造化心源 曲水万象——王一卜“曲水雕”

王一卜治玉已逾十数年，其间作品面目变而再三。探察其间，于改换处实有贯通。而绵延至今，其作再度为之一变，其自称为“曲水雕”法。

　　刻划水波，自古有之。早在新石器时代早期，河姆渡文化的陶器中就已出现水波纹样；而至新石器时代中晚期，水波纹刻划已颇为广泛；至南北朝时，佛头发髻亦有水波纹式及涡巻式。但王一卜所创“曲水雕”，却于以上又有新的融汇。

　　此种新奇，并非一时兴起之作，而是于其创作年谱中，早已有草蛇灰线——乃是源于一件残荷作品的叶脉。此脉以曲线为主，一波九曲，且行且变，圆熟流畅，自然浑然，似脉络又似水路，有圆曲迂回处，亦有折皴顿转时，是在传统水波样式刻划之外，又结合了山水画之解索皴、荷叶皴、卷云皴等刀笔转换，而成就出一种独属于王一卜的“曲水”样貌。

　　通体而观，王一卜此时所成就之一切“曲水雕”玉，皆似风行水上，波澜自起；细细察看，每根线条起伏多变，如道路，似长河，若山峦……其自解道：一切似在有意无意之间，不刻意求工，亦不刻意求似，只是重在刀法意趣的自然生发，而使造型更近于自然，融于自然。

　　而实施此种“曲水雕”法，当忌写实而重写意。刀笔多屈曲而行，看似行云流水，随机散漫，实则于顺畅之中间有顿挫，既“流”且“留”，节奏显明。兼以行、隶之笔意化入刀法，顺势而为时忽而顿挫转折，滞留得当，才能毫无虚浮油滑之感。

　　王一卜所创“曲水”之法，其形式变化也有若干，大致有以下五种：譬如一种线条，阳起而雕，顺流而下，似檐壁流痕，且命为“漏痕式”；而另一种阴刻，一笔一划，犹细沙间划过，名“划沙式”。

　　漏痕式

　　划沙式

　　倘若线条如细流之涓涓，那么自线条转至形体、块面之上，则块面似河道之汤汤，忽而平滑如镜，忽而弯折跌宕，曲面多重，节奏荡漾。其间凹面对接或凹凸面順接之处，称为“流水式”；平面似台阶逐落，便是“梯田式”；而凸面与凸面对接时，其圆鼓肥硕之态，则可名为“婴儿肥式”。如此种种，不一而足，可独立刻划，亦可间错而为，法无定法。恰如石涛所言：无法之法，乃为至法。

　　流水式

　　梯田式

　　婴儿肥式

　　所谓外师造化，中得心源。王一卜以曲水为形，当为心生喜爱之故。《老子》曰：上善若水。水，凹于地表，而以此谦卑养得万物。曲，于《易》中也有细解：曲成万物而不遗。意即以曲线方得包容、体贴万物。曲则全。可见“曲水”之意奥妙。

　　而此种领悟，与王一卜自小与水接洽，大有关联。其幼时于船上长大，直到进入小学。微风中的平湖细浪，晴日里的潋滟水光，急流中的层波叠浪、漩涡飞转……还有冬日清晨水雾里的缥缈行船，云水如幻，仙境一般。这些都曾是王一卜儿时日日熟悉的画面，直至今日，终不能忘，亦由此而有所思：水流逶迤，漂转不定，逢山而绕行，遇土而成岸，顺流而潺潺，逆势而汤汤，姿态横生，幻化万象，常行于所当行，常止于所不可不止，因地制流，终能汇于瀚海。

　　人亦如此。如水般至柔至刚、至污至净，方能至容至伟，抵达智慧瀚境。治玉亦如曲水。游离于法度边缘，合法而不拘于法，似我而非我，有我亦无我，方可成就古今之契合。

　　王一卜简介——中国文派玉雕开创者、中国玉雕领军人物

　　毕业于苏州工艺美院书画专业，师从中国玉石雕刻大师葛洪。其作品取魏晋南北朝造像的超然之韵与宋元水墨的空明幽淡，独树一帜。具有简、静、空、逸的艺术风格，气息高古空灵，意境郁勃澹宕，耐人寻味。

　　一卜三次个人玉展引发业内广泛关注：

　　2015年个人玉展《溢于象外》

　　2016年的《造像、造像……》都受到业界强烈关注，引领了中国当代玉雕艺术新风。

　　2017《有意，无意……》一卜写意造像作品展为王一卜第三次个人玉展。

来源：光明网

Good luck - a cardiac Vientiane Wang Qushui "Qushui carving"

Wang Yi Bu Zhiyu has more than ten years, during which the work face and repeatedly. During the search, to change the place is through.
The wave of water has been carved from ancient times. In the early Neolithic period, wave patterns appeared in Hemudu Site culture of pottery; and late Neolithic, the water ripples have been widely characterized; to the northern and Southern Dynasties, the Buddha head bun also ripple type and the vortex volume type. But the king, "created by the QUXU carving, but more than a new fusion.
This novel is not a whim to make, but in the creation of his chronicle already, is derived from a faint clue -- a lotus leaf vein works. The pulse wave curve, 9, and variable, mellow and smooth, natural look like, like a thread of water, there is a circular curved roundabout, also fold cracked cogging, is characterized in the traditional wave style, but also a combination of landscape painting solution cracked, chapped, cracked cirrus lotus leaf the pen knife conversion, and a success only belongs to the king, "Qushui".
The concept of "all QUXU carved" Jade King, the achievement, it is smoothly, since the waves; scrutinize, every line of volatile, such as roads, like the river, if the mountains...... The solution: everything in between is not pursued, naturally or half unconsciously, do not deliberately seek like, just focusing on blade charm of natural hair, and make the model closer to nature, harmony with nature.
The implementation of the "Qushui carving" method, realistic and freehand when bogey heavy. Multi pettifoggery buckling line, seemingly randomly scattered, actually have a freely flowing style of writing, in the middle of the abortive smoothly, both "flow" and "stay", that rhythm. And in Italy, as the flow into the blade, when suddenly turning force, stranded properly, no greasy feeling to vain.
Wang Yibu created "Qushui" of the law, in the form of a number of changes, generally have the following five: such as a line, up and down the river, Yang carved frieze, like flow marks, and named the "leakage marks"; another one is incised, and sand, with your name. "Designated sand type".

Leaky mark

Sand stroke
If the above lines such as trickle trickle, then transferred to the body, since the line block surface, then block face like river of soup, suddenly as smooth as a mirror, and bending and multiple surface waves, rhythm. The concave or convex concave surface along the ground docking place, known as the "water"; plane like step by fall, is the "terraced"; and the convex and convex face, the drum a state, can be called "baby fat type". So many, not only, can be independently carved, but also between the wrong, the law is not fixed. As Shi Tao said, the law that can not be done is to the law.

Flow pattern

Terraced field

Infant formula
The so-called "external teacher", in the heart of the heart. Wang Yibu to Qushui for the shape, when the heart is love. "Lao Tzu said:" as good as water. Water is concave on the surface of the earth, and this humility raises all things. Song, in the "easy" also has fine solution: the song becomes all things without any remains. It means that the curve should be inclusive and considerate of all things. Zequan. Visible "Qushui" meaning.
And this kind of understanding is closely related to the harmony between Wang Yin and the water. When he was young, he grew up on the boat until he entered the primary school. The breeze in Pinghu on sunny days, the glittering water, waves upon waves, vortex jet in the round...... There is a winter morning mist misty cloud sailing, dreamlike fairyland. These were the king of a childhood daily familiar picture, until today, can not forget the end, which also thinks: water meandering, drift turn, every mountain bypass, in soil and shore, river gurgling, contrarian Tangtang, attitude will occur, often in the form of Vientiane, when OK, stop often can not be more than, to flow, finally sinks in the desert.
So is man. Like water to soft to just, to the sewage to the net, can to let wisdom Han Chi wi, arrived at the exit. The jade Yiru quxu. Free from the edge of the law, legal and not confined to the law, like me but not me, I have no me, can achieve the agreement of ancient and modern.
A brief introduction to Wang Yi - Bu - Chinese jade carving pioneers and Chinese jade carvings
Graduated from the Suzhou arts and crafts Academy of calligraphy and painting major, the master of Chinese jade carving master Ge Hong. His works take the transcendental rhyme of the statues of the Wei, Jin, the northern and Southern Dynasties and the empty and bright light of the water and ink of the song and Yuan Dynasty. Is simple, quiet, empty and elegant artistic style, flavor of ancient ethereal, artistic conception of Yu Bo Dan Dang, intriguing.
Three personal jade exhibitions have aroused wide attention in the industry.
The 2015 personal jade exhibition "overflowing in the elephant"
The statue, the statue of the 2016... It has been highly concerned by the industry, leading the modern art of jade carving in China.
2017 "intentional, unintentional..." It is the third personal jade exhibition of King divination.