世界文化艺术家排行榜

World cultural artists list

《每日一星》

Star of the day

第426号  日野之彦

No. 426     Hirohiko Hino

1976年出生于石川，日本。1999年筑波大学毕业，2001年在筑波大学完成油画硕士学位。个展：2001年，银座Surugadai画廊，东京；2003年，Grafica画廊，东京；2004，”团聚” 佐藤美术馆，东京。作品在筑波大学，石桥美术馆，日本国立文化研究所收藏。

Born in Ishikawa, Japan in 1976. He graduated from the University of Tsukuba in 1999 and completed his master's degree in oil painting at the University of Tsukuba in 2001. Solo exhibition: 2001, Surugadai Gallery, Ginza, Tokyo; 2003, grafica Gallery, Tokyo; 2004, "Reunion" Sato Art Museum, Tokyo. The works are collected in the University of Tsukuba, Shiqiao Art Museum and the National Institute of culture of Japan.

日野之彦是日本新生代画家的代表，大野一雄是将整个人生的丑恶缩影成一幕幕舞蹈。日野之彦则是将现时代人们虚空的精神世界渲染的淋漓尽致。空洞的双眼，张开的唇齿，惊愕的表情，满满都是疲惫和空虚。

这些画里的人，是你也是我。

Yoshiko Hino is the representative of the new generation of Japanese painters. Ichio Ono epitomizes the ugliness of the whole life into scenes of dance. Hino Zhiyan vividly renders the empty spiritual world of people in the present era. Empty eyes, open lips and teeth, stunned expression, full of fatigue and emptiness.

The people in these paintings are you and me.

作为生于上世纪70年代的一位年轻艺术家，日野之彦成长的环境是科技发达、资讯爆炸的日本现代社会。在科技和经济为主导的社会里，价值的取合被过度高估，生命个体精神和心灵的需要退居其次。当人们沉浸在经济糜烂中时，也许并未发觉我们的精神世界一点点变得空无一物。直到经济的追求到达一定高度之后，人们开始回到对内心的探索。艺术家们开始更关乎认得内心世界，日野之彦就是其中一位。

As a young artist born in the 1970s, Hino grew up in a modern Japanese society with advanced technology and information explosion. In a society dominated by science and technology and economy, the combination of value is overestimated, and the needs of individual spirit and soul of life are second. When people are immersed in economic erosion, they may not realize that our spiritual world is becoming empty a little bit. Until the pursuit of economy reached a certain height, people began to return to their inner exploration. Artists began to be more concerned with recognizing the inner world, and hiko Hino was one of them.

他以现实描述手法表现的人物和惊诧的脸部表情，打破了传统绘画的现实意境和叙述手段，强化和制造了一个虚拟的精神语境。过度膨胀的现实社会，失落感和矛盾是人类常常面临的话题，自我价值的认知和人与社会的关系成为了艺术家想要唤醒的重点。

The characters and surprised facial expressions expressed by his realistic description broke the realistic artistic conception and narrative means of traditional painting, and strengthened and created a virtual spiritual context. In the over inflated real society, the sense of loss and contradiction are the topics that human beings often face. The cognition of self-worth and the relationship between human and society have become the focus that artists want to awaken.

这是最好的时代，也是最坏的时代。经济达到前所未有的高度，但是唯一的价值取向变成了金钱，哪里才是人类唯一的净土，自我存在的价值到底在哪里。当看到日野之彦画中空洞无味的双眼时，相信每一个人都会觉得这个眼神熟悉无比，

This is the best time and the worst time. The economy has reached an unprecedented height, but the only value orientation has become money. Where is the only pure land of mankind and where is the value of self-existence. When you see the empty and tasteless eyes in Hino's painting, I believe everyone will feel that the eyes are very familiar,

因为他是你身边的任何人，也是正在照镜子的你。你会感到害怕，是因为它戳穿了你的伪装，用艺术唤醒人对自我本真的讨论。年轻人并不是“垮掉的一代”，而是更追求自我的一代。

Because he is anyone around you and you are looking in the mirror. You will be afraid because it pierces your disguise and awakens people's discussion of the true self with art. Young people are not the "Beat Generation", but the generation that pursues themselves more.

同样，日野之彦在绘画领域里的开拓和创造，丰富了当代绘画在观念和技术层面的意义，并在艺术审美范围内对应和折射了现代社会的视觉与心理需求。不难发现在日野之彦的人像画中，很多面孔都是左右对称的，而真实人脸没有完完全全对称的，因此看到这样的整齐的面孔，对称的让人感到可怕。

Similarly, Hino's development and creation in the field of painting enriches the significance of contemporary painting at the conceptual and technical levels, and corresponds to and reflects the visual and psychological needs of modern society within the scope of artistic aesthetics. It is not difficult to find that in Hino's portrait, many faces are symmetrical, while the real face is not completely symmetrical. Therefore, it is terrible to see such a neat face.

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