“中国版”如何拥有“中国心”

　　2017年，中国影视吹来一阵“日本风”。《嫌疑人X的献身》《麻烦家族》《追捕》《深夜食堂》《妖猫传》等电影电视剧，先后改编自日本文学或影视作品。这些原作大都在中国拥有较高的人气，改编后的“中国版”却褒贬不一。“本土化”够不够，“中国味”足不足，成了中国版能否俘获观众的关键因素。

　　由日本作家东野圭吾作品改编的电影《解忧杂货店》，正在全国电影院线上映。这部作品的改编路径，再次探讨了影视改编如何跨越文化差异，“中国版”如何拥有一颗“中国心”。

　　外国作品转译成中国故事，化解二者之间的文化、社会、时代差异，是本土化过程中必须直面的问题。对于这一点，《解忧杂货店》的导演韩杰有自己的答案：“中国文化的根最重要。日本文化深受中国儒家文化影响，我们改编日本作品一定要找到这个根脉，一切才好梳理。”有些创作者在文化翻译传播上缺少文化自信、文化自觉，拿过来就直接用，生搬硬套日本的故事，丢掉了自己的文化基础，则一定行不通。之前几部中国版作品水土不服，根本原因也就在这里。

　　除此之外，找到两个国家的对应感也很重要。中日两国的伦理现状、时代节拍有差异。日本原著的时间起点是上世纪70年代，那个时代日本经济正辉煌；而对中国来说，上世纪八九十年代则特征更鲜明。“改革开放的大背景下，经济快速发展，中国人的生活情感、伦理道德也在发生改变。将时间起点后推到八九十年代，我们找到了中国版故事的时代坐标，也就找到了符合原小说主题的人物坐标，基本解决了改编的难题。”韩杰说。

　　具体到这部电影，剧情的展开、人物的命运里，中国文化的痕迹也很明晰。影片中最核心的人物——无名老爷爷，他从旧社会走过来，曾经的爱情没有结果，他一生未娶，爱人张妈妈也一生未嫁，但两个人把这种伤痛转化为新的力量：老爷爷在杂货店给人写解忧信，张妈妈创办孤儿院，养育了一代代孤儿。韩杰认为，这种仁爱，正是传统儒家美德的体现：“整个故事是从2017年的一个夜晚3个孩子的出走讲起，无知反叛的孩子，在解忧杂货店逐步发现爱，逐渐产生孝悌忠信礼义廉耻的美德。找到了这个文化的脉，整个故事的线索、情感力量、伦理观点也就随之树立起来。”

　　东野圭吾是日本当代推理小说家，与他一系列以悬念推理为特色的作品不同，《解忧杂货店》独树一帜，它巧妙运用时空自由穿梭的结构，讲述了人与人互相抵达、传递情感与困扰，进而互相鼓励互相揭示生命真相、寻找人生价值的故事，具有东方古典智慧和美德的精神内核。在哲学性和思想性之外，它传递更多的是人性温暖和爱的力量。这与韩杰早年创作的电影《Hello！树先生》的温暖人文主题有相通之处，但这次在演员的选择上，却大不一样。

　　《解忧杂货店》里，既有演技派的成熟演员，也有当下颇受关注的流量偶像。这一方面是资方的考虑：操作电影时把各种优秀资源组合起来，努力让电影取得更高的业绩。另一方面，韩杰自己也不反对用流量偶像：“我的电影作品里始终贯穿一个理念，不管演员还是非职业演员，明星还是表演艺术家，都不重要，重要的是他（她）合不合适这个角色，内心的能量能否激发起来，对电影是否有一种信任，对电影创作是否有一份探索的渴求，这个达成共识之后，我们才能创作作品。”

　　《解忧杂货店》是个关于时空的故事，《Hello！树先生》中也有魔幻的时间感。韩杰持续着他对时间概念的表达欲望和创作兴趣：“电影本体的魅力很重要的一部分，就是对时间和空间的处理。当初我们学习电影的时候，就栽种下了这样的理念，对电影做本质上的探索，并且希望能够探索出一些有趣的东西，这是我从业以来一直努力的方向。”

来源：文化中国

How to own "Chinese heart" in "Chinese version"

In 2017, a "Japanese wind" was blown by Chinese film and television. The movie and TV play such as the dedication of the suspect X, the trouble family, the hunt, the late night dining hall, the cat's biography and so on, have been adapted from Japanese literature or film and television works. Most of these original works have high popularity in China, but the "Chinese version" after adaptation is commended. "Localization" is not enough, "Chinese taste" is insufficient, which is the key factor for the Chinese version to capture the audience.
Adapted from Japanese writer Keigo Higashino film "grief grocery store", is the national cinema release. The adaptation path of this work has again explored how the adaptation of film and television to cross cultural differences, and how "Chinese version" has a "Chinese heart".
The translation of foreign works into Chinese stories and the dissolving of the cultural, social and historical differences between the two are the problems that must be addressed directly in the process of localization. For this, "" grief grocery store director Han Jie has his own answer: "the most important Chinese cultural roots. The Japanese culture is deeply influenced by the Chinese Confucian culture. We must find this root vein in the adaptation of Japanese works. Some creators of the lack of cultural self-confidence, cultural translation in the dissemination of cultural consciousness, to take over directly, mechanically in Japan, lost their cultural foundation, it will not work. Some of the previous Chinese editions are not satisfied, and the fundamental reason is here.
In addition, it is also important to find a sense of correspondence between the two countries. There are differences between China and Japan on the situation of ethics and times. The time limit for Japanese original works is in the 70s of last century. In that era, the Japanese economy was brilliant, but for China, it was more distinctive in the 80s and 90s of last century. Under the background of the reform and opening up, the rapid economic development, the Chinese people's life emotion, ethics and morality are also changing. The starting point of time back to 80s and 90s, we find the era coordinate Chinese version of the story, people will find the coordinates in accordance with the original theme of the novel, the basic solution to the problem of adaptation." Han Jie said.
Specific to this film, the plot, the fate of the characters, the traces of Chinese culture are also clear. The core of the characters in the movie -- unknown grandfather, he came from the old society, once love no results, he never married, lover Zhang mother also never married, but the two men took the pain into new power: Grandpa write letters to people out at the grocery store, a mother was an orphan hospital, had a generation of orphans. Han Jie believes that this is a manifestation of love, the traditional Confucian virtues: "the whole story is from a night in 2017 3 children who speak up, ignorant rebellious children, gradually find love in grief grocery store, gradually formed the virtues of loyalty and filial piety etiquette. To find the vein of this culture, the whole story's clues, emotional forces, and ethical views are also set up. "
Keigo Higashino is a contemporary Japanese novelist, he and a series of suspense to the features of the works of different reasoning, "grief grocery store" become an independent school, its clever use of space structure free shuttle, tells people to each other, and arrived at the transfer emotional distress, and encourage each other each other to reveal the truth of life, looking for the value of life story. The core spirit of oriental classical wisdom and virtue. In addition to the philosophical and ideological nature, it conveys more of the power of warmth and love of human nature. This is with Han Jie's early film "Hello!" The warm humanistic theme of Mr. tree has a common place, but this time it is very different in the choice of the actors.
"Grief grocery store", both mature actor acting, also the current popular idol flow. This is the consideration of the capital: the combination of excellent resources in the operation of the film, and efforts to make the film achieve higher performance. On the other hand, Han Jie do not oppose the use of flow Idol: "my film runs through a concept, whether actor or non occupation actor, star or artist, is not important, important is he (she) is not suitable for this role, can stimulate the inner energy, whether a kind of trust on the film of film creation is a desire to explore, this consensus, we can create works."
"Grief grocery store is a" space story, "Hello! There is also a magical sense of time in Mr. tree. Han Jie continued his desire and interest in expressing the concept of time: "the most important part of the charm of movie noumenon is to deal with time and space. When we studied films, we planted such an idea, explored the nature of films, and hoped to explore some interesting things. This is what I have been working on since the beginning of my career.