袁朴近照

Recent photo of Yuan Pu

我是从网上看到袁教授的书法作品集的，而这册作品集还是附在《中国书法普及教程》之后。

I saw Professor Yuan's collection of calligraphy works from the Internet, which is attached to the "Chinese calligraphy popularization course".

看完书中的作者简介，我才知道，袁教授是中国专门与文字打交道的人，在中国印刷领域有过不凡的贡献。他的教授头衔也是与印刷机械相关的，而他在书画研究方面的“副业”爱好则使他晚年的影响更大。

After reading the author's profile in the book, I learned that Professor Yuan is a Chinese person who deals with characters and has made extraordinary contributions in the field of Chinese printing. His professorship was also related to printing machinery, and his hobby of "sideline" in painting and calligraphy research made his later years more influential.

袁朴，生于1946年，江苏镇江人。1964-1970年就读于湖北华中工学院机械制造专业。大学毕业后，被分配到文化部所属的湖北丹江文字605厂，长期从事活字制作、研究，对印刷字体研究较深，最让袁朴有成就感的是方正字库还收进了他的字体。

Yuan Pu, born in 1946 in Zhenjiang, Jiangsu Province. He studied in Hubei Huazhong Institute of technology from 1964 to 1970. After graduating from University, he was assigned to Hubei Danjiang character 605 factory affiliated to the Ministry of culture. He has been engaged in the production and research of movable type for a long time. He has a deep research on printed fonts. What makes yuan Pu feel most successful is that Fangzheng font library has also collected his fonts.

袁朴现为北京印刷学院教授，中国书法家协会理事，北京仁和美术学院顾问，北京德和轩书画院副院长。作品多次参加国内外书法大展，作品赠美国布什总统，并为美国国家博物馆收藏；2006 年应邀赴俄罗斯参加国际书法展；作品进入法国罗浮宫展示，并由俄罗斯国家博物馆收藏。

Yuan Pu is a professor of Beijing Printing Institute, director of China Calligraphers Association, consultant of Beijing Renhe Academy of fine arts, and vice president of Beijing Dehe Xuan calligraphy and painting academy. In 2006, he was invited to Russia to participate in the international calligraphy exhibition. His works were exhibited in the Louvre of France and collected by the Russian National Museum.

纵观中国当代书法家，能写作品者居多，能写作品又能说出怎样去写作品者少，而能写作品，又能说出如何写作品，再把中国的书法创作传播到国外则更是少之又少，而袁朴教授则是此中代表。

Throughout China's contemporary calligraphers, there are many who can write works, and few can say how to write works. However, few can write works and tell how to write works, and then spread Chinese calligraphy creation abroad. Professor Yuan Pu is one of the representatives.

一篇学术文章 与王选激光拍照灵感不谋而合

An academic article coincides with Wang Xuan's laser photography inspiration

在605厂字模厂工作期间，他写了一篇关于字号大小内在规律的学术文章发表在《中国标准化》杂志上，被时任国家“748工程”的技术总负责人王选看到。为此王选专门写信邀请袁朴去北京交谈，那时候王选负责研发的汉字激光照排机还没有制造出来。这篇文章分析了字号大小的视觉规律，后来袁朴与王选交流才知，这篇文章对王选后来激光照排技术的发明很有帮助，从而加快了汉字激光拍照机的问世进程。

He wrote an academic article on the inherent law of font size during his working in 605 factory font factory, which was published in China Standardization magazine, and was read by Wang Xuan, the technical chief of the national "748 project". For this reason, Wang Xuan wrote a letter to invite yuan Pu to talk to Beijing. At that time, the Chinese character laser typesetter that Wang Xuan was responsible for research and development had not yet been produced. This article analyzes the visual law of the size of the font. Later, Yuan Pu communicated with Wang Xuan and learned that this article is very helpful to Wang Xuan's later invention of Laser Phototypesetting Technology, thus speeding up the development of the Chinese character laser camera.

看袁朴教授的书法，可谓真、草、篆、刻全能，犹以楷书端庄儒雅透着深厚的传统功力。通篇看后有如下感觉：

From Professor Yuan Pu's calligraphy, it can be described as true, grass, seal script and carving. It is also elegant and dignified in regular script, and has profound traditional skills. After reading the whole article, I have the following feelings:

楷书庄重儒雅，功力深厚，透着传统法度

Regular script is solemn and elegant, with profound skills and traditional Dharma

袁朴书法作品，以传统楷书为主，作品中透着古人的庄重儒雅和先贤正气。

Yuan Pu's calligraphy works mainly focus on the traditional regular script, which shows the solemn and elegant of the ancients and the integrity of the ancients.

横幅《心静如水》布局得体，笔意藏锋，自有一种清静之态。他在作品后边的附文中写道：心静如水，平和亲近，是一种修养，一种境界，高雅气质，更是东方智慧。养浩然静气，泰然处世，静气养身，从容不迫，激浊扬清，不卑不亢、不偏不倚、举重若轻。

The banner "mind is still like water" is well arranged, and the brushwork is full of front, which has a quiet state. He wrote in the attachment at the end of his works that: calm mind like water, peaceful and close, is a kind of cultivation, a realm, elegant temperament, and Oriental wisdom. Cultivate noble and calm Qi, be calm in life, keep calm, calm, eliminate vice and promote purity, be neither humble nor arrogant, impartial and light in lifting heavy weights.

袁朴的书法观点（一）：自古以来，文字就是“经艺之本，王政之始”。而文字是—个国家文化发展的母体和载体，中国文化与全世界所不同的标志无疑是独一无二的书法。对书法艺术的了解，更多要从历史角度看，好比我们说‘唐尚法’，就是唐朝的字很讲究法度，所以唐朝出来一些楷书家。一个想要成为书法家的人，或者说想把字写得像书法家一样的人，如果不了解这些历史的话，是不可能的。

Yuan Pu's views on calligraphy (1): since ancient times, writing is "the foundation of art and the beginning of King's administration". Writing is the mother and carrier of a country's cultural development. The symbol of Chinese culture different from that of the whole world is undoubtedly a unique calligraphy. To understand the art of calligraphy, we should look at it from a historical point of view. For example, when we say "Tang Shang Fa", that is, the characters of the Tang Dynasty pay attention to the law, so there are some regular script writers in the Tang Dynasty. A person who wants to be a calligrapher or write like a calligrapher is impossible if he does not understand the history.

他的作品《学而不厌 诲人不倦》就涵盖了对学者和授者两方面学习态度。可贵的是他在这幅作品里还有启功的影子。可见袁朴在继承和发扬中国优秀技艺方面能兼收并蓄。

His work "never tired of learning and tireless in teaching" covers two aspects of learning attitude towards scholars and teachers. What is valuable is that he still has the shadow of enlightenment in this work. It can be seen that Yuan Pu was able to absorb and develop Chinese excellent skills.

袁朴作品

Works of Yuan Pu

行书沉稳流畅，线条圆润有力，充满弹性

Running script is steady and smooth, with round and powerful lines and full of elasticity

袁朴的作品，沉稳流畅，线条圆润有力充满弹性是他作品的又一特点。《仁泽天 下》《暖雪生香》都让人生出这样的感觉。

Another characteristic of Yuan Pu's works is that they are calm and smooth, with round and powerful lines and full of elasticity. "Renze Tianxia" and "warm snow make fragrance" make people feel like this.

袁朴的书法观点（二）：书法不仅是简单的写字，其深层所蕴含的是对艺术至高无上的追求，内涵中国古人把握世界的睿智，对道的追求，是中国文化的一个重要内涵。 由于书法有文字的背景，书法已不仅仅是实用和艺术二个方面所能涵盖的，必须将之放在文化及传统的高度，而不是“小能小技”。

Yuan Pu's viewpoint on calligraphy (2): calligraphy is not only simple writing, but also contains the supreme pursuit of art. It contains the wisdom of ancient Chinese to grasp the world and the pursuit of Tao, which is an important connotation of Chinese culture. Because of the background of calligraphy, calligraphy is not only practical and artistic, it must be put in the height of culture and tradition, rather than "small skills".

草书收放自如，章法有序。

Cursive script can be put in and out freely, and its composition is orderly.

《王国维治学》《云鸢键翔》就让人看到了袁朴教授在这方面的深深功力。

"Wang Guowei's scholarship" and "Yunyuan Jianxiang" show Professor Yuan Pu's deep skills in this respect.

袁朴的书法观点（三）：从20世纪初西方的钢笔字进入中国以来的近半个世纪，硬笔字代替了毛笔，使中国书法渐渐不再具有实用性。尤其是近十多年来，电脑的高度发展和普及、这一代年青人不要说用毛笔写字了，甚至即将远离硬笔，进入一个无纸无笔的键盘时代。对年轻一代来说，中国传统书法文化已经濒临一个丧失殆尽的边缘。

Yuan Pu's calligraphy viewpoint (3): since the Western pen and pen characters entered China in the early 20th century, hard brush characters have replaced the brush, making Chinese calligraphy no longer practical. Especially in the past decade or so, with the rapid development and popularization of computers, this generation of young people, let alone writing with a brush, will soon move away from the hard pen and enter an era of keyboard without paper and pen. For the younger generation, Chinese traditional calligraphy culture is on the verge of being lost.

小楷笔锋细腻，灵秀如珠

The style of small regular script is delicate and delicate

欲知袁朴的小楷功底可看《仁者爱人》和《多萝密心经》，已跳出了抄经体的框囿，有了自己的风格。

If you want to know yuan Pu's basic skills in small script, you can see the benevolent lover and the doromi Heart Sutra, which has gone out of the frame of copying scriptures and has its own style.

袁朴小楷作品

Yuan Pu's regular script works

袁朴的书法观点（四）：学习书法必须从小进行培养，让传统流淌在血液中。还必须要不断坚持，少则几年、十几年，多则几十年，甚至是一辈子。孜孜不倦、点滴积累，耳濡目染、 薪火相传。 我们对传统的文化、传统的书法要有敬畏之心。

Yuan Pu's calligraphy viewpoint (4): learning calligraphy must be cultivated from an early age, so that the tradition can flow in the blood. We must continue to adhere to it for a few years or more, or even for a lifetime. Tireless, bit by bit accumulation, listening and hearing, passing on the torch. We should be in awe of traditional culture and traditional calligraphy.

袁朴的篆刻也自有妙处：刀法洗练爽劲，章法娴熟巧妙，线条婉转流畅，传承篆刻技法治印。地域风格的关系，袁朴犹喜浙派徐三庚、赵之谦治印风格，其篆书结体中宫收紧，上密下疏，每划必求舒展，飘逸跌宕，有“吴带当风”之感，他通过刀锋的婉转变化将自己独特的篆书表现在印作中。作品《中国国际印刷技术展》可为代表。

Yuan Pu's seal cutting also has its own advantages: the knife technique is clear and strong, the composition is skillful and ingenious, and the lines are graceful and smooth, which inherits the seal cutting techniques and seals. Yuan Pu liked the seal printing style of Xu sangeng and Zhao Zhiqian of Zhejiang School. His seal script structure was tight in the palace, dense in the upper part and sparse in the lower part. He had a sense of "Wu Dai Dang Feng" in every stroke. He expressed his unique seal script in his printing through the gentle change of the blade. The work "China International Printing Technology Exhibition" can be represented.

让书法作品与世界交流

Let calligraphy communicate with the world

《草书沁园春·雪》和《鹰击长空》是袁朴参加国际书展活动的作品，显示了中国书法的线条在白纸上的点，线，面的变化和魅力。让世界人民从另一个层面了解中的的文化。

"Spring snow in caoshu Qinyuan" and "Eagle strikes the sky" are the works of Yuan Pu who participated in the International Book Fair. They show the changes and charm of Chinese calligraphy lines on white paper. Let the people of the world understand the culture of China from another level.

袁朴的书法作品从80年代开始走向国际书法舞台，先是书法作品被美国前总统小布什作为国礼收藏。作品曾在法国卢浮宫展示并由美国国家博物馆收藏。自2008年在俄罗斯圣彼得堡举办第一届国际书法展以来，已连续举办十届。袁朴多次参加展出，并参与中国展区的筹备工作，向世界介绍中国书法艺术。

Yuan Pu's calligraphy works began to move to the international calligraphy stage in the 1980s. At first, his calligraphy works were collected as national rites by former US President George W. Bush. The work was exhibited at the Louvre in France and collected by the National Museum of the United States. Since the first international calligraphy exhibition was held in St. Petersburg, Russia in 2008, it has been held for ten consecutive times. Yuan Pu participated in many exhibitions and participated in the preparatory work of China exhibition area, introducing Chinese calligraphy art to the world.

赠送美国前总统乔治·布什的作品

A gift of works by former US President George W. Bush

2019年1月22日陪同俄罗斯现代书法博物馆馆长、莫斯科索科利尼基会展中心总裁阿列克谢•沙布罗夫一行，而参观考察江苏省涟水县毛广淞爨体书法艺术馆。 为2019年9月在俄罗斯举办的《伟大的中国书法（与国画）：一带一路》展览征选优秀书法作品。

On January 22, 2019, he accompanied Alexei sabrov, curator of Russian modern calligraphy Museum and President of Moscow Sokolniki Convention and Exhibition Center, and visited Mao Guangsong Cuan calligraphy art museum in Lianshui County, Jiangsu Province. One belt, one road China's calligraphy (and traditional Chinese painting), was selected for excellent calligraphy in September 2019.

据袁朴介绍自古以来涟水就是著名的文化之乡，文化名人代有辈出。涟水县十分重视倡导涟水文化之乡的建设，2018年成功的将涟水云锦艺术打入瑞典市场。2017年在涟水创建毛广淞爨体书法艺术馆，以带动促进涟水文化建设，也是涟水作为书法之乡一个成功之作。

According to Yuan Pu, Lianshui has been a famous cultural town since ancient times, with cultural celebrities appearing in large numbers. Lianshui County attaches great importance to the construction of Lianshui cultural town, and successfully introduced Lianshui brocade art into the Swedish market in 2018. In 2017, the maoguangsong Cuan style calligraphy art museum was established in Lianshui to promote the cultural construction of Lianshui. It is also a successful work of Lianshui as the hometown of calligraphy.

爨体，康有为称它是书体中的国宝。“興字头，林字腰，大字下边用火烧”是“爨”字的写法口决。这个“爨”字不寻常。近瞧，笔体似楷似行似隶似篆；远观，楷行错综，隶篆间隔，四种字体集于一字，就是“爨” 。

Cuan style, Kang Youwei called it a national treasure in calligraphy. "Xing prefix, Lin character waist, big character with fire under" is the writing method of "Cuan". The word "Cuan" is unusual. From a close look, the style of the brush is like regular script, like line, like Li, like seal script; from a distance, the regular script is complicated, and the Li and Zhuan characters are separated, and the four types of fonts are integrated into one character, which is called "Cuan".

右上角题写书名即为爨（cuan)体

The title of the book in the upper right corner is Cuan style

“爨”曾是古南中(今云、贵、川部分地区)的大姓，但爨体字并非爨氏所创，而是1600年前魏晋时期，云南曲靖地区百姓为纪念“爨氏家族”给南中地区带来的辉煌历史所立碑文中的字体。

"Cuan" used to be a big family name in ancient nanzhong (today's Yunnan, Guizhou and Sichuan regions), but the Cuan style characters were not created by the Cuan family, but by the people in Qujing, Yunnan Province, 1600 years ago, in order to commemorate the glorious history brought by the "Cuan family" to nanzhong region, Cuan characters were not created by the Cuan family.

爨体字介于隶书和楷书之间，端庄、古雅，却命运多舛。为倡导薄葬，曹操及后来的晋武帝司马炎都下过“禁碑令”，爨体字就此尘封千年，直到清朝乾隆戊戌年间，“大小二爨碑”才在云南曲靖被发现。近年来被一位当代军人书法家，连水人毛广淞，用整整四年，一心揣摩“爨”，一遍遍临摹400余个爨体字，揣摩着笔意。一个笔画一个笔画的揣摩笔意，练习笔法。·····毛广淞写出的爨体字也如“爨碑”一样用笔方峻，起收果断，有汉碑法度，隶书遗意。爨体重现书坛被北大方正用毛广淞的名字命名他复活续写的爨体字：“毛广淞爨体”。与启功体、舒同体比肩，共同进入中国电脑汉字库。因其在中国书坛上成就而被袁朴推荐给俄罗斯现代书法博物馆。

Cuan style characters are between Lishu and kaishu. They are dignified and elegant, but they are ill fated. In order to advocate thin burials, Cao Cao and Sima Yan, the later emperor of the Jin Dynasty, issued a ban on steles, and the characters in Cuan style were sealed for thousands of years. It was not until the reign of Qianlong and Wuxu in the Qing Dynasty that the "big and small Cuan steles" were discovered in Qujing, Yunnan Province. In recent years, Mao Guangsong, a contemporary military calligrapher, has spent four years trying to figure out "Cuan", copying more than 400 Cuan characters over and over, trying to figure out the meaning of the strokes. A stroke, a stroke of understanding the meaning of the brush, practice writing. ·····The Cuan style characters written by Mao Guangsong are just like "Cuan stele". They are strict in writing and resolute in collection. They have the law of Han Dynasty stele and the meaning of official script. The reappearance of Cuan style in the calligraphy world was named after Mao Guangsong by founder of Peking University. The character "Mao Guangsong Cuan style" was continued by him. With Qigong style and Shu Tongti, we enter the Chinese computer Chinese character library together. Because of his achievements in Chinese calligraphy, he was recommended to the Russian modern calligraphy Museum by Yuan PU.

袁朴接受沙布罗夫颁发的邀请证书

Yuan Pu accepted the invitation certificate from sabrov

沙布罗夫此行是为2019年9月在俄罗斯举办的《伟大的中国书法（与国画）：一带一路》该展以发展中俄关系为宗旨展示中国书法及展览征选优秀的书法家及其书法作品。沙布罗夫专程来涟水是为能亲眼一睹更多的毛广淞作品。目前在毛广淞爨体书法艺术馆布置了60幅书法精品。

China's China calligraphy and exhibition one belt, one road to the great Chinese calligraphy (and Chinese painting) held in Russia in September 2019, is the purpose of Sabu Rolf's visit. Sabrov made a special trip to Lianshui to see more Mao Guangsong's works. At present, there are 60 pieces of exquisite calligraphy in maoguangsong Cuan style calligraphy art museum.

在涟水毛广淞爨体书法艺术馆看到雄强遒劲的毛爨体作品，是最能体现中国当代时代精神的正大气象的优秀字体，令人精神为之振奋。沙布罗夫非常喜悦，表示其展厅效应十分震撼。邀请毛广淞在俄罗斯2019《伟大的中国书法（与国画）：一带一路》展的开幕式会场上亲自布置毛爨巨幅大字作品。

In the maoguangsong Cuan style calligraphy art gallery in Lianshui, we can see the majestic and vigorous maocuan style works, which are the excellent fonts that can best reflect the positive atmosphere of the contemporary spirit of China, which is inspiring. Sabrov was very happy and said that the exhibition hall effect was very shocking. One belt, one road, China, is invited to Mao Guangsong to decorate Mao's huge character in the opening ceremony of the 2019 great Chinese calligraphy (and Chinese painting): the "one belt and one road" exhibition.

自谓书屋《朴雪斋》配图

The picture of Pu Xue Zhai

在袁朴书法作品中，最让我感觉中国文人味道的是《朴雪斋》匾额。古朴端庄，自有一股书卷气扑面而来。

Among yuan Pu's calligraphy works, the plaque of "Park Xue Zhai" is the most impressive to me. It is simple and dignified, and has its own scholarly spirit.

袁朴解释斋名的来历：

Yuan Pu explained the origin of the name of Zhai

我名为朴，我的爱人名为雪清，顺理成章，我的书斋就起名为 朴 雪 齋 。朴雪还是一味清热解毒的中药。我非常感谢我的父亲，给我取了这个名字。大朴不雕，“道”在其中。

My name is park, and my lover's name is Xueqing. Naturally, my study is named Park xuezhai. Park snow is also a traditional Chinese medicine for clearing away heat and detoxification. I am very grateful to my father for giving me this name. "Tao" is one of them.

袁朴在作品集最后说：爱书法， 唯有不断追求，不求报酬，不为谋生，心平气和。越学，越感觉到中国书法的博大精深，古人的书法经典境界技艺高远，值得我们继承发展永无极限。

Yuan Pu said at the end of his works collection that the only way to love calligraphy is to pursue it constantly, not to make a living, and to be calm. The more we learn, the more we feel the breadth and profundity of Chinese calligraphy. The ancient Chinese calligraphy has a high level of classical skills, which is worthy of our inheritance and development.

郝连成 2019年3月29日 于京津冀

Hao Liancheng was in Beijing, Tianjin and Hebei on March 29, 2019