用实事求是的态去挽救我们的审美观

原创于2017年1月修改于2019年曾经发表于中华网，搜狐，凤凰时评等平台，在百度可以搜索。谢谢！

天下皆知美之为美，斯恶已，皆知善之为善，斯不善已。有无相生，难易相成，长短相形，高下相倾，音声相和，前后相随，恒也。是以圣人处无为之事，行不言之教万物作而弗始，生而弗有，为而弗恃，功成而弗居。夫唯弗居，是以不去。

一切美的东西都是来至于生活，来至于劳动！

审美是人的天性与必需，艺术就是审美过程。包含审美的情境和意境，主要是通过艺术活动能引起人的思想和情感冲动，令人有兴奋感觉，还有愉悦感和收获感。通过艺术品的欣赏能令人的思想意识对美感有质的飞越。艺术品是艺术家认识和体验生活的结果，是艺术家审美的结晶。也有人说一个人想要获得一生的幸福，不仅要拥有获得幸福的生活条件，还要拥有体验幸福感受的能力与素质。体验幸福，是需要点专业素质的。

赤、橙、黄、绿、青、蓝、紫。

妃红，仓青，坨颜，月白，十样锦，远山如黛，青梅煮酒，桥下春波，青绿山水美如画！

这里，生活可以被赋予一种颜色，一种思想，一种境界，清雅的生活方式演绎对生命的尊重和感悟！

      不懂得什么是美的人，一个不懂得真善美的人是不完美的，艺术与他一定无关！

北大美学家杨辛教授这样论述美的原理的：人类社会生活中出现了美，并相应的产生了人对美的主观反映，即美感。随着美和美感的发展，出现了作为审美意识集中表现的艺术，在长期艺术实践的基础上形成了艺术的理论。首先是各个部门艺术的理论，如音乐有乐论、绘画有画论、诗歌有诗论、舞蹈有舞论、书法有书论等等。在这些部门艺术的理论中已经涉及艺术美的本质特征和根源性等问题，中国古代乐论早就提出了“美在和谐”的思想。例如《左传》（昭公十ニ年）中提出“和”的范時。“和”与“同”不ー样，“同”是单“和”是各种对立因素的统一，如音乐中的清浊、大小、短长、疾徐、刚柔等的相反相成，带有朴素的辩证法思想。

       要懂得真善美就必须要用真善美来引导教育，并不能用贫民窟里的，假冒伪劣的破烂，简单粗暴的，无聊的来做参照物。

如何挽回我们的审美观？

美的美学含义：指的是具体的审美对象，或者说就是“美的东西”。指的是被审美对象所具有的美感特征。指的是美的本质和美的规律。美不美，我们只有深刻认识和理解了美，美的含义，才能促进自己的审美，这是美学在一定高度上的目标定位。帮助人们进行美的评价，美的欣赏和美的创作。运用日渐完善的美学理论和美学原理去指导各种审美实践，提升审美效果。 

中华文化伟大复兴就是要我们每一个人，重新对美的理解和认识，我们要对自己有信心，要有自信。

艺术感就是说心里有美，处处流露着美的气息，美的芬芳，这就是感性认识。

例如，把最平凡的起床、梳妆、炒菜做饭、拔草、劳动等加工成为优美的艺术界体。通过体现在服饰、语言、心灵、建筑、艺术品等等之中。

生活里我们没有百分之百的完美，但通过修炼，沙砾也可能会成为莹润无暇的珍珠。

回过头来看看当今大多数人审美观是美盲的，的确属于“审美坍塌”。

诸如大街小巷子里看到的是狮子般松蓬的发型却穿着腊肠般紧身衣，有些人从脸上到脚指都抹了深红色的“涂料”，竟然穿着一身睡衣踏着自行车在街头狂飙，有些在走红地毯时突然丢脱了裙子，耍着下流都把戏。

一首《黑寡妇》唱得满城风雨，似乎要把冰山劈开似的，穿衣打扮脱离了自我，办酷！再来看看现在的街边，商场地边，游乐场里，小孩儿的玩具，有多少是能够培养智慧？对比我小孩儿时候就玩了用蒸汽来推动的小轮船，这种小轮船，在下水前就要知道如何加水，如何用蜡烛加热，让水箱里的水烧开了，有蒸汽才能启动。这里有一个繁杂的程序。而现在的玩具，都是“傻瓜的高科技塑料”玩具！还有，游戏机里面的游戏，把一些青少年弄到癫癫疯疯，思想堕落，学业荒废。

凡此种种怪现象的艺术，数不胜数，怪相万千。艺术品市场上一张裸女图，不知道比我们中央美术学院的美体要丑多少万倍，但却值亿元。一只鸡杯二亿多，一件断了头的瓶子几百万。我们民间的艺术品怎样啦？怪不得人家都说你们的东西九十九都是假货、赝品，不懂的看不懂，懂得的在忽悠，在误导。

这些严重违背正常美学的行径和非正常审美观的行为和观点极多，很容易造成艺术审美步入一个指鹿为马的时代，一个缺乏信仰的时代，一个为了金钱而互相伤害的浮躁时代。现在高科技时代似乎什么都可以仿冒，似乎在颠覆我们原来的审美，道德和美德，把美丽漂亮的古代艺术品贬成破烂，这实在是让我们束手无策。

       让我们追索一下古代艺术品和古代陶瓷的发展的历史，看看问题出在哪里？应该是在元代开始到宣德，审美观一直就受到极大破坏。

因为元人是一个马背上的民族，糊涂野蛮，大宋的文人和顶级工匠画家死的死，躲的躲，能干的极少。由于政治环境的恶化，人们审美观也开始慢慢地退化，审美思想也随之退化了，就连对大自然的观察力也开始退化了、麻木不仁了，导致了生产的东西也退化。大宋以前的人间生活、道德、美学以及人们的贵族思维等逐渐湮灭。

明朝成化以后的东西，画风上字体上其实是欠缺的。由于少见多怪，把很多东西说成是天上有地上无，把姹紫说成是成化首创呢？其实宣德就有在用。前辈的鉴定也许他们没有见过宣德五彩，前辈没错。但是今天的说法似乎不应该这样了吧！中国这几十年的大建设在地底下挖出来了不少宝贝。是不是应该用实事求是的话，来指导人们大众，指导所有收藏家呢？据最新的民间收藏高人介绍，唐代就有釉下五彩。鸡杯美？为什么一定要把这些画风、器形、彩料说成天下无敌呢？我并不是对祖先的藐視或者不敬的！我们要用实事求是的态度来看待这些真实的现象，要不然我们走不出审美的误区。

有两位外国人，其实他们是移民的中国人，深得人家的养化。他们跟我说：你们对宋瓷现在还看不懂，起码要几十年后！我回答;现在的环境别说几十年，需要更久还说不准呢！你看现在的才子哥们在热烈的论证什么是斗彩，什么是天然矿物料，什么是高岭土、麻仓土、姹紫，什么是苏麻离青，其实这些是几千年来工匠们必然用的材料，必然要用。古人们不用，当时又用什么呢？所有这些东西令古人必须这样使用。所以生产出来的东西就是这样的，他的工匠，他的画工也只能是当时这样做的。当然，今天我们对着的是祖先的劳动结晶和许多无法理解的工匠精神智慧与技术，这就是古代艺术品遗物的魅力。

古代艺术品，是不可再生的艺术文物。延续中华民族的根的古代艺术陶瓷，我们必须拼命地保护！这是不用说的。但是，这不能用来衡量美不美的标准。

他们有些是灵性的漂亮，也有些属于呆板的漂亮也有些看不出天然的漂逸的真实美。有些更比不上宋朝之前东西，也许不要这样比。因为地球上的可用材料在人类的使用下，已经越来越减少甚至是已经没有了。但是不比较怎能分辨清楚什么是美呢？所以，后期仿照前期的东西是无可口非的，应该理解为应用与传承，但这些仿造是有限度的，也只能是形状或釉面以外仿的东西，内质还是仿不了。时代不可倒退！

 所有不自然的没有神韵的没有真正氧化反应的画蛇添足的东西才应该是赝品！

就是这样我们的审美观倒退，沉默几百年后，到康熙后期延续到嘉庆前期恢复了宋朝的大美。这个阶段宫廷的思想空前的开放，审美观达到了顶峰，各方面的水平都有过之而无不及。因为康熙帝、雍正帝、乾隆皇帝的审美感观和艺术感观均达到空前绝后，空前的高度。因为他们要玩高端的，玩极致的，玩高水平的，玩尽了繁华和奢华，是倾尽了国力的。例如他们的陶瓷制作，就代表着国家的意志。他们在器型上，用料上，从胎坭的选用都达到精益求精，加入了尽可加入的宝物：首先从胎坭上改良了陶瓷的本质，每一件器物的出身之前就有了定论。这是皇家的器物，或是公爵器物，是皇娘妃子器物，或是大臣的器物，这是玩耍的，是摆设的，是生活日用品，这是民间的还是宫廷的等等，都有定论。跟着才是画什么画，用什么彩料，由谁画，在那里烧造，由谁监管等。

请记住，清三代有两个人是十分重要的，影响和造诣极深，几乎是无法逾越的，他们就是“唐英和郎世宁”。

他们两个一个是中国人一个是外国人。

他们花尽心思造出很多高质量的艺术陶瓷。

清三代的东西必须以胎为重！因为皇帝们的高度重视和参与，中国的陶瓷制造达到了前所未有，达到中国制瓷的绝顶之峰，至今也无法跨越，也难以跨越。

如果，你硬说什么都可以仿，可以这样理解：简单的乾隆瓷器上的一条正面龙仿造者读懂了它的含义吗？它的神态在表达什么呢，没有读懂能仿出什么呢？心里没有的东西，能画得自然吗，再说一个人，一只鸟一匹马一棵树一朵花如果不去仔细观察大自然，能准确表达吗？现在的仿者都是按图索骥，能好做好吗？

世界四大文明古国中，只有中国的文明未发生断裂。中华文化是世界的一个经久不息的文化，是从未间断的文化，保存着流传以来最优秀的传统文化。

那么精美的古陶瓷如何才算得上美呢？精品呢？我粗浅的认为必须要符合以下美的标准。美是所有古代陶瓷的核心精华，美是第一要素:

1.器型美。不破不残，工整，比例恰恰好，古扑有韵味。

2.线条美。动则象少女，婷婷玉立，静止象劲松，无风欲动。

3.画风美。要有飘逸感，潇洒，笔风苍劲，有力，一笔带出，一目了然，交代清楚。

4.彩料美。要干净，清澈，透亮，纯洁，有的还带闪烁感。

5.胎骨美。胎底要干净，细腻，如蒸熟的糯米糕，嫩滑，扶摸尤似婴儿的肌肤爽滑的。

6.釉面美。釉水美，釉水肥厚，莹润。                  

7.古陶瓷一般都釉面氧化了，像人一样会老。一定有不可逆的老化氧化迹象，一目过去，七彩宝光四溢，油润感强烈，漂亮，耐看。它们的釉面上大都氧化的，釉面泛淡淡的奶黄。（仿品釉面是苍白色的）这样的古瓷才应该是真品，精品。

而且古代艺术品，古代陶瓷的鉴赏千万不能套用（各花落各眼）的俗句去鉴定。因为，审美观不到位产生的审美混乱一定要纠正。

因为美是统一的，不会有界别的，不会因为时间的长短而改变美感，更不会因为我你之间对他的暂时认知而改变。就像维纳斯女神的美，是公认的，不须争论的。

就象一个在广阔田野里劳动的人们，尽管她满身汗水和泥巴，但是，在她起身用手臂擦掉脸额上汗水的瞬间，回眸一笑的样子，是十分美的。因为她是发自内心的喜悅，有一种丰收希望，胜利的喜悦，所以你无论怎样看都是美的，甜的。

还有雨后的彩虹，春天破土而出的种芽，清晨带着露珠的玫瑰花，小草等等你说美吗？美！这就是大自然的自然美。

       现在的我们能否准确辨别美呢？能否把散落在社会上的精美的古代陶瓷收入囊中呢。而不是看到精美的东西就不敢去认。或者是用不負责任的心态去否定他们。把他们說成赝品呢？我的看法是: 我们要有胆量和气魄走进精品，走进收藏，不做门外汉。一句话就是要敢买卖。在卖的过程中不断修正，不断学习。因为只有在精品的海洋里才能锻炼我们，才能历练我们的目光，才能快速成长，才能提高我们的悟性。就是说只有通过收藏之后，才能感觉到什么是美，什么是真，什么叫做眼力、悟性和智慧。这全在收藏审美的过程之中。

       我们现在提出审美观的回归，不是用来否定老祖先留下来的古代老物、文物、宝贝之物。而是实事求是地认定他们，认定精品。把精美绝伦的精品，最大限度地保护，传承下去教育孩子们，以提高我们自己的和孩子们的审美观。因为，懂得才能拥有。

        正如一位老朋友老收藏家说到的：文物是一个民族永存不死的记忆，懂得藏品的昨天，今天和明天，收出品味，藏出财富，才是真正的收藏。古瓷是什么？是语言、故事、诗歌，是先人用水火土铸就的智慧结晶。每一件古瓷，都包含一个时代内容，历史弧号。懂生活是一种艺术，懂收藏是一种艺术的生活。

不是吗？我们为什么收藏，收藏的目的是什么？有人说收藏是延续历史！研究过去，对的！有人说收藏是玩，收藏学问是一本历史书，收藏是人生的一种高雅行为，收藏是财富的延续，收藏是财富升值，收藏是中国的印证，我们就是中国人！一位中央领导人说，文物是我们的金色名片。近日，总书记对文物工作作出重要指，他强调，文物承载灿烂文明，传承历史文化，维系民族精神，是老祖宗留给我们的宝贵遗产，是加强社会主义精神文明建设的深厚滋养。保护文物功在当代、利在千秋。你看，

党和国家领导人是多么重视文物工作。

         生命有限，资金更有限，作为我们普通收藏者来说这件事情责重而道远。毕竟，我们不是博物馆，不作研究，所以我们就只能用有限度的生命和资金最大限度的保护最精最美的古代艺术品。这才是我们收藏的根本和宗旨，也是收藏人的最高境界，最高的收获。否则会一塌糊涂，一事无成！

我们要有高超的收藏技巧: 实事求是+看明悟出鉴定欣赏收藏。

收藏讲究实事求是，精益求精，追求真善美。我们要不断提高自己的审美能力，要不断提高自身的悟性和审美眼光。因为，只有用美的眼光去看美的东西，才能感觉到美的存在。

鉴赏艺术品要用心:

因为，心能感知万物，感知大自然，感知天地的永恒。

只要明白了自己的本心，用自己的本心去体会时间和万物，一切都是本来就是。

马克思说：在科学的道路上，从来没有平坦大道。只有那些不畏艰险在崎岖小路上攀登的人，才有可能达到光辉的顶点。

英文直译

English literal translation

Saving our aesthetic view with the realistic state

Originally revised in January 2017, it was published on China net, Sohu, Phoenix current rating platform in 2019, which can be searched in Baidu. thank you!

All people know that beauty is beauty, evil has been, good is good, and bad has been. Whether there is phase, difficult to form, long and short phase shape, high and low phase tilt, sound and sound phase, front and back, constant. It is to do nothing in the saint, teach everything to do things without words, and to start, to live and have, to achieve and to live for the Fu. But he who lived in the house did not go.

All beautiful things come to life, as for labor!

Aesthetics is the nature and necessity of human beings, and art is the aesthetic process. The situation and artistic conception of aesthetics can cause people's thoughts and emotions, which are exciting, pleasant and rewarding. Through the appreciation of art, we can make people feel a qualitative flying over the aesthetic feeling. Art is the result of artists' understanding and experience of life, and the crystallization of artists' aesthetic. Some people also say that a person who wants to obtain the happiness of his life must not only have the living conditions to obtain happiness, but also have the ability and quality to experience the happiness feeling. Experience happiness, is a need for professional quality.

Red, orange, yellow, green, green, blue, blue, purple.

Fei Hong, Cangqing, tuoyan, moon white, ten brocade, mountains like Dai, green plum cooking wine, under the bridge spring wave, green landscape as beautiful as painting!

Here, life can be given a color, a kind of thought, a state, a elegant way of life to deduce respect and understanding of life!

Do not know what is beautiful people, a person who does not know the truth, good and beautiful is not perfect, art and he must not have to do!

Professor Yang Xin, a North University aesthetician, discusses the principle of beauty: beauty appears in human social life, and produces the subjective reflection of beauty, namely aesthetic feeling. With the development of beauty and beauty, art as a concentrated expression of aesthetic consciousness has emerged, and the theory of art has been formed on the basis of long-term art practice. First, the theories of art in various departments, such as music theory, painting theory, poetry theory, dance theory, calligraphy theory and calligraphy theory, etc. In the theory of art in these departments, the essence and root of art beauty have been involved. Ancient Chinese music theory has put forward the idea of "beauty in harmony". For example, the "he" model was proposed in Zuozhuan (ten years of Zhaogong)“ "He" and "the same" are not the same, and "the same" is the unity of various opposite factors, such as the contrast of turbidity, size, short length, speed and softness in music, with simple dialectic thought.

To understand the truth, the good and the beautiful must be used to guide education, and we cannot use the slums, fake and inferior rags, simple and rough, boring to make reference.

How to recover our aesthetic view?

Aesthetic meaning of beauty: refers to specific aesthetic objects, or "beautiful things". It refers to the aesthetic features of the object being aesthetic. It refers to the essence of beauty and the law of beauty. Beauty is not beautiful. Only by deeply understanding and understanding the meaning of beauty and beauty can we promote our own aesthetics, which is the goal of aesthetics in a certain height. Help people to evaluate beauty, appreciate beauty and create beauty. The author uses the increasingly perfect aesthetic theory and aesthetic principle to guide various aesthetic practices and improve the aesthetic effect.

The great rejuvenation of Chinese culture is to make every one of us understand and understand the beauty again. We should have confidence in ourselves and confidence.

Artistic sense means that there is beauty in the heart, everywhere there is a beautiful breath, the fragrance of beauty, which is the perceptual understanding.

For example, the most ordinary wake-up, dressing, cooking, grass pulling, labor and other processing into a beautiful art body. Through the expression in the clothing, language, soul, architecture, art and so on.

We don't have 100% perfection in our lives, but through cultivation, gravel can also become pearls that are crystal and flawless.

Looking back to see that most people's aesthetic outlook is blind and belongs to "aesthetic collapse".

In streets and alleys, the lion like pine hair style is wearing sausage like tights. Some people have painted deep red paint from their faces to their feet. They even wear a pajama and ride a bicycle on the street, and some suddenly lose their skirts when walking red carpet and play the tricks of downflow.

A black widow sings all over the city, seems to split the iceberg like, dressed out of self, cool! And then look at the current street, shopping mall, playground, children's toys, how much can cultivate wisdom? Compared with the small steamer that was driven by steam when I was a child, this kind of small ship should know how to add water before launching, how to heat it with candles, and let the water in the water tank be burned, and steam can be started. There is a complex program here. And now toys are "stupid high-tech plastic" toys! Also, the game inside the game machine, some teenagers to be mad, the thought degenerate, the academic waste.

There are countless art of all kinds of strange phenomena, and there are thousands of strange phenomena. A nude woman picture in the art market is not sure how much uglier than the beauty of our Central Academy of fine arts, but it is worth 100 million yuan. A chicken cup is more than 200 million, and a bottle with a broken head is millions. What about our folk art? No wonder people say that your stuff is fake or fake. What you don't understand, what you know is fooling and misleading.

These behaviors and opinions which are seriously contrary to normal aesthetics and abnormal aesthetic outlook are very many, which easily lead art aesthetics to enter an era of pointing at the deer, a time of lack of faith, and an impetuous era of mutual harm for money. Now, it seems that everything can be imitated in the high-tech era. It seems to subvert our original aesthetic, moral and virtue, and demote beautiful ancient art into rags. This is really a way to let us have no way.

Let's trace the history of the development of ancient art and ceramics to see where the problem is? It should be from the beginning of Yuan Dynasty to Xuande, and the aesthetic outlook has been greatly damaged.

Because Yuan people are a race on horseback, muddleheaded and barbaric, the literati and top craftsmen in the Song Dynasty died, hiding, and were very capable. Because of the deterioration of political environment, people's aesthetic outlook has begun to degenerate slowly, and aesthetic ideas degenerate. Even the observation of nature has begun to degenerate and insensitive, which leads to the degradation of production. Before the Song Dynasty, the life of human beings, morality, aesthetics and the aristocratic thought of people gradually disappeared.

After the Ming Dynasty became a thing, the style of painting on the font is actually lacking. Because of the rare wonder, many things are said to be heaven, earth and nothing, and to say that purple is the first to become a success? In fact, Xuande is in use. The appraisal of the predecessors may not have seen Xuande colorful, the predecessors are right. But today's statement doesn't seem to be the case! China has dug out many treasures under the ground for decades of great construction. Should we guide people and all collectors in a pragmatic way? According to the latest folk collection of high people, Tang Dynasty has five colors under glaze. The chicken cup is beautiful? Why must these paintings, tools, and colors be said to be invincible in the world? I am not contemptuous or disrespectful to my ancestors! We should treat these real phenomena with a realistic attitude, otherwise we can not go out of the aesthetic misunderstanding.

There are two foreigners, in fact, they are immigrants of Chinese, deeply rooted in the cultivation of others. They told me: you still don't understand song porcelain now, at least decades later! I replied; The environment now, not to say decades, will take longer and not be sure! You see, the talented men and sisters are demonstrating with enthusiasm what is fighting color, what is natural mineral material, what is kaolin, hemp soil, and purple, what is Su Ma Li Qing. In fact, these are the materials that craftsmen must use for thousands of years, which must be used. What did the ancients use at that time? All of these things made it necessary for the ancients to use it in this way. So it was the way things were produced. His craftsmen and his painters could only do so at that time. Of course, today we are facing the labor crystallization of ancestors and many incomprehensible craftsman spiritual wisdom and technology, which is the charm of ancient art relics.

Ancient art is a non renewable art relic. We must protect the ancient art ceramics which continue the root of the Chinese nation! It's not to be said. But this cannot be used to measure the beauty or not.

Some of them are spiritual beauty, some of them are dull and some of them can not see the natural floating real beauty. Some things are more than those before the Song Dynasty, maybe not so. Because the available materials on earth have been reduced and even lost in the use of human beings. But how can we distinguish what beauty is without comparison? Therefore, the later imitation of the early things is tasteless, should be understood as application and inheritance, but these imitation is limited, but also can only be the shape or glaze outside the imitation of things, the interior quality or imitation. The times can not be reversed!

All unnatural, non aural, and no real oxidation reaction of the snake added to the thing should be a fake!

It is in this way that our aesthetic outlook regressed, after hundreds of years of silence, it continued to the early Jiaqing period in the late Kangxi period and restored the great beauty of Song Dynasty. The palace thought at this stage is unprecedented open, aesthetic view reached the peak, all aspects of the level has passed without fail. Because the aesthetic and artistic sense of Emperor Kangxi, Yongzheng and Qianlong all reached unprecedented height. Because they want to play high-end, play the ultimate, play high-level, play the prosperity and luxury, is to try their best. For example, their ceramic production represents the will of the country. They have achieved the perfection in the selection of the mould, the material and the moulding material. They have added the treasures that can be added: first, the essence of ceramics has been improved from the mold, and the origin of each utensil has been determined before it is born. This is the Royal utensil, or the Duke, the imperial concubine, or the minister. It is played, set up, daily necessities, folk or court, etc. Then there are paintings, what color materials to draw, who draws them, who burns them, who supervises them.

Please remember that there are two people in the three dynasties of Qing Dynasty, which are very important, with profound influence and accomplishment, which are almost insurmountable. They are "Tang Ying and Langshining".

They are both Chinese and one is a foreigner.

They have devoted their efforts to creating a lot of high quality art ceramics.

The third generation of Qing Dynasty must take the baby as the weight! Because of the great importance and participation of the emperors, China's ceramic manufacturing has reached an unprecedented level, reaching the peak of the top of China made porcelain, and cannot be crossed or crossed up to now.

If you say anything, you can imitate it. Can you understand it as follows: does a simple dragon imitator on Qianlong porcelain understand its meaning? What is its expression and what can be imitated without reading? Can you draw the natural things that you don't have in your heart. Can you express it accurately if you don't look at nature carefully, a bird, a tree, a flower? Now the imitators are all in accordance with the picture, can you do well?

Of the four ancient civilizations in the world, only Chinese civilization has not broken. Chinese culture is a world culture that has been lasting and is an uninterrupted culture, which keeps the best traditional culture ever spread.

How can fine ancient ceramics be considered beautiful? What about the fine? I think it is necessary to meet the following standards of beauty. Beauty is the core of all ancient ceramics, and beauty is the first element.

1. the beauty of the machine type. Not broken, neat, the proportion is just good, ancient pouches have charm.

2. beautiful lines. Move like a girl, Tingting jade, static like a loose, wind.

3. beautiful painting style. To have a sense of elegance, natural, the pen wind is vigorous, powerful, a pen out, at a glance, clear.

4. beauty of color materials. Clean, clear, bright, pure, some with a flicker.

5. fetal bone beauty. The bottom of the fetus should be clean and delicate, such as steamed glutinous rice cakes, tender and smooth, and the skin of the baby is smooth and smooth.

6. glaze is beautiful. Glaze water is beautiful, glaze water is rich and crystal.

7. ancient ceramics are generally oxidized, and will be old as people. There must be irreversible signs of aging and oxidation. In the past, colorful precious light overflows, and the oil is strong, beautiful and durable. Most of their glaze is oxidized, and the glaze is pale milk yellow（ Imitation glaze is pale) such ancient porcelain should be genuine, high-quality.

Moreover, the appreciation of ancient art and ancient ceramics must not be used to identify the common sentences (each flower falls into each eye). Because, the aesthetic confusion caused by the lack of aesthetic concept must be corrected.

Because beauty is unified, there will be no other, will not change the beauty because of the length of time, nor because of my temporary understanding of him and you will change. As the beauty of Venus, it is accepted that there is no argument.

Like a man working in a wide field, although she is full of sweat and mud, it is very beautiful to look back at the moment when she gets up and wipes off the sweat on her face with her arm. Because she is from the heart of joy, there is a harvest hope, victory of joy, so you are beautiful, sweet whatever you think.

And rainbows after rain, sprouts from the broken soil in spring, rose with dew in the morning, grass and so on. Do you say beauty? Beautiful! This is the natural beauty of nature.

Can we distinguish beauty accurately now? Can we put the fine ancient ceramics in the social income bag. Instead of seeing something beautiful, you can't recognize it. Or to deny them with irresponsible mentality. What about making them fake? My view is: we should have courage and spirit to enter the boutique, into the collection, not to be a layman. One word is to dare to buy and sell. In the process of selling, constantly revise, learn. Because only in the ocean of fine quality can we exercise, can we experience our eyes, can we grow rapidly and improve our understanding. That is to say, only after collection can we feel what is beauty, what is true, what is called eyesight, understanding and wisdom. This is all in the process of collecting aesthetic.

We now propose the return of aesthetic view, not to deny the ancient old things, cultural relics, precious things that the ancestors left behind first. But to identify them realistically and to identify the excellent products. We should protect and inherit the exquisite and excellent products to the greatest extent, and educate the children so as to improve our own and children's aesthetic outlook. Because, understand can have.

As an old friend and collector said: cultural relics are the immortal memory of a nation. It is the true collection to know the yesterday, today and tomorrow of the collection, collect the taste and treasure. What is ancient porcelain? It's language, story and poetry, and it's the wisdom of our ancestors. Each piece of ancient porcelain contains an era content and a historical arc. Understanding life is an art, and understanding collection is an art life.

isn't it? Why do we collect and what is the purpose of collecting? Some people say that collection is the continuation of history! Study the past, right! Some people say that collecting is playing, collecting knowledge is a history book, collecting is an elegant behavior of life, collecting is the continuation of wealth, collecting is the appreciation of wealth, collecting is the proof of China, we are Chinese! A central leader said that cultural relics are our golden cards. Recently, the general secretary made an important point on the work of cultural relics. He stressed that cultural relics carry splendid civilization, inherit history and culture, and maintain the national spirit, which are the precious heritage left by our ancestors and the profound nourishment of strengthening the construction of socialist spiritual civilization. The protection of cultural relics is of great importance in the present age and in the future. You see,

How much the party and state leaders attach importance to the work of cultural relics.

Life is limited, capital is more limited, as our ordinary collectors, this matter has a long way to go. After all, we are not museums and do not do research, so we can only protect the most exquisite and beautiful ancient works of art with limited life and funds. This is the foundation and purpose of our collection, and also the highest realm and harvest of collectors. Otherwise it will be a mess, nothing!

We should have superb collection skills: seeking truth from facts + seeing clearly and appreciating collection.

Collection stresses seeking truth from facts, keeping improving and pursuing truth, goodness and beauty. We should constantly improve our own aesthetic ability, understanding and aesthetic vision. Because only by looking at beautiful things with beautiful eyes can we feel the existence of beauty.

Appreciation of works of art should be attentive:

Because the heart can perceive everything, nature and the eternity of heaven and earth.

As long as you understand your own heart and use your own heart to experience time and all things, everything is the same.

Marx said: on the road of science, there has never been a smooth road. Only those who are not afraid of difficulties and dangers to climb on the rugged path can reach the glorious summit.