古代艺术陶瓷的氧化反应探索

Study on oxidation reaction of ancient art ceramics

化学变化是指相互接触的分子间发生原子或电子的转换或转移，生成新的分子并伴有能量的变化的过程，其实质是旧键的断裂和新键的生成。

Chemical change refers to the conversion or transfer of atoms or electrons between molecules in contact with each other to form new molecules with changes in energy. Its essence is the fracture of old bonds and the formation of new bonds.

化学变化过程中总伴随着物理变化。在化学变化过程中通常有发光、放热、也有吸热现象等。

Chemical changes are always accompanied by physical changes. In the process of chemical change, there are usually luminescence, exothermic and endothermic phenomena.

从微观上可以理解化学变化的实质：化学反应前后原子的种类、个数没有变化，仅仅是原子与原子之间的结合方式发生了改变，原子是化学变化的最小微粒。例如对于分子构成的物质来说，就是原子重新组合成新物质的分子。物质的化学性质需要通过物质发生化学变化才能表现出来，因此可以利用使物质发生化学反应的方法来研究物质的化学性质，制取新的物质。

The essence of chemical change can be understood from the micro level: the type and number of atoms have not changed before and after the chemical reaction, but the combination mode between atoms has changed, and atoms are the smallest particles of chemical change. For example, for a substance composed of molecules, it is a molecule in which atoms recombine into a new substance. The chemical properties of substances can only be shown through the chemical changes of substances. Therefore, the method of chemical reaction can be used to study the chemical properties of substances and prepare new substances.

但不论什么反应，都必然遵守质量守恒定律，物质不变，自我氧化，内部反应。

However, no matter what reaction, it must abide by the law of mass conservation. Matter remains unchanged, self oxidation and internal reaction.

其实古代艺术陶瓷的氧化反应是一个十分复杂的庞大的知识体系，理论上的原理和实际上在瓷器微观看到的很多时候是不一致的，千差万别，根本没有一个共同的公式，每一件每一天这些东西都在变化着，只是看不到，摸不着。

In fact, the oxidation reaction of ancient art ceramics is a very complex and huge knowledge system. The theoretical principles are inconsistent with those actually seen in the micro of porcelain. There is no common formula at all. These things are changing every day, but they can't be seen or touched.

古代艺术陶瓷的宝光！是通过漫长的岁月氧化反应过来的，它们的釉色，釉水，釉上，釉中，釉下，泥土上面，泥土下面，水下面，窖藏的深浅，窖藏的湿气，干燥程度，时间的长短，烧制时候的炉温等等等等等等，是一个说不清道不明的学识学术问题，每一种釉水的配方，每次的胎土沉淀，每次的炉温，每一个时期的东西都是不一致的。

Baoguang of ancient art ceramics! It is through long years of oxidation reaction. Their glaze color, glaze water, overglaze, in glaze, underglaze, above the soil, under the soil, under the water, the depth of the cellar, the moisture of the cellar, the degree of dryness, the length of time, the furnace temperature during firing, etc. are an unknown academic problem. The formula of each kind of glaze water, Every time the tire soil precipitates, every time the furnace temperature, and every period of things are inconsistent.

要鉴别诊断一件古代艺术陶瓷的真假，就一定要有知识点面的积累。起码要知道: 真的要文学常识、天文、地理、生物、化学、物理、数学、几何、图形原理，材料的性能特点，工艺流程等等原理。

To distinguish and diagnose the authenticity of an ancient art ceramic, we must have the accumulation of knowledge. At least we should know: we really need literary knowledge, astronomy, geography, biology, chemistry, physics, mathematics, geometry, graphic principles, material performance characteristics, process flow and so on.

我们不能穿越时空！更不可能破坏现有的器物进行还原！只能靠知识积累，没有捷径可走。

We can't travel through time and space! It is impossible to destroy the existing artifacts for restoration! There is no shortcut but knowledge accumulation.

要玩好古代艺术陶瓷完全靠的是知识沉淀的深浅，眼界的视野是否广阔，眼力是否锐敏，这都只能会意，就像看一个美女，她的容貌，着装，线条哪一样不是抽象的？真实自然自信是唯一标准！

Playing well with ancient art ceramics depends entirely on the depth of knowledge precipitation, whether the horizon is broad and whether the eyesight is sharp, which can only be understood. It's like looking at a beautiful woman. Which of her appearance, dress and lines is not abstract? True nature, self-confidence is the only standard!

要懂得翻书！！！要懂得观察！！！一切都是来自于大自然！！！美～源于劳动！美源于生活！美～源于自信！美是线条！

To know how to turn the book!!! To know how to observe!!! Everything comes from nature!!! Beauty comes from labor! Beauty comes from life! Beauty comes from confidence! Beauty is a line!

一切的《美》都是时间，阳光，空气，水，和抚摸培养而成！所以，古代艺术陶瓷不可仿！

All beauty is cultivated by time, sunshine, air, water and touch! Therefore, ancient art ceramics can not be imitated!

点评：

comment:

用现代化学知识解释古陶瓷艺术美的形成原理，强调古陶瓷艺术鉴赏是一件非常复杂且艰难的事。

It is very complicated and difficult to explain the formation principle of the artistic beauty of ancient ceramics with modern chemical knowledge and emphasize the artistic appreciation of ancient ceramics.