文物活起来 文脉传下去

　中央电视台的《国家宝藏》近日燃爆屏幕。节目集演播室综艺、纪录片、真人秀等多种艺术形态于一体，创新呈现国内九大博物馆的27件一级文物，点燃了观众对“国家宝藏”的热情。

　　博物馆与电视综艺的结合，庄重而不失活泼的表达，独创的“纪录式综艺”样态，都成为节目的创新之处。《国家宝藏》这样的文物类节目的兴起，满足了人们对文物从认识到深入了解的需求，契合了人们对传统文化从粗浅到精致的追求，正成为一股新的热潮。值得一提的是，《国家宝藏》不仅通过剧场形式演绎了文物的“前世”，讲述了围绕文物所展开的轶事，还为文物寻找到“今生”有关联的人，让国宝的今生守护人讲述他们与国宝的故事，让国宝活起来。

　　于是，我们看到了几代守护故宫文物的梁家。从梁家第一代故宫守护人辗转全国16年将石鼓护送到南京，到抗战胜利后梁家第二代将石鼓毫发无损地运回北京，到如今第五代梁金生继续守护着石鼓和其他文物，清点故宫文物。我们看到了著名建筑师梁思成的弟子、陕西历史博物馆的总设计师张锦秋，她缓缓地讲述着文物阙楼仪仗图的故事，诉说着她对文化遗产的情感。还有许许多多考古工作者、文博志愿者、普通老百姓，从幕后来到了台前，讲述每一件文物背后的故事，让更多人领略泱泱大国文化遗产的魅力。

　　《国家宝藏》不仅让我们认识了解文物，感受中国传统文化之美，也让我们认识这些与国宝有关的人。如果说先人赋予了文物的历史价值，那么这些文物的今生守护人则赋予了文物的当代价值。从这个角度来说，他们成为文物的另一个“宝藏”。正是有他们数十年如一日的坚持，文物才能历经数劫，再次呈现在世人面前；正是有他们默默无闻的守护，文物才能拭去历史的蒙尘，焕发出全新的光彩。

　　文物，不仅是博物馆里的宝贝，也是一份活着的文化遗产和精神宝藏。探索文物易为现代观众接受的表达，挖掘文物在新时代的价值，吸引观众尤其是年轻观众，让更多人加入到文化遗产保护中来，才是“让文物活起来”的当下之意。

　　来源：《 人民日报 》

The cultural relics are passed down

CCTV's "national treasure" has recently exploded the screen. There are many art forms including studio, studio, documentaries, reality shows and so on. It presents 27 first class cultural relics of nine museums in China, and ignites the audience's enthusiasm for "national treasure".

The combination of the museum and the television variety, the solemn and lively expression, the original "record style variety" pattern, have become the innovation of the program. The rise of such cultural programs such as "national treasure" has met people's need for understanding and understanding of cultural relics, which is a new craze for people's pursuit of traditional culture from superficial to refined. It is worth mentioning that the "national treasure" interpretation of the cultural relics of the past not only through the form of theater, tells the story of the cultural relics around the anecdotes, also as cultural relics to find "life" associated with the people, let the treasure life Guardian tells them with treasures, let's Treasure life.

So, we saw several generations of Liang Jia, who guarded the cultural relics of the Imperial Palace. From Liang Jia's first generation of the Imperial Palace guardians to the 16 years of the whole country, he escorted Shigu to Nanjing. After the victory of the war of resistance against Japan, the second generation of Liang Jia transported the Shigu to Beijing in an unscathed way. Now, the fifth generation of Liang Jinsheng continues to guard Shigu and other cultural relics, and to spot the the Imperial Palace relics. We saw the disciple of the famous architect Liang Sicheng and Zhang Jinqiu, the chief designer of the Shaanxi history museum. She slowly told the story of the cultural relics, and told her feelings about the cultural heritage. There are many archaeologists, cultural volunteers, ordinary people, came from behind the stage, tells the story behind each of the ancient relics, let more people appreciate the great charm of cultural heritage.

"National treasure" not only let us understand the cultural relics, feel the beauty of Chinese traditional culture, but also let us know these people related to the national treasure. If the ancestors gave the historical value of the cultural relics, the present guardian of these cultural relics gave the contemporary value of the cultural relics. From this point of view, they become another "treasure" of cultural relics. It is their decades of cultural relics to insist, after several robbery, again in front of the world; it is unknown to the public to protect their cultural relics, can wipe away the history of disgraceful brings out new brilliance.

Cultural relics are not only the treasures of the museum, but also a living cultural heritage and spiritual treasure. To explore the expression of artifacts that are easily accepted by modern audiences, to excavate the value of cultural relics in the new era, and to attract audiences, especially young audiences, to let more people join in the protection of cultural heritage is the immediate meaning of "let artifacts live".

Source: "people's Daily"