最近才知道，管用和是中国老一文人中能写诗作画和书法的全才高手。

Recently, I learned that guanyonghe is a master of poetry, painting and calligraphy among the old Chinese literati.

管用和在中国诗坛成名是五十年代的时候，当年他才二十来岁，便因在报刊上发表诗歌而出名，最让他名扬国内的是当年被全国文化界争论批判的《绕道》一诗:

It was in the 1950s that he became famous in China's poetry circle. When he was only in his twenties, he became famous for publishing poems in newspapers and magazines. What made him most famous in China was the poem detour, which was criticized by the cultural circles all over the country

区委书记到县里开会

The Secretary of the district Party committee went to the county for a meeting

额上流满了汗水

His forehead was covered with sweat

他把太阳追下西山

He chased the sun down the west mountain

急步儿

I'm in a hurry

又把月色踏碎

Break the moon again

跨过银亮的小河

Across the Silver River

向着桃花堤上飞

Towards the peach blossom dike

猛一阵蜜语扑耳

A burst of sweet words struck my ears

细微，细微

Subtle, subtle

望你好久不来

I hope you haven't come for a long time

把心儿也等累....

I'm tired of waiting

男女相依花影动

Men and women depend on each other

-啊!分明是约会

-Ah! It's a date

笑上霜眉

Smile on frost eyebrow

甜上心扉

Sweet heart

老书记绕道堤下步轻微

Old secretary detours dike, next step slightly

别惊扰这幸福的时刻

Don't disturb this happy moment

一由它甜醉

One by it sweet drunk

多行点儿路算什么

What's more travel

书记曾踏遍千山万水

The Secretary has visited thousands of mountains and rivers

大渡河、雪山、草地....

Dadu River, snow mountain, grassland

险山恶水没敢阻拦这双腿

Dangerous mountain and evil water did not dare to stop the legs

铁鞋踏破为了啥

Why is the iron shoe broken

别惊扰，由它甜醉

Don't disturb, let it be sweet and drunk

书记绕道远去了

The secretary made a detour

花更香

Flowers are more fragrant

月更明媚.

The moon is brighter

就是这首写一位区委书记夜晚赶路到县里开会，在路上碰到一对青年男女约会，区委书记怕惊扰他俩就绕道走了的小诗，在《武汉晚报》和《诗刊》上遭到错误的批判，影响波及国外。说是抒发了资产阶级的情调，贬低了老革命的形象，宣扬了"革命的目的就是让后代青年在爱情中甜醉""幸福就是爱情的资产阶级腐朽思想。

This is a little poem about a district party secretary who was on his way to the county for a meeting at night and met a young man and woman on a date on the way. The district party secretary was afraid of disturbing them, so he took a detour. It was wrongly criticized in Wuhan Evening News and poetry magazine, and its influence spread abroad. That is to say, it expresses the bourgeois sentiment, belittles the image of the old revolution, and propagates the bourgeois decadent thought that "the purpose of revolution is to let future generations get drunk in love" and "happiness is love".

在围剿批判中，有些人并非一般作者，而是有相当资历的文化人和作家、文艺理论家。

In the criticism of encirclement and suppression, some people are not ordinary writers, but qualified intellectuals, writers and literary theorists.

从此当地县级主管部门]就把管用和更加当做右派”看待了。

Since then, the local authorities at the county level have regarded it as "effective" and "more rightist".

这里说把他“更加当做右派看待”，也是事出有因。

There is a reason for saying that he is "treated more as a rightist".

管用和1937年深秋，出生于湖北省孝感县一个手工业者家庭。1955年 毕业于孝感一 中师范部。17岁参加工作，先后在汉阳县沌口小学、汉阳县文化馆、汉阳县第一中学、汉阳县楚剧团工作。

In the late autumn of 1937, he was born into a handicraft family in Xiaogan County, Hubei Province. He graduated from the normal Department of Xiaogan No.1 Middle School in 1955. At the age of 17, he worked in Zhuankou primary school, Hanyang cultural center, Hanyang No.1 middle school and Hanyang Chu opera troupe.

年轻时，特别爱画，18岁开始发表美术作品。21岁考取美术学院，但入学未遂，被汉阳县文教科某些人认定为“个人主义严重有想成名成家资产阶级思想”的人，倍受打击，无理降职降薪。

When he was young, he loved painting very much and began to publish art works at the age of 18. At the age of 21, he was admitted to the Academy of fine arts, but failed to enter. He was regarded by some people in the Department of culture and education in Hanyang County as a person with "serious individualism and bourgeois ideas of wanting to become famous and famous". He was hit hard and was demoted and reduced his salary unreasonably.

三年自然灾害时期他在学校工作，学校领导视其为思想落后分子，把他同右派分子一样看待。安排他从事体力劳动，在校内种菜，在校外支农，假期到文教农场开荒种地防汛抢险。不是劳动就是运动，参加"劳动锻炼，改造思想”，“体验生活” . ...那时真 是处境难难，生活困苦，欲画

During the three years of natural disasters, he worked in the school, and the school leaders regarded him as a backward thinker, just like the Rightists. He was arranged to engage in manual labor, grow vegetables in the school, support agriculture outside the school, and go to the cultural and educational farm to open up wasteland for flood prevention and rescue during the holidays. It's not labor, it's sports. I took part in "labor training, transforming thought" and "experiencing life"... At that time, I was really in a difficult situation, and I wanted to paint

不能，只好忍痛割爱，放弃美术创作。

No, I have to bear the pain and give up art creation.

激情出诗人，在极其恶劣的环境里，管用和偷偷摸摸改写诗歌。23岁 出版诗集《欢乐的农村》(与国翰合出) 、《公社儿歌》 (与李作华合出) 。以后相继出版诗集《山寨水乡集》(与刘不朽合出)、曲艺集《一包茶》、《- -担新箩筐》、诗集《公社大地》。

Passion makes a poet. In a very bad environment, it works and stealthily rewrites poetry. At the age of 23, he published poetry anthology happy countryside (with guohan) and children's songs of commune (with Li Zuohua). Later, he successively published poetry anthology of shanzhaishuixiang (with Liu immortal), quyi Anthology of Yibao tea, danxinluolan, and poetry anthology of commune earth.

此后一直写诗不断，使其最终在中国诗坛成名。

Since then, he has been writing poems constantly, which makes him famous in the Chinese poetry world.

管用和的诗

Poems that work well

管用和的诗，都是有灵感而发，虽然诗句很短，却韵味无穷。管用和在谈到他的创作经验时说:诗人灵感的触发，--星之火便可以燃起整个诗的诗情，使作者的情感思绪智慧显得特别饱满、活跃而敏锐，迅速地产生新颖别致的构思，轻松生动完美地将整个诗篇表达出来。

Poems that work well are inspired. Although the lines are very short, they have endless charm. When talking about his creative experience, Guan Yonghe said: the trigger of the poet's inspiration - the fire of the stars can ignite the whole poetic sentiment, make the author's emotion, thought and wisdom appear particularly full, active and sharp, quickly produce novel and unique ideas, and express the whole poem easily, vividly and perfectly.

一次，他在汉口的河边行走，河岸的草木都被污染腐蚀枯萎了。在-棵枯槁的柳树上，居然残留着一个鸟巢。当时的场景，激发了管用和的灵感，似乎听到鸟巢里还有刚孵出的小鸟在叫的声音。(事实上巢里没有鸟儿) 脑海中立刻联想到在地震中有的母亲怀里死死地护卫着婴儿的情景，想到一些仁人志士，虽然死去了，他们的事迹和精神依然鼓舞激励着活着的人们....于是，一行小诗流出。

Once, when he was walking along the river in Hankou, the vegetation on the river bank was polluted, corroded and withered. On a withered willow tree, there is a bird's nest. At that time, the scene, inspired by the effective and inspiration, seems to hear the nest there are just hatched birds calling. (in fact, there are no birds in the nest) in my mind, I immediately associate with the scene of some mothers protecting their babies in the arms of the earthquake. I think of some people with lofty ideals. Although they are dead, their deeds and spirit still inspire the living people. So, a line of poems flows out.

《枯柳》

Withered willow

体态婀娜，

Graceful,

却不能迎风婆娑。

But not in the wind.

已生长不出翠条了，

It's no longer green,

还稳稳地托着鸟窝。

And holding the nest steady.

几只雏鸟喜见云霞，

A few young birds like to see clouds,

“唧啾”地唱着儿歌。

"Chirp" to sing children's songs.

一它死了 依然站着，

Once it's dead, it's still standing,

支撑着新生的欢乐。

Supporting the new joy.

-载《武汉晚报》

-Published in Wuhan Evening News

管用和的诗也是随时都关注着身边的生活，他常常以身边发生的事件入诗，用生活中常见的物像表达出当时的感情:

Guan Yonghe's poems always pay attention to the life around him. He often uses the events around him to express his feelings at that time

有一年，他回到沌口走访血吸虫病的地方，在大涧口的一个学生家里。学生向他反映，这里是个年年涨水年年淹的地方，而今办农场，可苦了渔民。世世代代靠渔业生活，不会种田。修堤围垦改农场以后，不准捕鱼，好不容易种水稻，可是一淹水， 颗粒无收。这里原本家家有渔船渔网。现在，渔船有的没有了，有的船破桨烂，搁在房前屋后。那捕鱼的渔网，也挂在屋梁上。这种领导上瞎指挥的作风，在湖区学大寨时很普遍。

One year, he went back to Zhuankou to visit the place of schistosomiasis, in a student's home in dajiankou. The students reflected to him that this is a place that floods year after year. Now it's hard for fishermen to run a farm. They have lived by fishing for generations, but they can't farm. After building dykes and reclaiming farms, no fishing was allowed. It was hard to grow rice, but once flooded, there was no harvest. There used to be fishing boats here  Net. Now, some fishing boats are gone, and some of them are lying in front of and behind the house with broken oars. The fishing net is also hanging on the roof beam. This kind of leadership style of blind command is very common in the lake area when learning from Dazhai.

看着他家渔网挂在屋梁上，不由得想起这里过去渔民捞捕的繁忙的场面，以及渔村里到处晾;

Looking at his fishing net hanging on the roof beam, I can't help thinking of the busy scenes of fishermen fishing here in the past, and the fishing village hanging everywhere;

晒着鱼虾的景象。看见挂在屋梁上沾满蜘蛛网和灰尘的渔网。管用和想以这个题材写一首诗，茫然中，看着挂在屋梁上的渔网，突然想起“悬梁自尽”这句话。心中一动。自然想到这渔网在捞捕时，纲举目张，网眼张得开开的。而现在，却闭目悬梁。就像人想不通，悬梁自尽一般。于是就写下了一首《废湖歌》:

The scene of drying fish and shrimp. I saw fishing nets covered with cobwebs and dust hanging on the roof beam. Effective and want to write a poem with this theme, at a loss, looking at the fishing net hanging on the roof beam, suddenly think of "hanging beam suicide" this sentence. My heart moved. Naturally, I thought that when fishing, the net was wide open. Now, it's closed. Just like people can't figure it out and commit suicide. So he wrote down a song of waste lake

昨日造田废湖荡，

Yesterday, the land was built and the lake was abandoned,

水产无收田也荒，

There is no harvest of aquatic products and no farmland,

鱼网有眼不忍看，

Fish nets have eyes and can't bear to see,

闭目吊颈高悬梁。

Close the eyes and hang the neck high suspended beam.

载1980.7.《布谷鸟》

July 1980. Cuckoo

只用28个字，就形象地记录下了当年学大寨运动中不顾实际情况，一刀切，瞎指挥的恶果，连渔网都不忍张眼观看，最后拟人化地悬梁自尽。

In only 28 words, it vividly records the evil result of the xuedazhai movement, which ignored the actual situation and conducted blindly. Even the fishing net couldn't bear to open its eyes to watch, and finally committed suicide by personification.

细品诗中余味与唐朝诗人聂夷中的《咏田家》有异曲同工之妙。

The aftertaste of the poem is similar to that of Nie Yizhong's Ode to Tian Jia.

管用和在谈写诗的体会时说:生活的现象是散乱的，是错综庞杂的，如何从平凡生活中的千丝万缕中，抽出一-线经纬，织出美丽的诗篇，就取决于诗人构思的本领。

When talking about the experience of writing poems, Guan Yonghe said: the phenomena of life are scattered and complicated. How to extract a thread of longitude and latitude from the myriad threads of ordinary life and weave a beautiful poem depends on the poet's ability to conceive.

诗要概括地反映生活，完美地表达思想情感，就得创造深远的、耐人寻味的境界，将读者带:

If a poem wants to reflect life in a general way and express thoughts and feelings perfectly, it must create a far-reaching and thought-provoking realm and lead readers to the following

入浓有郁的艺术气氛，感受到诗美，从而使人的情操和心灵都得以陶冶。这种诗的境界的营造，就决定于一个优秀的艺术构思。同一个题材，写出不雷同的诗来，就需要在构思上下功夫。同样是钓鱼一事，管用和就写出了不同的意境。

In the thick and gloomy artistic atmosphere, we can feel the beauty of poetry, so that people's sentiment and soul can be cultivated. The creation of such a poetic realm depends on an excellent artistic conception. To write different poems on the same subject, we need to work hard on the conception. The same thing is fishing, which works well and creates a different artistic conception.

《晚钓》

Evening fishing

手把鱼竿送夕阳，

Send the fishing rod to the sunset,

晚来犹自恋微光，

Late, still narcissistic glimmer,

多情似我蛾眉月,

I love the moon,

也下金钩入水塘。

Also under the golden hook into the pond.

《天池垂纶》

Tian Chi Chui Lun

四壁青山夹镜池，

Four walls, green hills and mirror pool,

水清鱼寡自心知，

The water is clear and the fish are few,

乾坤万象浮沉景,

The world is full of ups and downs,

独钓烟云入我诗。

Only fishing for clouds into my poem.

《初春雨钓》

Fishing in the early spring rain

河边柳下钓丝垂,

Under the willows by the river, the fishing line hangs,

水色蒙蒙带雾霏，

The water is misty,

休笑无鱼空往返，

Don't laugh, there's no fish,

一竿烟雨得春归。

-Spring comes back with the help of smoke and rain.

《河边垂钓》

Fishing by the river

竿头静歇小蜻蜓，

A little Dragonfly resting on its head,

午后风平水更清，

In the afternoon, the wind is calm and the water is clearer,

无物上钩蛙笑我，

The frog laughs at me,

呱呱啡嗤一声声。

A quack.

管用和的诗，不仅写青山秀水，草绿花红，更多的是关注百姓的生活，他翻用千百年的古调，唱出了当代农民工的艰辛。

His poems are not only about green mountains and beautiful waters, green grass and red flowers, but also about people's life. He used the ancient tune of thousands of years to sing the hardships of contemporary migrant workers.

请看他近几年的新作《打工竹枝词》:

Look at his new work "Ci of working bamboo branch" in recent years

《离家》

Leaving home

妻子种田热汗流，

His wife was sweating in the fields,

我来城里建高楼，

I came to the city to build high-rise buildings,

挣钱赚得相思苦，

It's hard to earn money,

一处打工两处愁。

One job, two worries.

《思乡》

Homesickness

哪条汉子不思乡，

Which man is not homesick,

又想妻儿又想娘，

I miss my wife and children as well as my mother,

每到中秋翘首望，

Looking forward to the Mid Autumn Festival,

一轮明月泪汪汪。

A bright moon full of tears.

《回家过年》

Going home for the new year

年终结算返家门，

Return home at the end of the year,

怀揣工资心也沉，

I'm worried about my salary,

不信你来拧一把，

If you don't believe me, give me a twist,

每张钞票汗淋淋。

Each note was dripping with sweat.

真把农民工的生活艰辛表现得淋漓尽致。

It really shows the hardship of migrant workers' life incisively and vividly.

管用和先生不仅写了一辈子诗，给人们留下了许多余韵隽永的名篇诗作，也同时留下了指导诗歌创作的理论教程《管用和诗谈》。

Mr. Guan Yonghe not only wrote poems all his life, but also left a lot of famous poems with lasting rhyme. At the same time, he left a theoretical course "Guan Yonghe talks on Poems" to guide poetry creation.

管用和的画

A painting that works and works

管用和从小热爱绘画，21岁时考上美术学院却被县级文教主管部门挡在了门外，从此中国诗坛多了位诗人。

He loved painting since he was a child. When he was 21 years old, he was admitted to the Academy of fine arts, but he was blocked by the competent department of culture and education at the county level.

管用和自己曾说:我平生的志趣在于绘画，但现实生活身不由己，从公开美术创作，到偷偷摸摸写诗，以致成为-名作家，实非本人初衷。故61岁退休以后，将主要精力致力于绘画，2009年由武汉出版社出版了儿童诗画集《小玲玲的诗》。2010年由湖北美术出版社出版了《管用和诗画集》; 2013年由新加坡出版传媒集团出版了《诗书画管用和作品选》; 2017年由湖北美术出版社出版了《管用和画梦录》。

Guan Yong and I once said: my life interest lies in painting, but in real life, I can't help myself. From open art creation to furtive poetry writing, I became a famous writer, which is not my original intention. Therefore, after retiring at the age of 61, he devoted his major energy to painting. In 2009, he published the children's poetry and painting collection "the poems of Xiao Lingling" by Wuhan publishing house. In 2010, Hubei Fine Arts Publishing House published guanyong and poetry and painting collection; in 2013, Singapore publishing media group published guanyong and selected works of poetry, calligraphy and painting; in 2017, Hubei Fine Arts Publishing House published guanyong and dream of painting.

看管用和的学画经历，与史上画家王冕有些相近。都是少年贫寒靠自学绘画成功。

The painting experience of Guan Yong He is similar to that of Wang Mian. They are all poor young people who succeed in painting by self-study.

管用和画得最多的题材是自己故乡的山光水韵，是江南的春江帆影、山野人家、湖汊村庄、秋野曲溪。这是与他的乡土诗歌一脉相承的故园之恋。他笔下的山野人家:“时有白云擦屋过，常听泉瀑入窗声”;“门前绿树用红花，屋后高峦日弄霞”。他心目中的故国山川:“高峦峻岭八百里,尽在春花锦绣中”。那火红的枫林掩映的小村，轻柔的白云缠绕的山乡人家，那涓涓的流泉、疏淡的林野、袅袅的炊烟、暖暖的暮色. .. ..都渲染出了诗人心中最深沉的乡土之爱。

The most effective and popular themes are the scenery of his hometown, the scenery of the Spring River in the south of the Yangtze River, the families in the mountains, the villages in the lake and the Quxi in the autumn. This is the love of his hometown which comes down in one continuous line with his local poetry. In his works, people in the mountains and wild: "sometimes white clouds wipe the house, and often listen to the sound of springs and waterfalls entering the window"; "the green trees in front of the door use red flowers, and the high mountains behind the house make rosy clouds.". In his mind, the mountains and rivers of his native country are as high as 800 Li in the beautiful spring flowers. The village with the red maple forest, the mountain people with the gentle white clouds, the trickling spring, the sparse forest, the curling smoke and the warm Twilight all play up the deepest love of the local people in the poet's heart.

管用和作画与中国古代文人作画一样，喜欢在画上题诗:

Like ancient Chinese literati, they like to write poems on their paintings

《巴东人家》画面是:群山叠嶂，溪水湍流，几户人家，隐居山丘。

The picture of Badong family is: the mountains are overlapping, the stream is turbulent, several families live in seclusion on the hills.

管先用配诗:

Guan first used poems

远峰半隐山霞,

The distant peak is half hidden in the mountain,

翠林红树交加，

Green forest and mangrove,

危岩下，

Under the dangerous rock,

巴东深山人家。

Badong mountain family.

管用和先生的诗、书、画

The poems, books and paintings of Mr. Guan Yonghe

《南湖春色》画面:一片山崖，几抹绿色， 湖水微波，山村静谧，远天霞光。

"Nanhu spring" picture: a cliff, a few touch of green, Lake microwave, village quiet, distant Xiaguang.

题诗:

Title:

春林带湿散芳菲，

In spring, the forest is wet and fragrant,

水色湖光入翠微,

Water color, lake light into the green,

正是虹消逢雨霁,

It is when the rainbow disappears and the rain comes,

村庄山廊尽朝晖。

The village is full of sunshine.

习近平总书记在一t九届中央政治局常委同中外记者见面会上，援引一句古诗‘不要人夸颜色好，只留清气满乾坤”就出自王冕的《墨梅》图上，原诗是:

General secretary Xi Jinping, at the meeting of the nine standing committee of the Political Bureau of the Central Committee of the CPC and the Chinese and foreign journalists, invoked an ancient poem, "do not praise people with good colors, but only stay clear and full of vitality". This is from the picture of "Mei Mei" by Wang Mian, the original poem is: t

我家洗砚池头树，

My family wash inkstone pool head tree,

个个花开淡墨痕。

Every flower has a light ink mark.

不要人夸好颜色，

Don't boast about color,

只留清气满乾坤。

Only leave clear Qi to fill the universe.

再看管用和的画作《渔归一叶舟》诗画一-页，合则珠联璧合，分则相映成趣。

Let's look at the poems and paintings of Guan Yonghe's painting "fishing in a boat". If they are combined, they will be perfect, and if they are separated, they will be interesting.

野水蒹葭外，

Outside the wild reeds,

渔归一叶舟，

Fishing returns to a boat,

波光凌日动，

The waves move in the sun,

网影带烟流，

Net video smoke stream,

潮落沙痕出，

When the tide falls and the sand marks appear,

云消风未收，

The clouds are gone, but the wind is not,

湖村横断岸,

Across the lake village,

红树几枝秋。

A few branches of Mangrove in autumn.

管用和的画作题材，多取自于家乡的山水，配上他那清丽的诗词，自有-种传统文人的书画风格。

The themes of his paintings are mostly from the landscapes of his hometown, coupled with his beautiful poems, which have a traditional literati style of painting and calligraphy.

管用和画画没经正规学院的学习，少了些学院派的羁绊和束缚，多了些师天地，法自然的自由挥洒，把对家乡山水的热爱倾注笔端，使他的作品自有一种天然的妙趣。

It works and paints without formal college study, less academic fetters and constraints, more teachers from heaven and earth, natural free flow, the love of his hometown landscape into the pen, so that his works have a natural wit.

管用和在画画上能有如此的成就，首先得益于他的勤奋。

His diligence is the first reason for his success in painting.

据管先生回忆他当年一有机会就画速写， 画速写工具简单，一支笔， 一个速写本就行，等车,等船，听报告，开会，都可以就地画速写。

According to Mr. Guan's recollection, he used to sketch whenever he had a chance. The tools for sketching were simple, just a pen or a sketchbook. He could sketch on the spot when waiting for a bus, waiting for a boat, listening to a report or having a meeting.

文革中，有一-次武装部的政委在电影院作政治报告，他种用这时间又偷偷地画起速写来。不料，被邻座的-位正人君子发现，偷偷地递了一张纸条传了上去。政委在台上当场念出第几排第几号有人在画伢脑壳。顿时，场里响起一片呼声: “站起来”站起来....管用和只得 十分尴尬地站了起来，当场示众，事后，照画如故。

During the cultural revolution, once the political commissar of the armed forces made a political report in the cinema. He used this time to draw sketches secretly. Unexpectedly, was next to a gentleman found, secretly handed a note passed up. On the stage, the political commissar read out the number of the first row on the spot. Someone was painting a child's skull. All of a sudden, there was a cry: "stand up" to stand up... Effective and had to stand up awkwardly, on the spot in public, afterwards, according to the painting as before.

也是在那个时期，县里将一些当时认为有问题的人集中学习批斗，管用和早就是“右倾思想"挂号的文化人，在劫难逃。每次开会时，管用和都坐在靠边的二层床上，手拿笔和笔记本，别人以为他是在做笔记。其实是在画速写,一个月下来，他居然画了一-本人物速写。

It was also at that time that the county concentrated some people who thought that there were problems to learn criticism, and those intellectuals who had long been registered as "right leaning thought" were doomed. In every meeting, he sits on the edge of the bunk, holding a pen and notebook. Others think he is taking notes. In fact, he was sketching. After a month, he actually drew a sketch book of characters.

有一幅画的是在批斗右派分子的速写。事后给大家看，都笑着说画的真像其人。被画者是县文教局教研室的人员，家庭出身地主，又是右派，文革中当然挨批斗的对象。

There is a sketch of criticizing rightists. After the event, everyone said with a smile that the painting really looked like a person. The painter is a member of the teaching and research section of the county cultural and Education Bureau. He is a landlord of family origin and a rightist. He was certainly criticized during the cultural revolution.

就这样，管用和在人生命运最低谷时，也没有放下手中的笔，脑子闲时琢磨写诗，手中闲瑕就画速写，有时还以能看些文艺理论书籍。

In this way, when his life was at its lowest point, he didn't put down his pen. In his spare time, he thought about writing poems. In his spare time, he drew sketches. Sometimes he could read books on literary theory.

管用和的作画虽然没进正式学堂，可古人的作画理论也看了不少。他最受益的是王维说的“胸次洒脱，中无障碍，如冰壶澄澈....故落笔无尘俗之气。”他理解这话的意思是:

Although the painting that worked well did not enter the formal school, the ancients also saw a lot of painting theories. What he benefited most from is Wang Wei's saying that "the chest is free and easy, and there are no obstacles in it, just like the clarity of an ice pot... So there is no earthly atmosphere in writing." He understood what this meant

山水画家讲究因心造境，心中要容纳天地万物，才能做到吞吐自如、来去无阻，将大自然中的一山一水，选撷其内美神韵，将其升华为-种境界、气象、格调。

Landscape painters pay attention to the creation of environment based on their mind. They should accommodate all things in the world so that they can breathe freely and come and go freely. They can pick up the inner beauty of a mountain and a water in nature and upgrade it to a kind of realm, weather and style.

王维在《山水诀》中说:“凡画山水，意在笔先”、“夫画道之中，水墨为上，肇自然之性，成造化之功。”

Wang Wei said in his Shanshui Jue: "in painting mountains and rivers, the meaning is prior to the brush." in painting Tao, ink and wash are the most important. It is natural and creative. "

早年读的这些书画理论，让管用和受用了-生，所以他的画技虽然不是出自正规画院。

The theories of calligraphy and painting that he read in his early years made him useful and useful. Therefore, although his painting skills did not come from a regular Painting Academy.

但却是得到了中国古代文人的真传，所以他的画作不失有传统书画之风。

However, it was the true biography of ancient Chinese scholars, so his paintings have the style of traditional calligraphy and painting.

著名作家李建刚评价管用和的诗画说:王维是诗中有画，画中有诗。管用和是诗即是画，画即是诗其，间有细微的差别，他们前世今生，也只能有细微的差别。王维的诗画咱生得太晚，没有见过。举目今日文坛，能诗者有之，能画者有之，诗画皆有一手者亦大有人在。但真正能把诗与画合而为一，融会贯通，情景交融，文情并茂，相得益彰，达到一种高度完美的统一者， 吾所不多，而管用和无疑是其中佼佼者。. .”"

Li Jiangang, a famous writer, commented on the poems and paintings that worked well and said: Wang Wei has pictures in his poems and poems in his paintings. Poetry is painting, and painting is poetry. There are subtle differences between them. They can only have subtle differences in their past and present lives. I was born too late to see Wang Wei's poems and paintings. In today's literary world, there are those who can write poems, those who can draw pictures, and there are many people who can write poems and draw pictures. However, there are few people who can really combine poetry and painting into a perfect unity, and they are undoubtedly the best among them. . .”"

牛年春节，管用和先生发来一篇他的散文作品《老牛》里边配着他自画的老牛图，旁边配诗文:

During the Spring Festival of the year of the ox, Mr. Guan Yonghe sent a piece of his prose "old ox" with a picture of old ox drawn by himself and a poem beside it

奋蹄耕日月

Ploughing the sun and the moon

负重犁乾坤

Plowing the world

但得众生饱

But all living beings are satisfied

甘为汗劳奔。

I'm willing to run for sweat.

这也正是管用和的自身写照。

This is also the self portrait of effective and harmonious.

管用和的书法

Effective calligraphy

管用和的书法是游离于中国传统书体之外的独具个性的书体。

The effective and harmonious calligraphy is a unique style which is separated from the traditional Chinese style.

看管用和的书法，第一感觉是:

Looking at the calligraphy that works and works, the first feeling is:

一群大妈广场舞，

A group of aunts square dance,

陕西汉子打腰鼓

Shaanxi man playing waist drum

莫高窟里飞天女

Flying girl in Mogao Grottoes

两军对阵挥刀斧。

The two armies fought each other.

被那种凌乱美的气势所震撼。

I was shocked by the momentum of messy beauty.

管用和曾自谦地说，他读小学的时候也临摹过柳体字帖，没人指导，自己依样画葫芦胡弄了几天，不久就用铅笔和蘸水钢笔写字了。后来读中学，做作业考答卷用钢笔，直到参加工作，也一直没有跟毛笔打过交道。

Guan Yonghe said modestly that when he was in primary school, he also copied the willow style calligraphy. Without any guidance, he drew gourd like this for a few days, and soon wrote with pencil and water dipped pen. Later, when I was in middle school, I did my homework with a pen. Until I took part in my work, I didn't deal with a writing brush.

但看他的书法作品的用笔和着墨，无不暗合古人的法度。

However, the use of pen and ink in his calligraphy works all coincide with the laws of the ancients.

唐代书法家张怀瓘说:“作书必先识势。”

Zhang Huaiyu, a calligrapher of the Tang Dynasty, said: "to make a book, one must first know the potential."

管用和的书法作品就以势夺人。

The calligraphy works that work well and win people's attention.

他的苏轼词《大江东去》作品就以波飞浪涌一泄千里的气势，很好地表现出了苏东坡大江东去”的汹涌和“惊涛拍岸“壮观。

His works of Su Shi's poem "the great river goes to the East" show the surging of Su Dongpo's "the great river goes to the East" and the spectacular "the waves strike the shore".

管用和的此篇作品大字浓墨入笔，虽不注重点划小节，但线条透迤点划腾挪，给人汹涌澎湃势不可挡之感。

This work is written in big characters and thick ink. Although it doesn't pay attention to small points, its lines are full of meandering and moving, giving people a sense of surging and unstoppable.

清王虚舟论书说:，“束腾天潜渊之势于豪忽(笔端),乃能纵横潇洒. .... 须是字外有笔， 大力回旋，实际盘绕，如游丝，如飞龙，突然-落，来去无迹，斯能于字外出力，而向背往来，不可得其端儿(头绪)矣”。相信管用和这样的作家肯定看过古人的这段书法论述，所以作品中也在往这方面倾斜和靠拢。

Wang Xuzhou of the Qing Dynasty said in his book: "the power of rising to the sky and diving into the abyss lies in haohu (the end of the pen), but it can be natural and unrestrained. There must be a pen outside the character, and it must revolve vigorously, and actually coil around, like a gossamer or a flying dragon. Suddenly it falls, and there is no trace of its coming and going. He can exert himself outside the character, but move back and forth, so he can't get the end (clue). It is believed that such writers have read this calligraphy exposition of the ancients, so their works are inclined and close to this aspect.

看管用和先生的书法作品，有一种似曾相识的感觉，想起八大山人郑板桥的乱石铺街体有些相似。据说，郑板桥早年学书相当刻苦，写众家字体均能神似，但终觉不足。有一次，他竟在妻子的背上划来划去，揣摩字的笔画和结构。妻子不耐烦了，说:“你有你的体，我有我的体，你老在人家的体上划什么?”这无意间说出的一语双关的话，使板桥恍然有悟:不能老在别人的体格上“规规效法”。

Looking at Mr. Guan Yong's calligraphy works, I have a feeling of deja vu. I think that the style of luanshipu street of Zheng Banqiao from Badashan is similar. It is said that Zheng Banqiao studied very hard in his early years. He could write many similar characters, but he didn't feel enough. Once he scratched his wife's back to figure out the strokes and structure of the characters. The wife was impatient and said, "you have your body, I have my body, you are old  What do you draw on other people's bodies? "This pun made Banqiao realize that he can't always follow other people's physique.

评价一幅字的好坏，主要看他是否具备了笔法、结体和笔势，而这一理论，也是张怀瓘在《书断》当中所强调的，对于书法家创作，起到了很好的指导作用。纵观郑板桥所创作的乱石铺街书法作品，大多给人一种古拙之美，恰好是因为他具备了以上三要素，与那些丑书大师们所创作的书法作品，是有本质区别的，因为他们根本不具备这些特征。

The evaluation of a character mainly depends on whether he has the writing style, structure and style. This theory is also emphasized by Zhang Huaiyu in shuduan, which plays a very good guiding role in Calligrapher's creation. Looking at Zheng Banqiao's calligraphy works of luanshipu street, most of them give people a kind of ancient beauty, just because he has the above three elements, and those ugly calligraphy masters created  There is an essential difference between the calligraphic works they wrote because they do not have these characteristics at all.

正是郑板桥的这个学书故事，使管用和才感觉到不应在别人的体上写来写去，最后创出了茅草体。

It was Zheng Banqiao's story of learning books that made him feel that he shouldn't write about other people's bodies, and finally created the Maocao style.

当代书法家楹联家爱新觉罗兆瑞先生曾说过，其实评价- -幅书法作品的好坏，主要看他是不是能让人看着感觉舒服，有没有新意，能不能刺激起读者的感官意识。

Mr. aixinjue Luo Zhaorui, a contemporary calligrapher and couplet writer, once said that in fact, the evaluation of a calligraphy work mainly depends on whether it can make people feel comfortable, whether it has new ideas, and whether it can stimulate readers' sense consciousness.

最关键是能不能表现自我。在中国传统书法艺术的百花园中独创一体。管用和的茅草体与郑板桥的乱石铺街体，有种殊途同归之妙。

The key is whether you can express yourself. In the hundred flower garden of traditional Chinese calligraphy art, it is an original creation. There is a difference between the effective thatch style and Zheng Banqiao's street style.

细品管先生的作品，整体的章法布局，单字的结体造型，线条的柔劲对比，墨色的浓淡变化，无处不给人以灵动飘逸的美感。

Mr. fine quality control's works, the overall layout of the composition, the structure of words, the soft contrast of lines, and the change of ink color, all give people a smart and elegant aesthetic feeling.

从书画同源上讲，管用和的书法有很深的绘画用笔基础，有较深的艺术理论。又有涵盖天地的诗人情怀，所以他的作品，放浪潇洒，笔势如狂风入林，巨石坠空。

From the same source of painting and calligraphy, effective calligraphy has a deep foundation of painting brush and a deep art theory. There is also a poet's feeling that covers heaven and earth, so his works are unrestrained and unrestrained. His writing style is like the wind blowing into the forest and the huge stone falling into the air.

管用和法茅草而自成一-体，在书法创作上不墨守成规，师法自然而不泥古，匠心独运巧妙用笔，以鲜明的个性、别样的风格，在艺坛上留下了自己永恒的印记，形成了独特的“茅草体”，可以说，他探索出了中国书法史上的又一新体。

He has a unique style of "Maocao style". He is not conformed to the rules in calligraphy creation. He imitates nature but not the past. He is ingenious and skillful in using his pen. With his distinctive personality and different style, he has left his own eternal mark in the art world and formed a unique "Maocao style". It can be said that he has explored another new style in the history of Chinese calligraphy.

我感觉管用和的“茅草”书法是:

I feel that the effective "Maocao" calligraphy is as follows:

马踏飞燕天卷云

Horse steps on flying swallow

犹如秋风入竹林

Like autumn wind into bamboo forest

茅草一片成何体

What is a piece of grass

前朝徐渭迹可循!

The track of Xu Wei in the former dynasty can be followed!

管用和介绍自己是怎样写起书法时说:

How to write calligraphy

我本来不想给别人题字写字，但又不好意思拒绝朋友的要求，怕他说我摆架子，便用画画的秃笔随手写了一幅字给他。他看了看说，字写得好，就是毛糙了一些。我随口开玩笑说，这就是茅草(毛糙)体。于是在朋友中传开管用和写茅草体字的笑柄。这也引起我的兴趣，不妨创一个独特的字体，尝试一番。便写了一些茅草字发表在微信群里。说好的人有之，否定的人有之。我不是书法家，也不怕人笑话，心想这是个试验，不论成败，也学学第一个吃螃 蟹的人。自知我无厚实书法功底，成不了气候。也许有着书法功底的人，步我之后，会有所成就，也是一件幸事。

I didn't want to write for others, but I was too embarrassed to refuse my friend's request. I was afraid that he would say I was putting on airs, so I wrote a picture to him with my bald pen. He looked at it and said that the handwriting was good, but it was a little rough. I joked that this is the thatch body. So spread in friends with effective and write thatched characters of the laughing stock. This also arouses my interest. I might as well create a unique font and try it. He wrote some words and published them in wechat group. There are those who say yes and those who say no. I'm not a calligrapher, and I'm not afraid of jokes. I think this is an experiment. No matter whether it's successful or not, I'll learn from the first one to eat crabs. I know that I can't succeed without a solid foundation of calligraphy. It's also a good thing that people who have a good command of calligraphy will achieve something after they follow me.

管用和先生的一生，就是在中国文人在诗、书、画的道路上探索的一生，虽然坎坷，但实现了梦想。

Mr. Guan Yonghe's life is the life of Chinese literati exploring on the road of poetry, calligraphy and painting. Although it is bumpy, he has realized his dream.

郝连成2021年3月京津冀香汐花园

Hao Liancheng Beijing Tianjin Hebei Xiangxi garden, March 2021