齐白石的9亿VS达·芬奇的30亿

拍卖春天，真的快来了吗

                  Is it really coming in the spring of the auction

　　■达·芬奇作品《救世主》。

　　■齐白石作品《山水十二条屏》。

　　近日，齐白石作品《山水十二条屏》拍出9.315亿元（人民币，下同），成为目前最贵的中国艺术品。这也引发媒体关注。

　　中西艺术品各有特点

　　前一阵，文艺复兴大师达·芬奇的一幅画作在纽约佳士得拍卖行拍卖。最终，这幅画以4.503亿美元的价格成交，约合29.86亿元人民币，创下艺术品拍卖的“最昂贵”纪录。

　　对此，中国拍卖协会副秘书长欧树英坦言，有诸多因素可以影响艺术品价格。“包括作品的艺术性、市场认可度等。另外作品的衍生信息也决定其潜在的价格，艺术品的交易记录、知名度会对价格产生影响。还有可遇不可求的因素，比如遇到对的买家，价格就能上去。同时像税收、民族、社会评论、宗教等因素可能都会对艺术品价格产生非常大的影响。”

　　她指出，中西方艺术品的不同价格“是在两个不同文化体系之下的价格呈现”。“我们不能说西方价格体系和中国的艺术品价格体系哪个更好。但它们确实都遵循一定的客观规律，这些规律是客观存在的。”

　　“达·芬奇的《救世主》拍出多少亿和齐白石的《山水十二条屏》拍出多少亿，都是在现有的社会背景基础之上产生的，它们各有各的特点。”欧树英说。

　　中国艺术品拍卖的春天还有多远

　　“我感到中国艺术品市场的春天快回来了。”齐白石作品《山水十二条屏》拍出9.315亿元人民币后，北京保利拍卖执行董事赵旭这样说道。在这个冬天，这样的价格确实让中国艺术品市场感受到了一丝暖意。但这样的暖意是否意味着拍卖的春天已经到来？

　　据报道，17日晚，除了成交价超过9亿元的齐白石《山水十二条屏》，还有四件成交价格过亿元人民币的作品——赵孟頫的《般若波罗蜜多心经》以1.909亿元成交、吴昌硕的《花卉十二屏》拍出2.093亿元、李可染的《韶山——革命圣地毛主席旧居》拍出1.7825亿元、崔如琢的《指墨山水十二条屏》以2.415亿元成交。

　　其中，赵孟頫的《般若波罗蜜多心经》刷新了今年中国古代书画全球最高纪录，崔如琢的《指墨山水十二条屏》刷新了中国当代水墨的全球最高纪录，齐白石的《山水十二条屏》创造了全球最贵中国艺术品的纪录。

　　在18日晚的嘉德秋拍中，这样的热度仍未停止。当晚成交价超过亿元的作品有四件——张大千作品《江堤晚景》拍出1.3225亿元、张大千的《十月观音》以1.012亿元成交、徐渭的《写生卷》拍出1.27亿元、沈周的《送吴文定行图并题卷》拍出1.4835亿元。

　　热度不仅体现在数字上，拍卖现场也颇热闹。即便是以4.5亿元起拍的齐白石《山水十二条屏》，现场的竞拍也很激烈，在相当一段时间内，各方买家一次加价就达一两千万元。“当晚到场有1500人次以上，是我们保利拍卖十二年来最多的一次。”赵旭告诉记者。

　　是否整体回暖还需观察

　　对此，中国拍卖协会副秘书长欧树英认为，重点拍品和明星拍品的市场热度一直都在，但艺术品拍卖市场整体是否回暖还需要继续观察。

　　“从这几年看，我们始终觉得从2011年开始的这波调整一直在延续。”她指出，此次调整有较明显的特点——市场越来越成熟，买家越来越精明，资源也越来越向有优势的企业、市场集中。“随着藏家个人的眼力、学识不断提高，对拍品越来越挑剔，会朝着一些流传有序的拍品下手，因此这类拍品在市场上表现都会不错。”

　　而北京的拍卖情况不错也正是“资源向有优势的企业、市场集中”的表现。“北京的市场可能会占据整个中国艺术品拍卖市场一半左右的份额，是当之无愧的龙头。”欧树英说。

　　中国嘉德副总裁兼中国书画业务总负责人郭彤也觉得，今年自己突出的感受正是“大家对市场越来越客观，甄选冷静严格”。

　　另一方面，欧树英也坦言，国内拍卖市场也不乏一些“稍显平淡的”场次。“仍然存在价位不理想，甚至流拍的情况。”

　　欧树英告诉记者，在市场的热闹之外，也要全面看待市场状况，不能过于乐观。“秋拍才刚刚开始，一切也都尚待观察。一般来说，在每年秋拍季结束之后，中国拍卖协会会做行业数据统计。在经过一段时间的沉淀和观察之后，看到底哪些拍品完成了交割、哪些拍品非常顺畅地完成了付款。这些情况会在我们的下一轮统计情况中体现出来。有的时候稍微隔一点时间回头去看，可能会更准确一些。”

　　“但我想大家越来越理性的话，市场肯定会越来越好。”欧树英说。 

来源：中新网

Recently, Qi Baishi's works, "the twelve landscape of landscape", made 931 million 500 thousand yuan (RMB, the same), and became the most expensive Chinese art at present. This has also led to media attention.

Chinese and Western art has its own characteristics

A few days ago, a painting by Da Finch, a renaissance master, was auctioned at the Christie's auction house in New York. Finally, the painting was sold at a price of $450 million 300 thousand, about 2 billion 986 million yuan, creating the "most expensive" record of the art auction.

In this regard, Ou Shuying, Deputy Secretary General of the China Auction Association, confessed that there were many factors that could affect the price of art. "Including the artistry of the works, the degree of market recognition and so on. In addition, the derivative information of the work also determines its potential price. The record of the trade of art and the popularity of the works will affect the price. There are also factors that can not be sought, such as the buyer in the right way, the price can go up. At the same time, such as tax, national, social review, religion and other factors may have a great impact on the price of art.

She points out that the different prices of Chinese and Western art are "the price of the two different cultural systems". "We can't say which is better in the western price system and in the Chinese art price system. But they do follow certain objective laws, and these laws exist objectively. "

How many millions of Finch's savior has been captured by the Savior of the Messiah and Qi Baishi's twelve landscape screens, which are produced on the basis of the existing social background. They have their own characteristics. Ou Shuying said.

How far is the spring of Chinese art auction

"I feel that the spring of the Chinese art market is coming back soon." After Qi Baishi's works "the twelve landscape of landscape", 931 million 500 thousand yuan was taken, said Zhao Xu, the executive director of the Beijing Pauli auction. This winter, such a price really made the Chinese art market feel a little warmth. But does the warmth mean that the spring of the auction has come?

According to reports, the evening of 17, in addition to the transaction price of more than 900 million yuan of the "Twelve screen" Qi Baishi landscape, there are four pieces of the transaction price of 100 million yuan of the work of Zhao Mengtiao, the "Heart Sutra" to 190 million 900 thousand yuan turnover, Wu Changshuo's "Twelve screen" flowers sold 209 million 300 thousand yuan, Li Keran's "Shaoshan - revolution the former residence of Chairman Mao" the holy land sold 178 million 250 thousand yuan, Cui Ruzhuo's "Twelve screen" refers to the ink landscape to 241 million 500 thousand yuan turnover.

Among them, Zhao Mengtiao's "Heart Sutra" refresh this year China global record of ancient calligraphy and painting, Cui Ruzhuo's "twelve" refers to the ink landscape screen refresh record global Chinese contemporary ink painting, Qi Baishi's "Twelve screen" landscape to create the world's most expensive Chinese art record.

In the evening of the 18 day, this kind of heat was still not stopped. When the evening price of more than billion yuan has four works: the works of Zhang Daqian's "river bank" sold 132 million 250 thousand yuan, Zhang Daqian's "Guanyin" in October to 101 million 200 thousand yuan turnover, Xu Wei's "painting" sold 127 million yuan, Shen Zhou's "Wu pacalDannynouncedrned" wending diagram and took out 148 million 350 thousand yuan.

The heat is not only in numbers, but also in the auction site. Even starting to 450 million yuan Qi Baishi "landscape twelve" screen, the scene of the auction is very fierce, in quite a long time, the parties to a buyer increase amounted to 20 million yuan. "There are more than 1500 people on the scene in the evening, which is the largest one of our Pauli auction for twelve years." Zhao Xu told reporters.

It is still necessary to observe whether the overall warming is still necessary.

In response, Ou Shuying, Deputy Secretary General of China Auctioneers Association, said that the market fever of key products and star products has always been there, but it still needs to continue to observe whether the art auction market is getting warmer.

"From the past few years, we have always felt that the adjustment of this wave, which began in 2011, has been continuing." She pointed out that the adjustment has obvious characteristics -- the market is becoming more and more mature, buyers are becoming more and more smart, and resources are increasingly concentrated on enterprises and markets with advantages. "As the Tibetan people's eyesight and knowledge continue to improve, they will be more and more critical of the products, and will start to move to some orderly products, so they will perform well in the market.

And Beijing's auction is good and is the "resource to have the advantage of the enterprise, market concentration" performance. "The market in Beijing may occupy about half of the whole Chinese art auction market, and it is a well deserved leader." Ou Shuying said.

Guo Tong, vice president of China and President of Chinese painting and calligraphy business, also feels that this year's outstanding feeling is "we are more and more objective towards the market, and the selection is calm and rigorous".

On the other hand, Ou Shuying also confessed that the domestic auction market is not lack of some "slightly flat" field. "The price is still not ideal, even the flow of the situation."

Ou Shuying told reporters that, in addition to the bustle of the market, we should also take a comprehensive view of the market situation and not be too optimistic. "The autumn racket has just started, and everything is still to be observed. Generally speaking, after the end of the annual fall season, the Chinese Auction Association will do the statistics of the industry data. After a period of precipitation and observation, see which of the final products completed the delivery, which is very smooth to complete the payment. These things will be reflected in our next round of statistics. Sometimes it may be more accurate to look back at a little time.

"But I think people are more and more rational