写意中国——2017中国国家画院年展开幕Freehand China -- the opening of the annual exhibition of the 2017 Chinese National Academy of painting

  • 2017-12-27 16:14:05
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            写意中国——2017中国国家画院年展开幕

刘勃舒 饮马图 90×258cm 1986年
刘勃舒 饮马图 90×258cm 1986年

原标题:写意中国

  近日,“写意中国—2017中国国家画院年展(国画、书法篆刻)”在中国国家画院国展美术中心开幕。展示了近一年以来研究员的创作情况,共展出120位研究员的430件作品,其中国画作品300件,书法篆刻作品130件。

  “写意”既是方法,也是观念。中国国家画院院长杨晓阳认为,在中西绘画交流日益频繁的背景下,建立中国画特有的批评语汇的重要性逐渐显现。作为国内美术领域重要的创作研究单位,中国国家画院将“写意”置于年度展览的高度,不仅是其自身学术定位的彰显,也有向社会呼吁写意精神的愿望。

  刘大为代表中国美协致贺,他说,全国掀起学习贯彻十九大精神热潮,我们作为文艺工作者对建设社会主义文化强国有着重大使命。国家画院作为全国文化责任担当,积极参与国家各项大型创作任务和重要工程,对艺术家的创作水平和探索激情起到了促进作用。他认为,此次展览中的430件作品代表了国家画院的画家们一年来的创作成绩,在题材的选择和主题表现形式上丰富多彩,国画、书法、篆刻作为中华民族文化的结晶象征,代表了中国社会精神文明发展的程度,通过此次展览的交流与切磋,艺术家们会产生出新的火花,创作出更优秀的美术作品。

  中国国家画院副院长曾来德代表书法篆刻院讲话时指出,这次将国画和书法作品一同展出的“写意中国”展览回应了艺术史上的“书画同源”,好的美术作品离不开书写,好的书法作品也不只是汉字集合。

  开幕当天下午,在国展美术中心会议室举行了研讨会,会议由中国国家画院美术研究院常务副院长高天民主持,杨晓阳、卢禹舜、张江舟、曾来德、纪连彬、于志学、张道兴、梁占岩、何加林、张立柱、赵奇、林容生、乔宜男、胡秋萍、王平、陈明、郭子良等参与座谈,就绘画和书法之间涉及到的诸多现象和关系进行讨论。

Recently, the "freehand China - 2017 China (National Academy of Chinese painting and calligraphy exhibition) opened at the National Academy of Fine Arts Exhibition Center Chinese. A total of 430 works of 120 researchers, including 300 Chinese paintings and 130 calligraphy and seal engraving, were displayed in the past year.

"Freehand" is both a method and a concept. Yang Xiaoyang, the dean of China National Academy of painting believes that the importance of establishing the critical vocabulary of Chinese painting is gradually emerging under the background of frequent exchanges between Chinese and Western painting. As an important research institution in the field of domestic art, China National Academy of painting put the freehand brushwork in the height of the annual exhibition, not only showing its own academic position, but also appealed to the society for the aspiration of freehand spirit.

Liu Dawei on behalf of China Meixie to celebrate, he said, the country started to study and implement the spirit of nineteen boom, we as artists on the construction of socialist cultural power has a great mission. As a national cultural responsibility, the National Academy of painting has actively participated in the national large-scale creative tasks and important projects, and played a promoting role in the creation level and exploration passion of the artists. He believes that the 430 works in the exhibition on behalf of the National Academy of painters of the year creative achievements, in the choice of theme and form the rich and colorful, traditional Chinese painting, calligraphy and seal cutting as the crystallization of Chinese culture symbol, on behalf of the Chinese social spiritual civilization degree of development, through the exhibition exchanges and consultations, artists will produce a new spark to create more excellent works of art.

Vice President Ceng Laide pointed out that Chinese on behalf of National Academy of Calligraphy Institute speech, the Chinese painting and calligraphy works on display along with "freehand China" exhibition to the history of art "painting and calligraphy, the good works of art cannot do without writing, good calligraphy is not just a collection of Chinese characters.

The opening day of the afternoon, in the conference room held a seminar on Art Exhibition Center, the meeting chaired by the executive vice president Gao Tianmin China national art academy, Yang Xiaoyang, Lu Yushun, Zhang Jiangzhou, Ceng Laide, Ji Lianbin, Yu Zhixue, Zhang michioki, Liang Zhanyan, Zhang Lizhu, Zhao Qi, Hejialin, Lin Rongsheng, Qiao Yinan, Hu Qiuping, Wang Ping, Chen Ming and Guo Ziliang to participate in the the forum, to discuss between painting and calligraphy involves many phenomena and relationships.


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