《国家宝藏》:让国宝活起来"National treasure": let the national treasure live
《国家宝藏》:让国宝活起来
作者:阎晶明,系中国作家协会副主席
不忘历史,才能开辟未来。善于继承,才能善于创新。习近平总书记在中国文联十大、中国作协九大开幕式上讲话中指出:“要加强对中华优秀传统文化的挖掘和阐发,使中华民族最基本的文化基因同当代中国文化相适应、同现代社会相协调,把跨越时空、超越国界、富有永恒魅力、具有当代价值的文化精神弘扬起来,激活其内在的强大生命力,让中华文化同各国人民创造的多彩文化一道,为人类提供正确精神指引。”
承故人之创造,开时代之生面。只有实现中华文化的创造性转化和创新性发展,才能不断铸就中华文化新辉煌。文化节目一直是央视作为国家电视台的责任坚守,并在今年精心打造、连续推出了以《朗读者》和《中国诗词大会》为代表的标杆综艺。2017年岁末,当文学细分题材被集体消费的时候,央视再度升级视野和格局,隆重推出大型文博探索节目《国家宝藏》,为央视文化系列品牌再添新力,观之令人振奋。
相较央视之前的文化节目,《国家宝藏》具有鲜明的风格特色。节目选取的表现对象是文物,以文化的内核、综艺的外壳、纪录的语言,创造一种全新的表达,用时尚现代的方式激活深沉古老的历史,致力于“让国宝活起来”。从制作来看,《国家宝藏》秉持了高规格和高品质,央视和故宫两大文化体强强联手,八家国家重点博物馆鼎力加盟,共计九家博物馆、遴选27件国宝重器交与万众共赏,高峰并峙,精彩可期。
文物承载灿烂文明,传承历史文化,维系民族精神,是老祖宗留给我们的宝贵遗产,是加强社会主义精神文明建设的深厚滋养。完全不同于过去的鉴宝节目,《国家宝藏》向文博领域发起的是真正意义上的价值探索——这里没有任意判断的“鉴定”,没有随意而出的价码,文物回归到最为浓缩和纯粹的文化载体,观众获得的是蕴含在内里的文化密码、附着在其上的文化符号。
可以看出,《国家宝藏》从一开始就以高度的文化自觉,努力将传统文化与当代文化结合起来,努力实现传统文化的现代性转化。这一追求,从第一期节目即可窥见一斑。首期展现了来自故宫博物院的三件文物,每一件都有一段“前世传奇”与一个“今生故事”,还有跟它一起血脉相依的守护人。这一切,都能让观众真切感受到:这些文物历经风雨而来,每一个都是饱满的生命、岁月的传奇。
“前世传奇”通过舞台戏剧的方式完成的微型历史剧表演,演绎一段基于大量史料合理联想的故事,让观众可以在生动活泼的感受中,触摸一件件国宝的历史温度。无论是《千里江山图》与宋徽宗、各种釉彩大瓶与乾隆,还是石鼓与司马池父子,节目都以戏剧表演的方式娓娓讲述,生动可感,融知识性和趣味性于一体。在“今生故事”部分,节目多角度选取和国宝产生当下命运关联的现代人物,讲述一个个关于“守护”的故事——历时四年潜心研究《千里江山图》“青绿之色千年不败”之谜的中央美术学院老师、非物质文化遗产名录国画颜料技艺传承人、近十位常年在故宫做志愿者的义务讲解员,以及一个五代人都在守护故宫的家庭……透过这些朴实无华的人和事,观众或震撼,或敬仰,或怜惜,或骄傲——原来,这些国宝背后有着如此非凡的身世、不朽的光芒,更有如此多的人带着满腔的赤诚与热爱,和它们血脉相依。他们用心血乃至生命守护的,正是我们整个中华民族的精神财富。
这种“前世传奇”和“今生故事”对应对接的表达方式,正是创作者在传承中的手法创新。讲清一件国宝级的文物,且还要将专业性、知识性、通俗性、艺术性有机结合,要将文物价值与当代态度融为一体,这对创作来说实为难事。《国家宝藏》采取了一种新颖别致的叙事结构来完成表达诉求。每期节目由出自一家博物馆的三件文物构成,每一件文物都有一组国宝守护者,对每一件文物进行全方位的解读。其中,明星嘉宾演绎国宝的“前世传奇”,而后由他们引出“今生故事”的讲述者,大家共同讲述文物的过去和现在,引出话题,激发思考。此外,张国立担任001号讲解员,负责串联整个的讲解任务。九大博物馆馆长坐镇,适时点评、补强文物信息,将一件文物穿越历史的故事讲得可感可亲、有理有据。那些平日里在博物馆玻璃柜里安放着的静物,在《国家宝藏》的舞台上却充满活力,成了有生命、有温度、有故事、有性格的存在,这才是真正意义的“让国宝活起来”。
通过对一件件国家宝藏的生动叙述,让观众读到一段历史,认识一件文物背后包含的政治的、文化的、艺术的内涵,这一追求在《国家宝藏》得以实现,必将有力地促进社会公众对传统文化、对文物知识的兴趣。目前,我国各级博物馆已全面向社会免费开放,博物馆的参观人数逐年增加,这是一种文化复兴的新气象。在这一过程中,如何让博物馆里的文物真正活起来,使普通公众不仅可见,更可感、可知,就成为一项重要的课题。此次,《国家宝藏》秉持高度的使命和担当,进行了极具价值的诚意破题。
文物不是尘封的古董,《国家宝藏》让我们感受到了“一眼千年”中日日流淌、从未褪色的文化自信。这档雅俗共赏、庄合相交的文化节目,是续接历史、让昨天与今天生动对话的过程,是把历史辉煌与当代文明融合的过程,是让国宝级文物从冰冷的橱窗里“走”出来,让人感知其澎湃生命力的过程。这样的节目,也是让博物馆里的宝藏真正生发其独特价值,引发公众对优秀传统文化产生骄傲自豪的过程。如此格局开阔、气势磅礴的节目,值得我们继续期待。
来源:光明网
"National treasure": let the national treasure live
Author: Yan Jingming, vice chairman of the Chinese writers' Association
The future can be opened up without forgetting history. To be good at inheriting, can be good at innovation. General secretary Xi Jinping at the opening of China, nine China Federation of the ten writers pointed out on speech: "to strengthen the Chinese traditional culture of mining and elucidation of the Chinese cultural genes most basic to adapt to contemporary China culture with modern society coordinated, the cultural spirit across time and space, beyond borders, rich the eternal charm, with contemporary value of carrying forward and activation of the intrinsic vitality, let the Chinese culture with the people of all countries to create a colorful culture, to provide correct guidance for the human spirit."
The old creation, new dough. Only by realizing the creative transformation and innovative development of Chinese culture can the Chinese culture be continuously cast into a new brilliance. Cultural programs have been the responsibility of CCTV as the responsibility of the national TV station. And this year, we have meticulously built and launched the benchmarking variety represented by "the reader" and "the Chinese poetry conference". At the end of 2017, when the literary theme is subdivision of collective consumption, CCTV re escalation of vision and pattern, the grand launch of large-scale cultural exploration program "national treasure", CCTV culture series brand adds Sony, view of the exciting.
Compared with the cultural programs before CCTV, the national treasure has a distinctive style. The object of the program selection is cultural relic. It creates a new expression with the core of culture, the shell of the variety, and the language of record. It activates the deep ancient history in fashion and modern way, and is committed to "let the national treasure live." From the production point of view, "national treasure" uphold the high standard and high quality, CCTV and the Imperial Palace two culture together, eight national museums to join a total of nine museums, selection of 27 national treasures and peoples of all, peak and Zhi, wonderful period.
Cultural relics bearing splendid civilization, historical and cultural heritage, maintaining the national spirit, is the ancestor of our precious legacy, deep nourishment is to strengthen the construction of socialist spiritual civilization. Completely different from the past, Kam Po program, "national treasure" to the cultural field initiated is the true sense of the value of exploration -- there is no arbitrary judgment "identification", do not have a price, return to the most concentrated cultural relics and cultural carrier of pure, the audience is contained in the cultural symbols inside the password, attached to the culture of the.
It can be seen that "national treasure" from the beginning, with a high degree of cultural consciousness, efforts to combine traditional culture with contemporary culture, and strive to achieve the transformation of traditional culture. This pursuit, from the first phase of the program to get a glimpse. The first phase shows three artifacts from the the Imperial Palace Museum, each of which has a past life legend and a life story. All this can let the audience truly feel that these relics have come through the wind and rain, each of which is a full life and a legend of the years.
The former historical legend, a miniature historical play performed through stage plays, deducts a story based on a large number of historical data and reasonable association, so that the audience can feel the historical temperature of a treasure in vivid feelings. Whether the Trinidad jiangshantu "and Song Huizong, all kinds of glaze bottle and Qianlong, Shigu and Sima pool program with father and son, the theatrical way tells the story, vivid sense, knowledge and amusement. In the "life story" part of modern characters show multi angle selection and David have present destiny related, tells about a "Guardian" of the story, which lasted four years of painstaking research the Trinidad jiangshantu "" green color Millennium unbeaten "mystery of the China Central Academy of Fine Arts teacher, intangible cultural heritage of traditional Chinese painting successor, nearly ten years in the the Imperial Palace volunteer obligation instructors, as well as a five generation family in the Imperial Palace guard...... The chastity of people and things, the audience or shock, or admiration, or pity, or pride - the original, these national treasures are behind such an extraordinary life, eternal light, so many more people with sincerity and with love, and their blood. They are the spiritual wealth of the whole Chinese nation with their heart and soul.
The expression of this "Legend of the past" and "the story of the present" is the creative way that the creator is inheriting. From a national treasure of cultural relics, and also the professional knowledge, popularity and art combine to cultural value and contemporary attitude integration, the creation is very easy. "National treasure" has adopted a novel and unique narrative structure to fulfill the expression demands. Each program is made up of three artifacts from a museum. Every cultural relics has a group of national treasure guardians. It carries out a comprehensive interpretation of every cultural relics. Among them, the star guests deduce the "past legend" of the national treasure, and then lead them to tell the story of "this life story". They share the past and present of the cultural relics together, and draw the topic and stimulate thinking. In addition, Guoli Zhang is the No. 001 interpreter and is responsible for the series of interpreters. The nine Museum sits, timely comments, reinforcing cultural information, the cultural relics through the history of the story can be amiable and reasonable. Those on weekdays in the Museum of glass cabinet Anne
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