对于艺术收藏爱好者来说，90后年轻艺术家普遍在20到30岁之间，他们的创作，往往锐气十足，但尚未被艺术界广泛认可，同时，也意味着他们的作品大多价格低廉，未来空间巨大。

For art collectors, the post-90s young artists are generally between 20 and 30 years old. Their creations are often full of vigor, but they have not been widely recognized by the art world. At the same time, it also means that most of their works are cheap and have huge space in the future.

那应该怎么样来选择年轻艺术家，怎么避免盲目性、规避投资风险呢？有着多年实际操作经验、长期关注年轻艺术家价值发掘的夏季风在直播间跟大家分享了经验。

How to choose young artists, how to avoid blindness and investment risk? With many years of practical experience and long-term attention to the value of young artists, summer monsoon shared its experience with you in the studio.

夏季风认为，买年轻艺术家其实并不容易。画廊要通过各种渠道了解、选择有巨大潜力的年轻艺术家，还要进行长时间跟踪。同时，他也为大家揭秘，为什么对于年轻艺术家来说，光有才华是不够的？为什么毕业展上一件好作品并不能完全说明这位艺术家很优秀？为什么1980年代好多获得大奖的年轻艺术家日后都不见了？

Summer wind thinks it's not easy to buy young artists. Galleries need to know and choose young artists with great potential through various channels, and they also need to follow them for a long time. At the same time, he also revealed why talent is not enough for young artists? Why can't a good work in the graduation exhibition completely show that the artist is excellent? Why are so many young artists who won awards in the 1980s gone?

夏季风说，任何艺术家都有年轻的时候，但天才只是少数。毕加索就是一个天才，他9岁时候的作品就非常好了，跟他晚年的作品很神似。毕加索晚年作品放弃了很多技术上的东西，有稚趣。

Summer wind says that any artist has a young age, but genius is only a few. Picasso is a genius. His works at the age of 9 are very good, very similar to his works in his later years. Picasso's works in his later years gave up a lot of technical things.

■毕加索9岁时的画作

Picasso's paintings at the age of 9

■毕加索91岁时的自画像

Picasso's self portrait at the age of 91

今天的中国艺术市场上，已经有很多60后、70后的成名艺术家，甚至很多80后艺术家都已经在市场上很耀眼了。现在，我们需要去进行90后艺术家的发掘。

In today's Chinese art market, there are many famous artists of post-60s and Post-70s, and even many post-80s artists are very dazzling in the market. Now, we need to explore the post-90s artists.

夏季风表示，蜂巢当代艺术中心正在做90后艺术家。他说，因为我们空间比较大，所以专门辟出地方推介年轻艺术家，免费向他们开放。这一块，我们有专门的主管负责，根据年轻艺术家提供的资料进行专业评估，我们也建立了一个年轻艺术家的资料库。我们还经常去看各大美院的学生毕业展，美院的老师们也会向我们推荐学生。然后，我们去跟踪其中一些优秀的年轻人，进行全面的了解，我们会对年轻艺术家的学习能力、兴趣点进行考察。

According to the summer wind, the beehive Contemporary Art Center is working as a post-90s artist. He said that because we have a large space, we have set up a special place to promote young artists and open it to them free of charge. In this area, we have a special supervisor responsible for professional evaluation based on the information provided by young artists. We have also established a database of young artists. We often go to the graduation exhibitions of major art schools, and the teachers of art schools also recommend students to us. Then, we will follow some of the outstanding young people and have a comprehensive understanding. We will investigate the learning ability and interest of young artists.

考察的内容还包括年轻艺术家的脾气。为什么要考察一个人的脾气呢？在夏季风看来，性格是决定一个人能走多长的佐证之一，有的人虽然具有创作天赋，但他如果缺乏恒心，很容易半途而废。

The investigation also includes the temperament of young artists. Why should we examine a person's temper? In the view of summer monsoon, character is one of the evidences that determine how long a person can walk. Although some people have creative talent, if they lack perseverance, they are easy to give up halfway.

确定要做了，蜂巢会对年轻艺术家进行严格的三到五年的规划。在跟艺术家沟通方面，也指派了同样年轻的工作人员跟他们交流。

To be sure, beehive will make a strict three to five-year plan for young artists. In terms of communication with artists, the same young staff were assigned to communicate with them.

到目前为止，蜂巢已经推出了30多位年轻艺术家，其中有些艺术家的社会关注度已经相当高了。

So far, beehive has launched more than 30 young artists, some of whom have received considerable social attention.

在国内美院的毕业生之外，蜂巢还关注许多有海外留学背景的年轻艺术家。夏季风认为，五到十年后，随着全世界扁平化的趋势，将来大部分年轻艺术家都会有海外留学背景。

Besides the graduates of domestic art institutes, beehive also pays attention to many young artists with overseas study background. The summer monsoon believes that in five to ten years' time, with the flattening trend of the world, most young artists will have the background of studying abroad in the future.

夏季风表示，蜂巢也是以这种推出年轻艺术家的方式，来结交同样年轻的藏家。因为这些年轻藏家，很多都有留学海外背景，他们视野十分开阔。把年轻艺术家、年轻策展人、年轻藏家连接在一起，好多事情就会变得特别有效。

According to summer monsoon, beehive also promotes young artists in this way to make friends with young collectors. Because many of these young collectors have the background of studying abroad, they have a very broad vision. If young artists, young curators and young collectors are connected together, many things will become particularly effective.

今年，蜂巢将推出一个针对80后的艺术家群展。夏季风记得，2011年蜂巢曾推出过一个针对70后艺术家的群展，当时的作品价位也不是很高。现在回过头看，当年这个展览就显得特别重要，参展画家都已经成为当下中青年艺术家里的重要代表了。

This year, beehive will launch an exhibition of post-80s artists. Summer monsoon remembers that in 2011, beehive launched a group exhibition for Post-70s artists, and the price of the works at that time was not very high. Now looking back, this exhibition was particularly important in those years. The artists who participated in the exhibition have become important representatives of young and middle-aged artists.

夏季风表示，一个人的成功，光靠才华是不够的。他看到过很多才华横溢的年轻艺术家，由于身上存在的一些问题，导致他们几年后离开了创作。其中有生存问题，让他们不得不放弃了创作，去从事其他能提供稳定收入的职业。即便好多人是当年美展上获奖的，比如1980年代那些大红大紫的年轻艺术家，之后好多人都消失不见了。

According to the summer monsoon, talent alone is not enough for one's success. He has seen a lot of talented young artists who left the creation after a few years due to some problems. There are survival problems, so they have to give up creation and go to other jobs that can provide stable income. Even though many people won awards at the art exhibition in those years, such as those young artists who were very popular in the 1980s, many of them disappeared after that.

■年轻艺术家王一的作品

Works of young artist Wang Yi

所以一个人能成为艺术家，需要很多方面的因素造就。现在美院的毕业生很多，但日后真正能成为艺术家的却很少。

Therefore, a person can become an artist, need many factors. There are a lot of graduates in the Academy of fine arts now, but few of them can really become artists in the future.

对于如何去看年轻艺术家的作品，夏季风表示，看作品的成熟度很重要。比如在学生毕业展上看到一件非常好的毕业创作，但不能代表这个学生就值得发掘，因为也许他这件毕业创作是花了半年多时间才画出来的呢？所以看学生作品不能只看一件，要看一批。

As for how to see the works of young artists, summer monsoon said that it is important to see the maturity of the works. For example, if you see a very good graduation creation in the student's graduation exhibition, it doesn't mean that the student is worth exploring, because maybe it took him more than half a year to draw this graduation creation? Therefore, we should not only look at one student's work, but also a batch of it.

对于年轻艺术家的绘画技术，这是是最基本的，就像作家首先文字得过关一样，夏季风表示自己并不太考虑技术层面的问题，自己重视的是他在创作中能否呈现一个基本的理论体系，或者一个创作理念，他系统性的美学是否完整，他作品的辨识度是否完整。有了这个，才值得发掘。

For young artists, this is the most basic painting technology. Just as a writer has to pass the writing first, summer breeze says that he does not think much about the technical level. What he attaches importance to is whether he can present a basic theoretical system or a creative idea in his creation, whether his systematic aesthetics is complete, and whether his works are complete in recognition. With this, it's worth exploring.

■年轻艺术家谭永勍的作品

The works of young artist Tan Yongqing

很多人问，大学生的作品能买吗？夏季风回答，当然能买，但是大多数大学生可能在毕业后就会离开艺术创作道路。在毕业展上买的学生作品，除非你是以艺术赞助人的角度无偿付出，如果出于投资角度，99%会买瞎掉，因为年轻艺术家要成名成家难度实在太大。从投资角度看，要投资相对有成功可能性、成熟度比较高的艺术家才合理。

Many people ask, can you buy the works of college students? Summer wind replied, of course, but most college students may leave the road of artistic creation after graduation. If you buy a student's work at a graduation exhibition, unless you pay it for free as an art sponsor, 99% of it will be sold out for investment, because it's too difficult for young artists to become famous. From the perspective of investment, it is reasonable to invest in artists with relatively high success probability and maturity.

但是很多人也会说，大学生作品敢买，是因为价格便宜。但是夏季风表示，如果在经济回报上希望很渺茫的话，也是一种失败的投资。

But many people will also say that college students dare to buy their works because they are cheap. But the summer monsoon says that if there is little hope for economic returns, it is also a failed investment.

夏季风认为，没有所谓老艺术家和年轻艺术家之分，同样也没有男艺术家、女艺术家之分，艺术只有好坏之分。

According to the summer monsoon, there is no distinction between old artists and young artists, nor between male artists and female artists, but only between good and bad.