各大博物馆藏唐三彩马及牵马俑赏析The museum and horse figurines of the Tang horses

2018-01-09 14:33:18
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各大博物馆藏唐三彩马及牵马俑赏析

马是唐代文化艺术中最常见的题材。彩绘三彩釉陶马形体硕大、构造复杂，无法使用普通手工拉坯法来完成，所以多用模制法成型。虽然是合模制作，但所有彩绘三彩釉陶马都各具特点，几乎找不出完全一样的彩绘三彩釉陶马来。从现存彩绘三彩釉陶马可以看出，唐代彩绘三彩釉匠师们不仅对马的外貌特点十分熟悉，而且对马的神态、秉性也有深入的了解。因此，塑造起来得心应手。他们不仅使彩绘三彩釉陶马在外形上做到了十分逼真，而且充分发挥了艺术想象力，恰当地运用了艺术夸张的手法，使马的内在精神表现得淋漓尽致。

彩绘三彩釉陶马是唐代时期最令人喜爱的，造型均头小颈长，膘肥体壮，骨肉健美，眼睛炯炯有神，富于艺术的概括力。三彩釉陶马以白色三彩和黑色三彩最为名贵，以黄、绿、褐三彩为主的原则上价值略低。

图中出现陶马及牵马俑人，皆是往来于西域等西方客商和流寓长安、洛阳等城市经商的人。证明了唐代与西方民族友好往来的密切程度。

唐代三彩釉牵马俑与陶马　陕西历史博物馆藏

唐代三彩釉低头陶马　陕西历史博物馆藏

唐代彩绘陶马　陕西历史博物馆藏

唐代三彩釉陶马　陕西历史博物馆藏

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唐代白陶舞陶马　陕西历史博物馆藏

唐代三彩釉三花陶马　陕西历史博物馆藏

唐代彩绘陶马　陕西历史博物馆藏

唐代三彩釉牵马俑与陶马　陕西历史博物馆藏

唐代三彩釉陶马　陕西历史博物馆藏

唐代三彩釉陶马　西安博物院藏

唐代彩绘陶马　西安博物院藏

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唐代灰陶彩绘马　宁夏博物馆藏

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来源：人民网

The museum and horse figurines of the Tang horses
Horse is the most common theme in the culture and art of the Tang Dynasty. Three color glaze painted horses huge and complex structure, can not use ordinary hand throwing method to complete, so use molding molding. Although the mold production, but all painted three color glazed pottery horse is unique, almost can not find the same color Sancai Glazed Pottery Horse to. From the existing three color glaze painted pottery can be seen, the Tang Dynasty painting its tricolored glazed craftsmen not only the appearance characteristics of the horse is very familiar with, but also have a deep understanding of the horse's demeanor, temperament. Therefore, it is easy to build up. They not only make three color glazed pottery horse do painting in appearance is very lifelike, and give full play to the imagination, the proper use of artistic exaggeration, the inner spirit of the horse behaved most incisive.
Painting is the Tang Dynasty Sancai Glazed Pottery Horse favorites, all other head and neck length, flesh toned eyes are plump and sturdy., artistic, summary. Three color glazed pottery horse with white - and black - the most expensive, with yellow, green, Brown - based on the principle of value is slightly lower.
The horse figurines pottery horses and people appear in the picture, all contacts in the western region and other Western merchants and resided in Changan and Luoyang city business people. It proves the close relationship between the Tang Dynasty and the Western nations.