [ Phoenix Body] [Water Body] [Wood Body], 5 Pictographic Ideographic Calligraphy [Gold Ingot Body] [Alien Communication Body], 6 World Body Action Text [Pictographic Ideographic Body] [Seven Emotions and Eight Desires Body], 7 World Impossibility Copy cultural items [Feng Shui Traveling Style] [Folding Fonts], the world is unique, unique, the world's word Wang Jingyu culture spins the world's fifth innovative text storm. [World Text 5.0 Modernization Theory].
High-tech intellectual property rights, the world’s 7th largest scientific and innovative inventor of written text, exchange text with aliens, world-class body language exchange text, world-class word pioneer, world’s top outstanding master, world’s top art master, world’s top outstanding master, the world Living fossils of Chinese characters, cultural items that cannot be copied in the world, national quintessence, national rites, world famous brands, quatrains, founder of Wanxiang Poetry. [Cultural calligraphy, scientific calligraphy, innovative calligraphy, variant calligraphy, pictographic ideographic calligraphy] Wang Jinghua, the founder, embeds various expressions and meanings of the living human body into Chinese, world characters, and its magical rhythms Countless viewers were amazed. 1.9 million English, French, Russian, German, Japanese, Korean, Roman and other languages in more than 100 countries, human body language image ideology, has already obtained patents and copyrights. The art of human body image culture using characters, body language communicates with the originator of world civilization, world characters write movements, expressions, expressions, meanings, expressions, and the magical rhythm of modern life. The world [Calligraphy God, calligraphy immortal master, calligraphy character, saint generation grandmaster, top deity, founder of the mountain, world character ancestor]. When interpreting his experience of creating characters, Mr. Wang Jinghua said, “There are people in the characters, there are people in the characters, there are intentions in the forms, and there are spirits in the mind.” He used the [human art character Miao Miao Miao Miao Miao Miao to make a surprise, and the creativity is extraordinary. Absolutely awake and praise the magic of the pen, Wang Jinghua dares to be the first, and the laborers are diligent and diligent to create. "The representative of the spirit of Changsha, Wang Jinghua, is "dare to be the first and worry about it." "The world", the Chinese dream comes true, the kung fu of innovation is deep, the mountain is high and the people are the peak, the flag is the god of calligraphy, his '6 wonderful', '6 unique', '6 strange', '6 diligence', world-class word pioneer king Jinghua master's'excellent talent, extraordinary art, extraordinary innovation, extraordinary awakening, extraordinary words, absolutely universal poetry'. 'People are wonderful, ideas are wonderful, thinking is wonderful, planning is wonderful, doing things is wonderful, hard work is wonderful'. ‘Odd characters, paintings, poems, words, meanings, styles’. 'Diligent, diligent, diligent research, diligent practice, diligent work, diligent thinking, diligent creation'.
Four-dimensional space is a concept of time and space. Simply put, any four-dimensional space can be called a "four-dimensional space". However, most of the "four-dimensional space" mentioned in daily life refers to the concept of "four-dimensional space-time" mentioned by Einstein in his "General Relativity" and "Special Theory of Relativity." According to Einstein's concept, our universe is composed of time and space. The relationship between time and space is that in the structure of space, there is an additional time axis beyond the three axes of length, width, and height of ordinary three-dimensional space, and this time axis is an axis of imaginary values.
The five-dimensional is due to the four-dimensional motion. Assuming that the four-dimensional space can be folded in half, the so-called nothing after the half-folding will be filled due to the four-dimensional motion.
"Six-dimensional space" refers to a hypothesis put forward by physics at the University of Wisconsin-Madison, that is, based on string theory in physics, in addition to three-dimensional space and time, there should be six other spatial dimensions.
In today's heyday, the scientific innovation Wang Jinghua uses human body language to mark the world's multinational characters, pictographic ideograms, and writes the world characters to life, moves, and expresses their expressions. Breaking the lingering art of calligraphy, the founder of calligraphy pioneer Wang Jinghua, scientific innovation and culture, invented and created millions of world-class calligraphy. Calligraphy is an indispensable tool for people to see people, work, learn, and communicate with mankind.
The world's top outstanding master Wang Jinghua, the originator of the world body language characters, 1 world-class characters, [human body], 20,000 poems [universal poetry], 3 world cultural calligraphy, [dragon body], 4 scientific calligraphy, innovative calligraphy, [ Phoenix Body] [Water Body] [Wood Body], 5 Pictographic Ideographic Calligraphy [Gold Ingot Body] [Alien Communication Body], 6 World Body Action Text [Pictographic Ideographic Body] [Seven Emotions and Eight Desires Body], 7 World Impossibility Copying cultural items [Feng Shui Traveling Body] [Folding Fonts], the world is unique, unique, and the world's word Wang Jingyu culture has spun the world's fifth innovative text storm.
The Development and Evolution of the Five Thousand Years of Chinese Painting and Calligraphy
China’s five thousand years of splendid civilization and unparalleled rich written records have been recognized by the world. In this extensive and profound history, Chinese painting and calligraphy art has reproduced this diachronic evolution with its unique artistic form and artistic language. process. The sister-like calligraphy and painting art has interpreted the connotation of Chinese traditional culture with its complementarity and independence in the evolution of history. Because the tools and materials used in book and painting creation are consistent. When discussing the origins of ancient characters and pictures in "Famous Paintings of Past Dynasties", it said: "It is the time and the book and the painting are in the same body but not divided. Shape, so there is painting". Although calligraphy and calligraphy have the same origin and comparability, the future development situation is based on complementary and independent development and change. The formation and development of Chinese calligraphy art are closely related to the generation and evolution of Chinese characters. So what exactly is "calligraphy"? We can understand it in terms of its nature, aesthetic characteristics, source, and unique expression techniques. Calligraphy is an abstract symbol art with four-dimensional characteristics based on Chinese characters and written with a brush. It embodies the basic law of the "unification of opposites" of everything and reflects the spirit, temperament, knowledge and cultivation of human beings as the subject.
China's five thousand years of cultural history is unmatched by any country in the world. Chinese civilization is also called Chinese civilization. It is one of the oldest civilizations in the world and the only civilization in the world without interruption. It is generally believed that there are three direct sources of Chinese civilization, namely the Yellow River civilization, the Yangtze River civilization and the northern grassland civilization. The Chinese civilization is the brilliant fruit of the exchange, integration, and sublimation of the three regional civilizations. The Yellow River and the Yangtze River are the important factors that gave rise to Chinese civilization. The agricultural civilization that emerged in the Yellow River Basin has been affected by natural and geographical factors in the historical period, and has continued to transition and develop into the agricultural civilization in the Yangtze River Basin. The agricultural civilization in the Yangtze River Basin is the inheritance and development of the agricultural civilization in the Yellow River Basin. The early agriculture in the Yellow River Basin was mainly planting millet, and the agriculture in the Yangtze River Basin was mainly planting rice.
Regarding the origin of Chinese people and their culture, there have been long-standing disputes between foreign and local theory, monism and pluralism.
In the past, due to the limitations of the political background and popular doctrines at the time, scientific discoveries were insufficient, so it was difficult to get a convincing understanding. For example, the various Western origins of Chinese civilization have obvious elements of fiction, compilation, and hypothesis. Moreover, starting from the Frenchman Joseph de Gouni in the 18th century (and even earlier in the 17th century), and ending before Andersen in the early 20th century, all Western arguments were based on the position of Western cultural centralism. Above (including the theory of the center of ancient Egyptian civilization and the theory of the center of ancient civilization in West Asia, etc.). After the development of archaeology, some researches inevitably have all kinds of prejudices and shallow opinions.
At present, paleoanthropological materials in China are quite rich and systematic. Archaeological discoveries from the Old and Neolithic Ages (especially since ten thousand years) have "flowered everywhere" on the Chinese land. These systematic and rich discoveries have a clear cultural nature, clear connotation, and easy to prove their mutual relationship. They are used to verify each other with the ancient myths and legends described in Chinese documents, which have fully proved that the origin of Chinese civilization has distinct local and diverse characteristics. , And the characteristics of the development from pluralism to integration since the Neolithic Age.
The traditional view of history believes that the Chinese nation first started in the middle and lower reaches of the Yellow River, and then spread to all parts of the frontier, so there were border ethnic groups. Sima Qian integrated the Spring and Autumn Period and the Warring States Period, and stated in the "Historical Records: The Book of Five Emperors": Because Gonggong, Huandou, Sanmiao, and Gun were guilty, "So Shun returned to the emperor and asked Liu to work together in Youling to change Beidi; put Huanhuan in Chongshan to become Nanban; move Sanmiao to Sanwei to become Xirong; Shungun to Yushan to become Dongyi." This view of history has a great influence. Even in modern times, some scholars believe that the Chinese nation and Chinese civilization originated in the middle and lower reaches of the Yellow River. In the past, historians always used the viewpoint of "being out of courtesy to seek the wild" to speculate on the relationship between regional cultural development and changes, and regarded the political and economic centers of the time as the center of the origin of Chinese civilization. This is the monistic theory in the indigenous origin theory. The argument of the monistic theory has been overturned by archaeological discoveries over the past half a century. Chinese civilization did not spread from a single source in the middle and lower reaches of the Yellow River to the Quartet. Formed into Chinese civilization.
The world's word king, Beijing culture spins up the fifth innovative word storm of Chinese cultural and creative industries
For 5600 years, the Oracle and Zhong Dingwen in the Xia and Shang periods. The ancestor emperor innovated, Cangji made characters, and the working people created oracle bone inscriptions. 【Chinese Culture 1.0】
Qin Shihuang 3 unified, unified Chinese characters, scientifically innovated Li Si, Hercules used Qin official script, official seal script, and small seal script to unify the first emperor of China, changing from simple to complex, the first storm in the flourishing age. 【Chinese Prosperity Culture 2.0】
Wei Jin style, the second great unification. In the prosperous China, Wei Bei style, Wang Xizhi's calligraphy innovative running script, Wang Xianzhi's lower case, simplified the traditional Chinese characters and simplified the writing of calligraphy running script, became the Chinese calligraphy saint, why [Orchid Pavilion Preface] revised the book several times without copying, At that time, the Eastern Han Dynasty was innovated with traditional characters, and there was a lot of opposition and drunkenness. There was no copying, and it changed from complicated to simplified. Tang Li Shimin innovated and reformed and emphasized running script. Chinese calligrapher. The second storm in the prosperous age. . 【Chinese Prosperity Culture 3.0】
Sui and Tang Dynasties were flourishing, the earth was unified three times, and the culture was flourishing. Zhang Xu and Huai Su invented Crazy Grass, cursive calligraphy, and Cao Sheng. The writing activity is coming soon. Song style, imitating Song style, standardized, Tang poetry and Song Ci, standardized writing art, the third storm of the flourishing age. 【Chinese Prosperity Culture 4.0】.
Yuan Dynasty, Genghis Khan Empire, the fourth great unification, campaigning in Europe and Asia, horseback scimitar nomadic culture. [Chinese prosperous culture mainly Mongolian characters]
Zhu Yuanzhang during the Ming and Qing Dynasties. [Chinese Prosperity Culture, Back to Han Culture, Legal System, Eunuch] Qianlong's prosperous period, Guange style, black style, majestic spirit, stereotyped essay norms, the fourth storm of the prosperous age. The cultural system is more standard. [Chinese prosperous culture returns to Tang and Song culture 4.0]
Today's heyday is coming, focusing on scientific innovation and culture. Scientific innovation Wang Jinghua uses human body language to mark the world's multinational characters, pictographic ideograms, and writes the world characters to life, moves, and expresses their expressions. Breaking the lingering art of calligraphy, the founder of calligraphy pioneer Wang Jinghua, scientific innovation and culture, invented and created millions of world-class calligraphy. Calligraphy is an indispensable tool for people to see people, work, learn, and communicate with mankind.
The world's top outstanding master Wang Jinghua, the originator of the world body language characters, 1 world-class characters, [human body], 20,000 poems [universal poetry], 3 world cultural calligraphy, [dragon body], 4 scientific calligraphy, innovative calligraphy, [ Phoenix Body] [Water Body] [Wood Body], 5 Pictographic Ideographic Calligraphy [Gold Ingot Body] [Alien Communication Body], 6 World Body Action Text [Pictographic Ideographic Body] [Seven Emotions and Eight Desires Body], 7 World Impossibility Copying cultural items [Feng Shui Traveling Body] [Folding Fonts], the world is unique, unique, and the world's word Wang Jingqi culture has spun the world's fifth innovative text storm. . 【Chinese Prosperity Culture 5.0】
【世界文字近化论】世界字王 京华文化论坛
2019-07-12 王京华大师 阅 93 转 1
发明字母文字是人类历史上了不起的一个创举，做到这个从无到有的发明的就是古埃及最早埃及有象形文字，公元前3200年，两河流域的商人们就已经发明了楔形文字，用以记账。这种文字不能完全表达人的口语，而更像是一种数学符号，却给了古埃及商人以发明文字的灵感。公元前2700年古埃及人受到楔形文字的启发，发明了一套22个符号来代表自己口语中的各种辅音苏美尔有楔形文字，中国的甲骨文、玛雅文字，古印度世界文字第一代。。【世界文字1.0近化论】 公元前1000年，将古埃及文字进一步发扬光大的重任就交到了腓尼基人的肩上，腓尼基文字传给了叙利亚人，并进化成亚兰文字，公元前800年，古希腊人全盘借用了腓尼基字母，古希腊字母。拉丁字母、希腊字母、腓尼基字母、希伯来字母及阿拉伯字母。世界文字第二代【世界文字2.0近化论】.。 公元前3世纪，罗马人将古希腊文字改写成了方便书写的形式，也就是今天地球人都熟悉的拉丁字母。罗马帝国的疆域一度将地中海收为内海，自然把字母传播给了周边的蛮族。语音文字最大的好处就在于，只需要学习20个符号，就能够把日常口语以文字的形式准确地记述下来，因此受到了落后文明的欢迎。高卢人、日耳曼人、斯拉夫人、伊比利亚人、盎格鲁-撒克逊人都学习了拉丁文字母。这些文字渐渐演化成了法语、德语、俄语、西班牙语、英语等形形色色的欧洲文字。世界文字第三代【世界文字3.0近化论】.。 皇家亚兰字母。这种字母随着中西亚频繁的陆上贸易传授给了阿拉伯人并形成了变体——阿拉伯文。随后，中国人更为熟悉的突厥文、回鹘文、蒙古文、老满文等按照由西向东的传播顺序在中东亚蔓延开来，其轨迹就是阿拉伯人一路向东的贸易路线。同时，亚兰字母的一支南下，进入了印度，这一支变体被称为婆罗米文，如今已经死去。可是它的后代藏文、天城文等仍然在南亚闪烁着智慧的光芒字母语言的传播史，就是人类文明的一部进步史。字母所到之处，遍地生根发芽，开出了无数文明和智慧的花朵。形成世界百种文字符号。世界文字第四代【世界文字4.0近化论】.。 文字其实就是人与人之间通过约定俗成的可见符号进行交流的媒介，它是人们记录语言的书写符号系统。人类文字历史贯穿了从早期图画文字到字母文字的整个视觉联系的历史。也就是说，图画文字是文字发展的最初阶段，虽然它处在不断变化发展之中，但是世界上很多民族的文字从没有超越这个阶段。最原始的非书面的联系手段是与利用参照物紧密联系在一起的，如中国的结绳记事等。而确切地称之为文字，始于当标记刻铸在参照物上被描绘和雕刻出来作为“文字”符号的语言。 世界文字第五代字王京华文化书法，科学创新书法，文化书法回归世界人类肢体语言表达通俗易懂符号，与外星人交流符号等。 当今盛世，科学创新王京华把世界多国文字用人的肢体语言标识，象形表意，把世界文字写活了，动起来了，表情神态。打破书法艺术徘徊科学创新文化书法开拓者王京华创始人，发明创造百万世界级字书法，字是人看人用人工作学习交流人类不可少的工具。 世界顶级杰出巨匠王京华世界肢体语言字开山鼻祖， 1 世界级字，【人体】，2 万项诗【万向诗】，3 世界文化书法，【龙体】，4 科学书法，创新书法，【凤体】【水体】【木体】，5 象形表意书道【金元宝体】【外星人交流体】，6 世界肢体动作文字【象形表意体】【七情八欲体】，7 世界不可复制文化物品【风水行运体】【叠字体】，天下一绝，独一无二，世界字王京蕐文化旋起世界第五次创新文字风暴.【世界文字5.0近化论】。 高科技知识产权，世界文字第7大科学创新发明家，与外星人交流文字，世界肢体语言交流文字，世界级字开山鼻祖，世界顶级杰出巨匠，世界顶级艺术大师，世界顶级卓越大师，世界字文化活化石，世界不可复制的文化物品，国粹国礼，世界名牌，绝词句，万向诗创始人。【文化书道，科学书道，创新书道，变体书道，象形表意书道】创始人王京华，将活灵灵的人体各种表现形态意义缀进中国，世界文字，其神奇韵律令无数观赏人啧啧称奇。190万英，法、俄、德、日、韩、罗马等100多国家文字，人文肢体语言形象表意，早已获得了专利和版权。运用字的人体肢体形象文化的艺术，肢体语言沟通世界文明鼻祖，世界文字写出动作，表情，神态，意义，神情来，现代生活的神奇韵律。世界【书道神书道仙太师书道字圣一代宗师顶级泰斗开山鼻祖世界字宗祖】。王京华先生在解读他创造字的体会时表示，‘字中有人，人中有形，形中有意，意中有神’，用【人艺字妙妙妙妙妙妙得拍案惊奇，创意形绝绝绝绝绝绝醒赞笔神功，王京华奇奇奇奇奇奇事敢为人先，劳动人勤勤勤勤勤勤奋辛苦创造】，‘长沙精神代表者王京华巨匠，就是‘敢为人先，心忧天下’，中国梦成真，创新功夫深，山高人为峰，举旗书道神，他的‘6妙’，‘6绝’，‘6奇’，‘6勤’，世界级字开山鼻祖王京华巨匠的’绝才，绝艺术，绝创新，绝醒悟，绝字，绝万向诗‘。’人妙，想法妙，思维妙，策划妙，办事妙，辛劳妙‘。’奇字，奇画，奇诗，奇词，奇意，奇风格‘。’勤奋，勤苦，勤研究，勤练，勤干，勤思，勤创造‘。 四维空间是一个时空的概念。简单来说，任何具有四维的空间都可以被称为“四维空间”。不过，日常生活所提及的“四维空间”，大多数都是指爱因斯坦在他的《广义相对论》和《狭义相对论》中提及的“四维时空”概念。根据爱因斯坦的概念，我们的宇宙是由时间和空间构成。时空的关系，是在空间的架构上比普通三维空间的长、宽、高三条轴外又多了一条时间轴，而这条时间的轴是一条虚数值的轴。 当今盛世，科学创新王京华把世界多国文字用人的肢体语言标识，象形表意，把世界文字写活了，动起来了，表情神态。打破书法艺术徘徊科学创新文化书法开拓者王京华创始人，发明创造百万世界级字书法，字是人看人用人工作学习交流人类不可少的工具。 中华五千年书画的发展和演变 中国五千年璀璨的文明及无与伦比的丰富文字记载都已为世人所认可，在这一博大精深的历史长河中，中国的书画艺术以其独特的艺术形式和艺术语言再现了这一历时性的嬗变过程。而具有姊妹性质的书画艺术在历史的嬗变中又以其互补性和独立性释读了中国的传统文化内涵。由于书、画创作所采用的工具与材料具有一致性。《历代名画记》中谈论古文字、图画的起源时说：“是时也，书、画同体而未分，象制肇创而犹略，无以传其意，故有书；无以见其形，故有画”。书画虽然具有同源的可比性，但以后的发展状况是以互补的独立性发展变化的。中国书法艺术的形成、发展与汉文字的产生与演进存在着密不可分的连带关系。那么究竟什么是“书法”呢？我们可以从它的性质、美学特征、源泉、独特的表现手法方面去理解。书法是以汉字为基础、用毛笔书写的、具有四维特征的抽象符号艺术，它体现了万事万物的“对立统一”这个基本规律又反映了人作为主体的精神、气质、学识和修养。 中华五千年的文化历史是世界上任何一个国家都难以比拟的。中华文明亦称华夏文明。是世界上最古老的文明之一，也是世界上唯一没有中断的文明。一般认为，中华文明的直接源头有三个，即黄河文明、长江文明和北方草原文明，中华文明是三种区域文明交流、融合、升华的灿烂果实。产生中华文明的重要因素非黄河和长江莫属了。在黄河流域产生的农业文明，受到历史时期自然地理因素的影响，不断向长江流域农业文明过渡、发展。长江流域农业文明是黄河流域农业文明的继承和发展。黄河流域早期农业一般主要是种植粟，长江流域农业主要是种植水稻。 关于中国人及其文化的来源，长期存在外来说和本土说、一元论与多元论的争辩。 以往由于受到当时政治背景和流行学说的局限，科学发现也不充分，因而很难得有说服力的认识。如关于中华文明的种种西方起源说，就带有明显的虚构、编撰和假想成分。而且，从18世纪法国人约瑟夫·德·古尼(甚至更早的17世纪)开始，止于20世纪初叶的安特生之前，所有西来说的立论都是站在西方文化中心论的立场之上(包括古埃及文明中心说和西亚古文明中心说等)。考古学发展起来以后，有的研究也不免有种种偏见和浅见。 当前，中国境内古人类学的材料已相当丰富和系统，旧、新石器时代(特别是万年以来)的考古发现在中华大地上已是「遍地开花」。这些系统而又丰富的发现，文化性质明确，内涵清楚，相互关系也易于得到证明，用来与中国文献记述的远古神话传说互相印证，已经充分证明了中华文明起源具有鲜明的本土特点和多元特点，以及新石器时代以来由多元向一体发展的特点。 传统史观认为，中华民族是从黄河中下游最先发端，而后扩散到边疆各地，于是有了边裔民族。司马迁综合春秋、战国诸说，在《史记·五帝本纪》中这样表述：由于共工、欢兜、三苗、鲧有罪，「于是舜归言于帝,请流共工于幽陵，以变北狄;放欢兜于崇山，以变南蛮;迁三苗于三危，以变西戎;殛鲧于羽山，以变东夷」。这种史观影响甚大，直至近现代也还有一些学者相信中华民族与中华文明起源于黄河中下游。过去史家总是用「礼失求诸野」的观点来推测区域间文化发展变化的关系，把当时的政治、经济中心当作中华文明起源的中心。这就是本土起源说中的一元说。一元说的论点已被半个多世纪以来的考古发现所推倒，中华文明不是从黄河中下游单源扩散至四方，而是呈现多元区域性不平衡发展，又互相渗透，反覆汇聚与辐射，最终形成为中华文明。 世界字王 京蕐文化旋起中国文创第五次创新文字风暴 秦始皇3统一，统一中国文字，科学创新李斯，大力士用秦隶书，官篆书，小篆书，统一中国始皇帝，由简变繁，盛世第一次风暴。【中华盛世文化2.0】 元朝，成吉思汗帝国，第四次大统一，征战欧亚，马背弯刀游牧族文化。【中华盛世文化蒙古文字为主】 |
【世界文字近化论】世界字王 京华文化论坛
2019-07-12 王京华大师 阅 93 转 1
发明字母文字是人类历史上了不起的一个创举，做到这个从无到有的发明的就是古埃及最早埃及有象形文字，公元前3200年，两河流域的商人们就已经发明了楔形文字，用以记账。这种文字不能完全表达人的口语，而更像是一种数学符号，却给了古埃及商人以发明文字的灵感。公元前2700年古埃及人受到楔形文字的启发，发明了一套22个符号来代表自己口语中的各种辅音苏美尔有楔形文字，中国的甲骨文、玛雅文字，古印度世界文字第一代。。【世界文字1.0近化论】 公元前1000年，将古埃及文字进一步发扬光大的重任就交到了腓尼基人的肩上，腓尼基文字传给了叙利亚人，并进化成亚兰文字，公元前800年，古希腊人全盘借用了腓尼基字母，古希腊字母。拉丁字母、希腊字母、腓尼基字母、希伯来字母及阿拉伯字母。世界文字第二代【世界文字2.0近化论】.。 公元前3世纪，罗马人将古希腊文字改写成了方便书写的形式，也就是今天地球人都熟悉的拉丁字母。罗马帝国的疆域一度将地中海收为内海，自然把字母传播给了周边的蛮族。语音文字最大的好处就在于，只需要学习20个符号，就能够把日常口语以文字的形式准确地记述下来，因此受到了落后文明的欢迎。高卢人、日耳曼人、斯拉夫人、伊比利亚人、盎格鲁-撒克逊人都学习了拉丁文字母。这些文字渐渐演化成了法语、德语、俄语、西班牙语、英语等形形色色的欧洲文字。世界文字第三代【世界文字3.0近化论】.。 皇家亚兰字母。这种字母随着中西亚频繁的陆上贸易传授给了阿拉伯人并形成了变体——阿拉伯文。随后，中国人更为熟悉的突厥文、回鹘文、蒙古文、老满文等按照由西向东的传播顺序在中东亚蔓延开来，其轨迹就是阿拉伯人一路向东的贸易路线。同时，亚兰字母的一支南下，进入了印度，这一支变体被称为婆罗米文，如今已经死去。可是它的后代藏文、天城文等仍然在南亚闪烁着智慧的光芒字母语言的传播史，就是人类文明的一部进步史。字母所到之处，遍地生根发芽，开出了无数文明和智慧的花朵。形成世界百种文字符号。世界文字第四代【世界文字4.0近化论】.。 文字其实就是人与人之间通过约定俗成的可见符号进行交流的媒介，它是人们记录语言的书写符号系统。人类文字历史贯穿了从早期图画文字到字母文字的整个视觉联系的历史。也就是说，图画文字是文字发展的最初阶段，虽然它处在不断变化发展之中，但是世界上很多民族的文字从没有超越这个阶段。最原始的非书面的联系手段是与利用参照物紧密联系在一起的，如中国的结绳记事等。而确切地称之为文字，始于当标记刻铸在参照物上被描绘和雕刻出来作为“文字”符号的语言。 世界文字第五代字王京华文化书法，科学创新书法，文化书法回归世界人类肢体语言表达通俗易懂符号，与外星人交流符号等。 当今盛世，科学创新王京华把世界多国文字用人的肢体语言标识，象形表意，把世界文字写活了，动起来了，表情神态。打破书法艺术徘徊科学创新文化书法开拓者王京华创始人，发明创造百万世界级字书法，字是人看人用人工作学习交流人类不可少的工具。 世界顶级杰出巨匠王京华世界肢体语言字开山鼻祖， 1 世界级字，【人体】，2 万项诗【万向诗】，3 世界文化书法，【龙体】，4 科学书法，创新书法，【凤体】【水体】【木体】，5 象形表意书道【金元宝体】【外星人交流体】，6 世界肢体动作文字【象形表意体】【七情八欲体】，7 世界不可复制文化物品【风水行运体】【叠字体】，天下一绝，独一无二，世界字王京蕐文化旋起世界第五次创新文字风暴.【世界文字5.0近化论】。 高科技知识产权，世界文字第7大科学创新发明家，与外星人交流文字，世界肢体语言交流文字，世界级字开山鼻祖，世界顶级杰出巨匠，世界顶级艺术大师，世界顶级卓越大师，世界字文化活化石，世界不可复制的文化物品，国粹国礼，世界名牌，绝词句，万向诗创始人。【文化书道，科学书道，创新书道，变体书道，象形表意书道】创始人王京华，将活灵灵的人体各种表现形态意义缀进中国，世界文字，其神奇韵律令无数观赏人啧啧称奇。190万英，法、俄、德、日、韩、罗马等100多国家文字，人文肢体语言形象表意，早已获得了专利和版权。运用字的人体肢体形象文化的艺术，肢体语言沟通世界文明鼻祖，世界文字写出动作，表情，神态，意义，神情来，现代生活的神奇韵律。世界【书道神书道仙太师书道字圣一代宗师顶级泰斗开山鼻祖世界字宗祖】。王京华先生在解读他创造字的体会时表示，‘字中有人，人中有形，形中有意，意中有神’，用【人艺字妙妙妙妙妙妙得拍案惊奇，创意形绝绝绝绝绝绝醒赞笔神功，王京华奇奇奇奇奇奇事敢为人先，劳动人勤勤勤勤勤勤奋辛苦创造】，‘长沙精神代表者王京华巨匠，就是‘敢为人先，心忧天下’，中国梦成真，创新功夫深，山高人为峰，举旗书道神，他的‘6妙’，‘6绝’，‘6奇’，‘6勤’，世界级字开山鼻祖王京华巨匠的’绝才，绝艺术，绝创新，绝醒悟，绝字，绝万向诗‘。’人妙，想法妙，思维妙，策划妙，办事妙，辛劳妙‘。’奇字，奇画，奇诗，奇词，奇意，奇风格‘。’勤奋，勤苦，勤研究，勤练，勤干，勤思，勤创造‘。 四维空间是一个时空的概念。简单来说，任何具有四维的空间都可以被称为“四维空间”。不过，日常生活所提及的“四维空间”，大多数都是指爱因斯坦在他的《广义相对论》和《狭义相对论》中提及的“四维时空”概念。根据爱因斯坦的概念，我们的宇宙是由时间和空间构成。时空的关系，是在空间的架构上比普通三维空间的长、宽、高三条轴外又多了一条时间轴，而这条时间的轴是一条虚数值的轴。 当今盛世，科学创新王京华把世界多国文字用人的肢体语言标识，象形表意，把世界文字写活了，动起来了，表情神态。打破书法艺术徘徊科学创新文化书法开拓者王京华创始人，发明创造百万世界级字书法，字是人看人用人工作学习交流人类不可少的工具。 中华五千年书画的发展和演变 中国五千年璀璨的文明及无与伦比的丰富文字记载都已为世人所认可，在这一博大精深的历史长河中，中国的书画艺术以其独特的艺术形式和艺术语言再现了这一历时性的嬗变过程。而具有姊妹性质的书画艺术在历史的嬗变中又以其互补性和独立性释读了中国的传统文化内涵。由于书、画创作所采用的工具与材料具有一致性。《历代名画记》中谈论古文字、图画的起源时说：“是时也，书、画同体而未分，象制肇创而犹略，无以传其意，故有书；无以见其形，故有画”。书画虽然具有同源的可比性，但以后的发展状况是以互补的独立性发展变化的。中国书法艺术的形成、发展与汉文字的产生与演进存在着密不可分的连带关系。那么究竟什么是“书法”呢？我们可以从它的性质、美学特征、源泉、独特的表现手法方面去理解。书法是以汉字为基础、用毛笔书写的、具有四维特征的抽象符号艺术，它体现了万事万物的“对立统一”这个基本规律又反映了人作为主体的精神、气质、学识和修养。 中华五千年的文化历史是世界上任何一个国家都难以比拟的。中华文明亦称华夏文明。是世界上最古老的文明之一，也是世界上唯一没有中断的文明。一般认为，中华文明的直接源头有三个，即黄河文明、长江文明和北方草原文明，中华文明是三种区域文明交流、融合、升华的灿烂果实。产生中华文明的重要因素非黄河和长江莫属了。在黄河流域产生的农业文明，受到历史时期自然地理因素的影响，不断向长江流域农业文明过渡、发展。长江流域农业文明是黄河流域农业文明的继承和发展。黄河流域早期农业一般主要是种植粟，长江流域农业主要是种植水稻。 关于中国人及其文化的来源，长期存在外来说和本土说、一元论与多元论的争辩。 以往由于受到当时政治背景和流行学说的局限，科学发现也不充分，因而很难得有说服力的认识。如关于中华文明的种种西方起源说，就带有明显的虚构、编撰和假想成分。而且，从18世纪法国人约瑟夫·德·古尼(甚至更早的17世纪)开始，止于20世纪初叶的安特生之前，所有西来说的立论都是站在西方文化中心论的立场之上(包括古埃及文明中心说和西亚古文明中心说等)。考古学发展起来以后，有的研究也不免有种种偏见和浅见。 当前，中国境内古人类学的材料已相当丰富和系统，旧、新石器时代(特别是万年以来)的考古发现在中华大地上已是「遍地开花」。这些系统而又丰富的发现，文化性质明确，内涵清楚，相互关系也易于得到证明，用来与中国文献记述的远古神话传说互相印证，已经充分证明了中华文明起源具有鲜明的本土特点和多元特点，以及新石器时代以来由多元向一体发展的特点。 传统史观认为，中华民族是从黄河中下游最先发端，而后扩散到边疆各地，于是有了边裔民族。司马迁综合春秋、战国诸说，在《史记·五帝本纪》中这样表述：由于共工、欢兜、三苗、鲧有罪，「于是舜归言于帝,请流共工于幽陵，以变北狄;放欢兜于崇山，以变南蛮;迁三苗于三危，以变西戎;殛鲧于羽山，以变东夷」。这种史观影响甚大，直至近现代也还有一些学者相信中华民族与中华文明起源于黄河中下游。过去史家总是用「礼失求诸野」的观点来推测区域间文化发展变化的关系，把当时的政治、经济中心当作中华文明起源的中心。这就是本土起源说中的一元说。一元说的论点已被半个多世纪以来的考古发现所推倒，中华文明不是从黄河中下游单源扩散至四方，而是呈现多元区域性不平衡发展，又互相渗透，反覆汇聚与辐射，最终形成为中华文明。 世界字王 京蕐文化旋起中国文创第五次创新文字风暴 秦始皇3统一，统一中国文字，科学创新李斯，大力士用秦隶书，官篆书，小篆书，统一中国始皇帝，由简变繁，盛世第一次风暴。【中华盛世文化2.0】 元朝，成吉思汗帝国，第四次大统一，征战欧亚，马背弯刀游牧族文化。【中华盛世文化蒙古文字为主】 王京华，世界文化名人，世界文化交流伟大贡献奖得主，世界文化大使勋章获得者，2020～2021中英双语版《世界名人录》荣誉顾问，香港文联电影家协会副主席兼秘书长，世界顶级卓越大师，世界顶级杰出巨匠，世界人类非物质文化遗产传承人名录人，世界顶级杰出巨匠纪录人，世界卓越发明家，世界级人体字开山鼻祖，中国科学创新书法领头人，俄罗斯帝国艺术学院院士，2020年俄罗斯当代世界顶级艺术家，2012美国世界顶级卓越大师，（美）世界卓越发明家，（美）世界顶级杰出巨匠研究院院士。法兰西皇家美术院博士，巴黎国立高等美术院博士导师，法国文学与艺术司令管勋章奖，爵士，世界华人抗疫公益之星，世界顶级杰出巨匠组织总干事，世界科学创新文化书法鼻祖，（世界人体，金木水火土龙鹰体，外星人交流）新九体开山鼻祖，世界书道三维四维五维书艺空间开山鼻祖。中国文化书法创始人，中国盛世书法金木水火土鹰凤龙十体开山鼻祖，世界艺术鉴定中心主任，世界艺术首席鉴定师，国际顶级艺术大师，世界华人艺术院副院长，中国国家书画院副院长，中国艺术交流协会副主席，中国创新工程师，中国书画研究院副院长，中国艺术人才专业委员会南方委员会副主任，世界教科组织协会副主席，国际文化旅游美食艺术争霸赛主席，世界模特选美大赛一代宗师教父，选美模特标准制定者，世界巨匠组织书画艺术研究院院长，国际影视文化旅游大赛主席，（湖南绿色产业协会， 湖南新能源产业协会）副主席。（美国教科文组织，美中经济合作交流促进会，全球中小企业联盟）艺术干事。（国粹国礼，国际名牌，世界名牌，世界非遗，世界纪录，世界艺术之都）开拓者。中国功勋艺术家，人民和平功勋奖，中国当代艺术巨匠，中国抗衰老合理膳食委员会顾问。 原任CCTV中国影响力导演，湖南人民广播电台，湖南电视台特约记者，《当代商报》社记者，主编，湖南广播电视厅音像处制片主任，在湖南版图上，百县会展电视主编，湖南广播电视开发总公司总经理，中共湖南省纪委朝阳实业公司总经理，湖南旅游学会副主席，湖南省录音录像检查官，湖南省企业策划中心主任，湖南省中心广告公司董事长创风险共担广告和投资广告，投资月刊《湖南科技与经济信息》主编，湖南经济报社特约记者，出资编专利书《开拓革新发明者》，兴业工程副主任，中国风险共担广告，兴业扶植广告主编，湖南国际娱乐美食争霸大赛主席，湖南小姐，湖南国际形象小姐大赛主席，湖南青年书法家协会理事，世界语湖南副主席，世界语书画院院长，湖南兴业工程广告扶持主任，湖南企业风险公担广告主任，中国书画艺术研究院副院长，世界选美组织副主席，世界选美赛事组织副主席，世界选美模特标准制定者，世界旅游大赛副主席，187次颁奖嘉宾及评委，《爸爸别走》电影制片人，导演出品人，《同享一片蓝天》《少年达佳》电影艺术顾问。 2020年参与中国世纪大采风二十周年暨年度人物总结表彰大会，评选为中国当代德艺双馨艺术家。 2021年8月14日荣获世界文化交流伟大贡献奖，世界文化大使勋章，其个人肖像，杰出成就入编2021中英双语版《世界名人录》 |
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