跌打损伤浑不怕，再痛也要上舞台。受伤之后仍然坚持登台表演，这是程广英老师的亲身经历，也是她为了戏曲艺术坚持到底，雷打不动的真实写照；崇高的戏曲艺术精神令人动容。

No matter how hurt you are, you have to go to the stage. After the injury, she still insisted on performing on the stage, which is the personal experience of Miss Cheng Guangying, and also the true portrayal of her insistence to the end for the sake of opera art; the lofty artistic spirit of opera is moving.

顽强的花朵生长在顽强的土地，人杰地灵；程广英出生于安徽省滁州市琅琊区。中华四大名亭之首的醉翁亭、名山（琅琊山）、名泉（让泉）、古意斑驳的”金陵锁钥“清流关、皇甫山自然保护区等名胜古迹便属于这座文化历史悠久的淮东古城。

Tenacious flowers grow in tenacious land and are outstanding people. Cheng Guangying was born in Langya District, Chuzhou City, Anhui Province. Jiuweng Pavilion, Langya Mountain, Geng spring, Jinling lock key, qingliuguan, Huangfu Mountain Nature Reserve and other places of interest, the first of the four famous pavilions in China, belong to the ancient city of huaidong with a long cultural history.

晋代年间，琅琊王司马氏屯兵琅琊山，后渡江建业，开创了东晋王朝，故名为“琅琊”，公元589年正式设置为滁州州治，延续至今。

During the Jin Dynasty, Sima, the king of Langya, stationed his troops in Langya Mountain, crossed the river and built his business. He founded the Eastern Jin Dynasty, hence the name "Langya". In 589 ad, it was officially established as the rule of Chuzhou, which has continued to this day.

琅琊吴风汉韵，文化积淀厚重，“儒风之盛、夙冠淮东”。唐宋八大家之欧阳修任滁州太守，著《醉翁亭记》使得琅琊名扬天下；唐代韦应物任滁州知州，感喟琅琊自然之美而作《滁州西涧》“春潮带雨晚来急、野渡无人舟自横”流传千古；南宋文豪辛弃疾任滁州知州，抗金报国，发出“烽火扬州路”的惊叹，大文豪苏东坡也数次来到琅琊，泼墨挥毫，流芳千古。

Langya is full of Wu style and Han style, with profound cultural accumulation, "Confucianism is the most prosperous and has been the best in huaidong". Ouyang Xiu, one of the eight great families in Tang and Song Dynasties, was appointed as the chief of Chuzhou. He wrote the story of drunken man Pavilion, which made Langya famous all over the world. Wei Yingwu, the great writer of the Tang Dynasty, was appointed as the governor of Chuzhou. He lamented the beauty of Langya's nature and wrote the Western stream of Chuzhou, which spread for thousands of years: "spring tide brings rain late, and no boat crosses in the wild". In the Southern Song Dynasty, Wenhao Xin abandoned the disease, became the governor of Chuzhou, fought against gold and served the country, and expressed his admiration of "beacon fire and Yangzhou road" Slope also came to Langya several times, splashing ink and making it last forever.

名人荟萃之地，天地灵气聚集，孕育优秀后辈。1954年10月3日，新中国成立的第六个国庆的第三天，秋高气爽，金风吹进程家院，送喜一位小千金。家里人欢欢喜喜给女孩起名，叫程广英。

The place where famous people gather, the heaven and Earth Spirit gather, and nurture the excellent young generation. On October 3, 1954, on the third day of the Sixth National Day of the founding of the people's Republic of China, the autumn air was clear, the golden wind blew the process of the family yard, sending a small daughter to celebrate. The family happily named the girl Cheng Guangying.

小时候的程广英天生一副好嗓子，受身边人熏陶，尚未完全学会讲话，先学会哼唱小曲小调。稍微董事后，喜欢上黄梅戏，京剧，四洲戏。有机会看戏的时候，演员在台上演，她在台下看，一字一句、一声一调默默记在心里，背地里自己练习。

As a child, Cheng Guangying was born with a good voice. Influenced by people around him, he had not yet fully learned to speak. He first learned to hum and sing ditty. After a little director, I like Huangmei Opera, Peking Opera and Sizhou opera. When there is a chance to see a play, the actor performs on the stage. She watches under the stage, silently remembers every word and tone, and practices herself behind her back.

1971年8月23号，滁州市第三次京剧总决赛盛大举行，程广英为此作了充分准备。不巧的是，29天前的一次意外事故，程广英的左腿膝盖骨摔断了。因为伤势严重，滁州市宣传部的领导建议程广英取消表演，毕竟身体才是革命的本钱，健康安全最重要。但是程广英毫不退缩，坚持戏比天大，一定要上台表演；否则，自己特地新买的戏服就白花钱了。

On August 23, 1971, the third Beijing Opera finals of Chuzhou City were held in a grand way. Cheng Guangying made full preparations for this.  Unfortunately, in an accident 29 days ago, Cheng Guangying broke his left knee bone. Because of the serious injury, the leader of the Propaganda Department of Chuzhou suggested that Cheng Guangying cancel the performance. After all, the body is the capital of the revolution, and health and safety are the most important. However, Cheng Guangying did not flinch, insisting that the play was bigger than the sky, so she had to perform on the stage; otherwise, her newly bought costume would be in vain.

宣传部领导被程广英毫无畏惧的精神所感动，最终同意她上台演唱。虽然刚做过手术，不能走台步，但站立是没问题的。于是，程广英小心翼翼上了舞台，以站立的姿势唱了京剧——《卖水》。坚韧不拔的戏曲艺术精神感动台下观众，获得阵阵掌声，拿了一个优秀奖，这可是总决赛的优秀奖。

The leader of the publicity department was moved by Cheng Guangying's fearless spirit and finally agreed to sing on stage. Although I just had an operation, I can't walk on the stage, but it's OK to stand. Therefore, Cheng Guangying carefully stepped onto the stage and sang the Peking Opera "selling water" in a standing position. The indomitable artistic spirit of opera moved the audience, won applause and an excellent award, which was the excellent award of the finals.

自从踏上戏曲之路，程广英为了戏曲不计付出，自己买了好多戏曲服装，打扮得漂漂亮亮去参加公益演出，每一次登台表演都入木三分。因为表演惟妙惟肖，参加滁州京剧比赛被评为“周之星”、“月之星”，也荣获总决赛优秀奖。

Since embarking on the road of opera, Cheng Guangying has bought a lot of opera costumes for the sake of opera, dressed up to participate in public welfare performances, and every time she performs on the stage, she has achieved great success. Because of the vivid performance, he was awarded "star of week" and "star of month" in Chuzhou Peking Opera Competition, and also won the outstanding award in the finals.

光阴易逝，为柴米油盐酱醋茶耗费太多精力，虚度许多黄金岁月。到了晚年，心中难以割舍戏曲艺术，上滁州市老年大学继续圆梦。刚开始，程广英觉得京剧很难学，然后改学黄梅戏，通过视频和老师指导学习严风英大师的表演技巧。因为戏曲功底薄弱，毫无进步，反而产生放弃的念头。

Time is fleeting. It costs too much energy for firewood, rice, oil, salt, soy sauce, vinegar and tea, and wastes many golden years. In his later years, it was hard for him to give up the art of opera and go to Chuzhou University for the aged to realize his dream. At first, Cheng Guangying thought Beijing opera was very difficult to learn, then changed to Huangmei Opera, and learned master Yan Fengying's performance skills through video and teacher guidance. Because the opera is weak and has no progress, it has the idea of giving up.

一晃眼的功夫，几年又过去了。程广英到合肥市倍读时，以群众身份参加安徽省电台节目，看到全国黄梅戏迷都很认真，又产生继续学习戏曲的想法。虽然记忆力有点差，但也要坚持不懈，不断向老名家和戏迷朋友老师们认真学习。

A blink of an eye, a few years have passed. When Cheng Guangying went to Beidu in Hefei, he participated in the Anhui Radio program as a mass. He saw that all the fans of Huangmei Opera were very serious and came up with the idea of continuing to learn opera. Although the memory is a little poor, but also to persevere, and continue to learn from the old masters and fans of friends and teachers.

满招损谦受益，作为深受中华传统文化熏陶的老一辈艺术家，程广英虚怀若谷。经常督促自己要不断学习，提醒自己和戏曲艺术名家相差很远，要继续努力加油，才能在黄梅戏、京剧艺术的传承之路上走得更远。

As an old generation artist deeply influenced by Chinese traditional culture, Cheng Guangying is full of vanity. He often urges himself to keep learning and reminds himself that he is far away from the famous opera artists. Only by continuing to work hard can he go further on the road of inheritance of Huangmei Opera and Peking Opera.

2019年6月23号下午，程广英和黄梅戏曲戏迷在安徽合肥一起搞联欢演出，走台的时候不小心被舞台上的设备绊倒，导致左手受伤，手掌错右。主骨骨折。受伤以后，程广英并有打扰其他人，自己默默退场，在一位老师的帮助下找医生治疗。

On the afternoon of June 23, 2019, Cheng Guangying and fans of Huangmei Opera performed together in Hefei, Anhui Province. When walking on the stage, they accidentally tripped over the equipment on the stage, resulting in left hand injury and wrong palm. Fracture of main bone.  After being injured, Cheng Guangying and others were disturbed. He left the field silently and went to see a doctor with the help of a teacher.

在老年大学里，程广英又忍痛参加排练。出于对戏曲的执着与热爱，不怕疼、不怕苦、咬牙坚持、就算疼到哭也绝不退场。后来老年大学汇报演出京剧，程广英又排了两个节目，其中一个便是《穆桂英挂帅》。

In the University for the aged, Cheng Guangying took part in the rehearsal again. Out of the perseverance and love of opera, we are not afraid of pain, not afraid of suffering, and insist on biting our teeth. Even if it hurts to cry, we will never leave. Later, when the University of the aged reported performing Peking Opera, Cheng Guangying arranged two more programs, one of which was "Mu Guiying in command".

除了市里的大型演出活动，程广英也经常到农村及社区演出，角色包括京剧青衣，小花旦，黄梅戏老旦等。

In addition to the large-scale performances in the city, Cheng Guangying often performs in rural areas and communities, including Peking Opera Qingyi, xiaohuadan, Huangmei Opera laodan, etc.

2020年3月，加入世界文化艺术界联合会亚洲戏曲协会，担任常务理事。

In March 2020, he joined the Asian Opera Association of the World Federation of cultural and art circles and served as the executive director.